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When we imagine the homes of our favorite actors, we often think of picturesque kitchens, artwork hanging on the walls, luxurious furniture, and pristine conditions 24/7. But for celebrities with children, sometimes that last one isn’t always accurate! Kids will be kids – which means there may be messy bedrooms, toys strewn across their play area, and maybe even some crayon marks or finger-paints on walls or floors.
Lucy Liu recently partnered with One Kings Lane and Paintzen to redesign her son Rockwell’s playroom in their Manhattan apartment for that reason. Previously, Lucy had decided not to focus too much on the layout or color of the space – it was simply a room to hold all of Rockwell’s toys. There wasn’t much of a design element to it and very little storage.
Lucy was ready to change that – and transform the room into something more sophisticated and tranquil for both Rockwell and for guests (especially those with kids!). And to really bring that transformation to life, one of the things that needed to change was the lack of color and texture on the walls.
When selecting the color palette, Lucy and One Kings Lane designer Nicole Fisher decided on a more neutral, contemporary style. They chose to avoid the primary colors, which are too often utilized in children’s rooms and playrooms.
Instead, they chose to have Paintzen paint the walls in a cozy gray with warm beige undertones. (Try PPG ‘Slate Pebble’ for a similar look!) It created a perfect backdrop for the decor selected for the room, which included a tepee for Rockwell, some Tribal-inspired artwork, Moroccan woven baskets, and some framed artwork.
To add texture to the space, Paintzen also installed wallpaper on two of the walls. The wallpaper pattern involved muted blues and grays to add subtle color and a slight contrast to the rest of the walls. Take a closer look at this smartly designed space, featuring a beautiful neutral color palette and lots of exciting textures!

Photography by Richard Powers, with styling by Anita Sarsidi
Example of a mid-sized transitional dark wood floor and brown floor dining room design in New York with white walls and no fireplace
Example of a mid-sized transitional dark wood floor and brown floor dining room design in New York with white walls and no fireplace

Inspiration for a transitional dark wood floor, brown floor and wainscoting enclosed dining room remodel in Boise with gray walls
Find the right local pro for your project

Photograph by Recent Spaces with David Connolly
Mid-sized elegant ceramic tile and multicolored floor hallway photo in London with white walls
Mid-sized elegant ceramic tile and multicolored floor hallway photo in London with white walls

©Chris Laughter Photo
Example of a transitional 3/4 gray tile gray floor freestanding bathtub design in San Diego with raised-panel cabinets, black cabinets, black walls, an undermount sink and black countertops
Example of a transitional 3/4 gray tile gray floor freestanding bathtub design in San Diego with raised-panel cabinets, black cabinets, black walls, an undermount sink and black countertops

Architect: Charlie & Co. | Builder: Detail Homes | Photographer: Spacecrafting
Eclectic light wood floor bedroom photo in Minneapolis with green walls
Eclectic light wood floor bedroom photo in Minneapolis with green walls

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

The Back Bay House is comprised of two main structures, a nocturnal wing and a daytime wing, joined by a glass gallery space. The daytime wing maintains an informal living arrangement that includes the dining space placed in an intimate alcove, a large country kitchen and relaxing seating area which opens to a classic covered porch and on to the water’s edge. The nocturnal wing houses three bedrooms. The master at the water side enjoys views and sounds of the wildlife and the shore while the two subordinate bedrooms soak in views of the garden and neighboring meadow.
To bookend the scale and mass of the house, a whimsical tower was included to the nocturnal wing. The tower accommodates flex space for a bunk room, office or studio space. Materials and detailing of this house are based on a classic cottage vernacular language found in these sorts of buildings constructed in pre-war north america and harken back to a simpler time and scale. Eastern white cedar shingles, white painted trim and moulding collectively add a layer of texture and richness not found in today’s lexicon of detail. The house is 1,628 sf plus a 228 sf tower and a detached, two car garage which employs massing, detail and scale to allow the main house to read as dominant but not overbearing.
Designed by BC&J Architecture.

Eat-in kitchen - transitional u-shaped dark wood floor and brown floor eat-in kitchen idea in New York with shaker cabinets, an island, an undermount sink, white cabinets, marble countertops, multicolored backsplash, subway tile backsplash, stainless steel appliances and multicolored countertops

Featured in Rue Magazine's 2022 winter collection. Designed by Evgenia Merson, this house uses elements of contemporary, modern and minimalist style to create a unique space filled with tons of natural light, clean lines, distinctive furniture and a warm aesthetic feel.

A full inside-out renovation of our commercial space, featuring our Showroom and Conference Room. The 3,500-square-foot Andrea Schumacher storefront in the Art District on Santa Fe is in a 1924 building. It houses the light-filled, mural-lined Showroom on the main floor and a designers office and library upstairs. The resulting renovation is a reflection of Andrea's creative residential work: vibrant, timeless, and carefully curated.
Photographed by: Emily Minton Redfield

TEAM
Architect: LDa Architecture & Interiors
Builder: 41 Degrees North Construction, Inc.
Landscape Architect: Wild Violets (Landscape and Garden Design on Martha's Vineyard)
Photographer: Sean Litchfield Photography

Danish green tile gray floor and double-sink freestanding bathtub photo in Phoenix with flat-panel cabinets, medium tone wood cabinets, white walls, an undermount sink, white countertops and a floating vanity

Traditional Master Bathroom Update
Example of a large classic master white tile and ceramic tile ceramic tile, white floor and double-sink bathroom design in Atlanta with shaker cabinets, white cabinets, a two-piece toilet, white walls, an undermount sink, quartz countertops, a hinged shower door, white countertops and a built-in vanity
Example of a large classic master white tile and ceramic tile ceramic tile, white floor and double-sink bathroom design in Atlanta with shaker cabinets, white cabinets, a two-piece toilet, white walls, an undermount sink, quartz countertops, a hinged shower door, white countertops and a built-in vanity

The master bathroom showing a built-in vanity with natural wooden cabinets, two sinks, two arched mirrors and two modern lights.
Inspiration for a large mediterranean master white tile and porcelain tile terra-cotta tile, orange floor and double-sink bathroom remodel in Los Angeles with recessed-panel cabinets, brown cabinets, a one-piece toilet, white walls, a drop-in sink, marble countertops, a hinged shower door, white countertops and a built-in vanity
Inspiration for a large mediterranean master white tile and porcelain tile terra-cotta tile, orange floor and double-sink bathroom remodel in Los Angeles with recessed-panel cabinets, brown cabinets, a one-piece toilet, white walls, a drop-in sink, marble countertops, a hinged shower door, white countertops and a built-in vanity

This Kiawah marsh front home in the “Settlement” was sculpted into its unique setting among live oaks that populate the long, narrow piece of land. The unique composition afforded a 35-foot wood and glass bridge joining the master suite with the main house, granting the owners a private escape within their own home. A helical stair tower provides an enchanting secondary entrance whose foyer is illuminated by sunshine spilling from three floors above.
Photography: Patrick Brickman
Furnishings: G&G Interiors

Alcove bathtub - contemporary white tile alcove bathtub idea in London with an undermount sink, flat-panel cabinets, dark wood cabinets, a one-piece toilet and gray countertops
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