Photography by Andrew Frick Photography
Kids' room - transitional gender-neutral dark wood floor and brown floor kids' room idea in Los Angeles with gray walls

Sunday July 19, 3:00 to 4:30pm | Falls Village Pittman Residence by Designed by A.E. Bye, Dialogue led by Kimberly Mercurio of Kimberly Mercurio Landscape Architecture Designed by twentieth-century landscape architect A.E. Bye, the Pittman Residence in Falls Village, Connecticut features an artistic landscape design both inspired by and accentuating the area’s natural ecological character. Embodying the architect’s own creative aesthetic, the property incorporates various undulating landforms that draw on the presence of natural shadows to create a memorable landscape that lingers in the minds of visitors long after they bid the property ado. This season, join landscape architect and scholar Kimberly Mercurio as she leads an engaging dialogue on the design history of the Pittman Residence and the significance of Bye’s play on shadows in landscape architecture. With her immense knowledge of A.E. Bye’s work, having recently completed the A.E. Bye/Landscape Architecture Archives Research Fellowship at Penn State University and received a grant from Dumbarton Oaks to further study and document his achievements, Mercurio’s presentation promises to be both educational and inspiring. Photo courtesy Kimberly Mercurio

Sunday July 19, 3:00 to 4:30pm | Falls Village Pittman Residence by Designed by A.E. Bye, Dialogue led by Kimberly Mercurio of Kimberly Mercurio Landscape Architecture Designed by twentieth-century landscape architect A.E. Bye, the Pittman Residence in Falls Village, Connecticut features an artistic landscape design both inspired by and accentuating the area’s natural ecological character. Embodying the architect’s own creative aesthetic, the property incorporates various undulating landforms that draw on the presence of natural shadows to create a memorable landscape that lingers in the minds of visitors long after they bid the property ado. This season, join landscape architect and scholar Kimberly Mercurio as she leads an engaging dialogue on the design history of the Pittman Residence and the significance of Bye’s play on shadows in landscape architecture. With her immense knowledge of A.E. Bye’s work, having recently completed the A.E. Bye/Landscape Architecture Archives Research Fellowship at Penn State University and received a grant from Dumbarton Oaks to further study and document his achievements, Mercurio’s presentation promises to be both educational and inspiring. Photo courtesy Kimberly Mercurio

Sunday July 19, 3:00 to 4:30pm | Falls Village Pittman Residence by Designed by A.E. Bye, Dialogue led by Kimberly Mercurio of Kimberly Mercurio Landscape Architecture Designed by twentieth-century landscape architect A.E. Bye, the Pittman Residence in Falls Village, Connecticut features an artistic landscape design both inspired by and accentuating the area’s natural ecological character. Embodying the architect’s own creative aesthetic, the property incorporates various undulating landforms that draw on the presence of natural shadows to create a memorable landscape that lingers in the minds of visitors long after they bid the property ado. This season, join landscape architect and scholar Kimberly Mercurio as she leads an engaging dialogue on the design history of the Pittman Residence and the significance of Bye’s play on shadows in landscape architecture. With her immense knowledge of A.E. Bye’s work, having recently completed the A.E. Bye/Landscape Architecture Archives Research Fellowship at Penn State University and received a grant from Dumbarton Oaks to further study and document his achievements, Mercurio’s presentation promises to be both educational and inspiring. Photo courtesy Kimberly Mercurio

Sunday July 19, 3:00 to 4:30pm | Falls Village Pittman Residence by Designed by A.E. Bye, Dialogue led by Kimberly Mercurio of Kimberly Mercurio Landscape Architecture Designed by twentieth-century landscape architect A.E. Bye, the Pittman Residence in Falls Village, Connecticut features an artistic landscape design both inspired by and accentuating the area’s natural ecological character. Embodying the architect’s own creative aesthetic, the property incorporates various undulating landforms that draw on the presence of natural shadows to create a memorable landscape that lingers in the minds of visitors long after they bid the property ado. This season, join landscape architect and scholar Kimberly Mercurio as she leads an engaging dialogue on the design history of the Pittman Residence and the significance of Bye’s play on shadows in landscape architecture. With her immense knowledge of A.E. Bye’s work, having recently completed the A.E. Bye/Landscape Architecture Archives Research Fellowship at Penn State University and received a grant from Dumbarton Oaks to further study and document his achievements, Mercurio’s presentation promises to be both educational and inspiring. Photo courtesy Kimberly Mercurio

Sunday July 19, 3:00 to 4:30pm | Falls Village Pittman Residence by Designed by A.E. Bye, Dialogue led by Kimberly Mercurio of Kimberly Mercurio Landscape Architecture Designed by twentieth-century landscape architect A.E. Bye, the Pittman Residence in Falls Village, Connecticut features an artistic landscape design both inspired by and accentuating the area’s natural ecological character. Embodying the architect’s own creative aesthetic, the property incorporates various undulating landforms that draw on the presence of natural shadows to create a memorable landscape that lingers in the minds of visitors long after they bid the property ado. This season, join landscape architect and scholar Kimberly Mercurio as she leads an engaging dialogue on the design history of the Pittman Residence and the significance of Bye’s play on shadows in landscape architecture. With her immense knowledge of A.E. Bye’s work, having recently completed the A.E. Bye/Landscape Architecture Archives Research Fellowship at Penn State University and received a grant from Dumbarton Oaks to further study and document his achievements, Mercurio’s presentation promises to be both educational and inspiring. Photo courtesy Kimberly Mercurio

Home design - transitional home design idea in Dallas

Inspiration for a huge timeless u-shaped eat-in kitchen remodel in DC Metro with raised-panel cabinets, white cabinets, stainless steel appliances and two islands

Small minimalist open concept concrete floor and beige floor living room photo in New York with white walls, a standard fireplace, a plaster fireplace and a wall-mounted tv

Utility room - transitional beige floor utility room idea in Dallas with a drop-in sink, recessed-panel cabinets, white cabinets, beige walls and a side-by-side washer/dryer

This brownstone, located in Harlem, consists of five stories which had been duplexed to create a two story rental unit and a 3 story home for the owners. The owner hired us to do a modern renovation of their home and rear garden. The garden was under utilized, barely visible from the interior and could only be accessed via a small steel stair at the rear of the second floor. We enlarged the owner’s home to include the rear third of the floor below which had walk out access to the garden. The additional square footage became a new family room connected to the living room and kitchen on the floor above via a double height space and a new sculptural stair. The rear facade was completely restructured to allow us to install a wall to wall two story window and door system within the new double height space creating a connection not only between the two floors but with the outside. The garden itself was terraced into two levels, the bottom level of which is directly accessed from the new family room space, the upper level accessed via a few stone clad steps. The upper level of the garden features a playful interplay of stone pavers with wood decking adjacent to a large seating area and a new planting bed. Wet bar cabinetry at the family room level is mirrored by an outside cabinetry/grill configuration as another way to visually tie inside to out. The second floor features the dining room, kitchen and living room in a large open space. Wall to wall builtins from the front to the rear transition from storage to dining display to kitchen; ending at an open shelf display with a fireplace feature in the base. The third floor serves as the children’s floor with two bedrooms and two ensuite baths. The fourth floor is a master suite with a large bedroom and a large bathroom bridged by a walnut clad hall that conceals a closet system and features a built in desk. The master bath consists of a tiled partition wall dividing the space to create a large walkthrough shower for two on one side and showcasing a free standing tub on the other. The house is full of custom modern details such as the recessed, lit handrail at the house’s main stair, floor to ceiling glass partitions separating the halls from the stairs and a whimsical builtin bench in the entry.

Example of a large transitional slate floor wine cellar design in Los Angeles

For this project we were hired to design the residential interiors and common spaces of this new development in Williamsburg, Brooklyn. This project consists of two small sister buildings located on the same lot; both buildings together have 25,000 s.f of residential space which is divided into 13 large condos. The apartment interiors were given a loft-like feel with an industrial edge by keeping exposed concrete ceilings, wide plank oak flooring, and large open living/kitchen spaces. All hardware, plumbing fixtures and cabinetry are black adding a dramatic accent to the otherwise mostly white spaces; the spaces still feel light and airy due to their ceiling heights and large expansive windows. All of the apartments have some outdoor space, large terraces on the second floor units, balconies on the middle floors and roof decks at the penthouse level. In the lobby we accentuated the overall industrial theme of the building by keeping raw concrete floors; tiling the walls in a concrete-like large vertical tile, cladding the mailroom in Shou Sugi Ban, Japanese charred wood, and using a large blackened steel chandelier to accent the space.

Bathroom - transitional beige tile, brown tile and matchstick tile bathroom idea in Dallas with dark wood cabinets, beige walls, a vessel sink and quartzite countertops

Bedroom - large transitional master carpeted bedroom idea in Dallas with beige walls and no fireplace

Inspiration for a transitional gender-neutral carpeted and beige floor walk-in closet remodel in Dallas with recessed-panel cabinets and white cabinets

Example of a large transitional 3/4 beige tile and stone tile ceramic tile bathroom design in Dallas with recessed-panel cabinets, dark wood cabinets, a two-piece toilet, beige walls, a drop-in sink and granite countertops

Photo by Pedro Marti The client’s hired us to update this small post war apartment which didn’t appear to have ever been renovated since the buildings construction in 1964. The kitchen and bathroom were outdated and were fully gutted. In doing so we decided to open up the apartment in general by removing the wall that separated the kitchen from the living space to create a more open plan. The resulting design is an exercise in ultra-minimalism. The rear wall of the kitchen was outfitted with floor to ceiling cabinetry fit with custom satin lacquer doors and minimal white pulls. The custom paneled refrigerator integrates seamlessly within this wall to create a white backdrop for the kitchen. A peninsula was created opposite to give a work surface and to house the sink and range. Starkly contrasting black metal clad doors were chosen for this run of cabinetry. The unique metal doors have integrated pulls that are cut and folded from the metal cladding. The peninsula is topped in a faux concrete quartz surface. New wide plank walnut flooring was laid throughout the kitchen, living, and bedroom to giving the space a look of continuity. Trim was kept to a minimum, removing from all doors and windows and using only where absolutely necessary at the base of the walls. To achieve the look in the monochromatic bathroom, large format grey porcelain tile was laid in a careful grid; white metal floating shelves and the medicine cabinet were installed to precisely align with both the tile grid and the overhead linear LED fixture.

Designing this small area did not take much to make it come alive. However, I needed to make sure there was enough character. It had to become a significant part of the overall home, whether strolling up or down; the chance to see the different elements that make this area calm and serene is lovely. Credit: Photography by Apollo's Bow