Jack Michaud Photography
Example of a transitional freestanding desk medium tone wood floor home studio design in Portland Maine with gray walls

White kitchen with stacked wall cabinets, custom range hood, and large island with plenty of seating.
Huge transitional dark wood floor kitchen photo in New York with an undermount sink, shaker cabinets, white cabinets, quartzite countertops, stainless steel appliances, an island and metallic backsplash

This 3200 square foot home features a maintenance free exterior of LP Smartside, corrugated aluminum roofing, and native prairie landscaping. The design of the structure is intended to mimic the architectural lines of classic farm buildings. The outdoor living areas are as important to this home as the interior spaces; covered and exposed porches, field stone patios and an enclosed screen porch all offer expansive views of the surrounding meadow and tree line. The home’s interior combines rustic timbers and soaring spaces which would have traditionally been reserved for the barn and outbuildings, with classic finishes customarily found in the family homestead. Walls of windows and cathedral ceilings invite the outdoors in. Locally sourced reclaimed posts and beams, wide plank white oak flooring and a Door County fieldstone fireplace juxtapose with classic white cabinetry and millwork, tongue and groove wainscoting and a color palate of softened paint hues, tiles and fabrics to create a completely unique Door County homestead. Mitch Wise Design, Inc. Richard Steinberger Photography

Christina Wedge
Example of a mid-sized transitional freestanding desk medium tone wood floor home office design in Atlanta with gray walls

Photos by John and Kari Firak - Lomastudios.com
Living room - large eclectic medium tone wood floor living room idea in Chicago with beige walls, a standard fireplace, a brick fireplace and a wall-mounted tv

Wine Cellar
Example of a mid-sized classic terra-cotta tile and orange floor wine cellar design in Dallas with storage racks

Stephanie Kraus Design
Kids' bedroom - bedroom contemporary kids' bedroom idea with blue walls

Our clients live in a typical, traditional suburban home. One homeowner had been collecting wine and requested a dedicated room for storing, tasting and entertaining that felt as if he were in a California wine cellar. Our design team created a room with Old World touches including a dramatic arched entrance bordered by decorative faux stone quoins. The doorway has two dark wood and glass doors. Key features include two built-in dual zone, wine refrigerators, a flagstone look floor, mural on the back wall with an arch that looks as if there is a wine cellar behind it. Furnishings include a custom made, circular epoxy table with a live edge, 4 bar stools, two upholstered chairs and end table. Rough-hewn look beams adorn the ceilings and the walls and ceilings are hand troweled plaster with a glaze.

Custom plaster ceiling pattern for a great room, with large plaster detailed cove moulding.
Elegant family room photo in Dallas

We were delighted to paint the cabinetry in this stunning dining and adjoining bar for designer Cyndi Hopkins. The entire space, from the Phillip Jeffries "Bloom" wallpaper to the Modern Matters hardware, is designed to perfection!

40" stained glass dome.
Example of a classic living room design in Tampa

Custom plaster Ceiling pattern for a dining room, with large plaster cove moulding
Inspiration for a transitional dining room remodel in Dallas

40" stained glass dome.
Elegant living room photo in Tampa

Blend of metallics and plaster to create fabulous compliment to design of room. Designer Tonya Clutter.
Dining room - eclectic dining room idea in Hawaii

Open-plan family room and kitchen featuring coffered ceilings and expansive water views flow harmoniously together. David Burroughs
Example of a classic formal and open concept medium tone wood floor living room design in Baltimore with white walls

This bright new kitchen features a painted Nantucket beadboard ceiling, dropped beams, and random width Black walnut floors.
Large elegant u-shaped dark wood floor and brown floor eat-in kitchen photo with white cabinets, stainless steel appliances, an island, marble countertops, white backsplash, shaker cabinets and stone slab backsplash

Our owners were looking to upgrade their master bedroom into a hotel-like oasis away from the world with a rustic "ski lodge" feel. The bathroom was gutted, we added some square footage from a closet next door and created a vaulted, spa-like bathroom space with a feature soaking tub. We connected the bedroom to the sitting space beyond to make sure both rooms were able to be used and work together. Added some beams to dress up the ceilings along with a new more modern soffit ceiling complete with an industrial style ceiling fan. The master bed will be positioned at the actual reclaimed barn-wood wall...The gas fireplace is see-through to the sitting area and ties the large space together with a warm accent. This wall is coated in a beautiful venetian plaster. Also included 2 walk-in closet spaces (being fitted with closet systems) and an exercise room. Pros that worked on the project included: Holly Nase Interiors, S & D Renovations (who coordinated all of the construction), Agentis Kitchen & Bath, Veneshe Master Venetian Plastering, Stoves & Stuff Fireplaces

## I. Spatial Composition & Architectural Volume This is a compact urban salon organized with almost Miesian discipline around a single, decisive gesture: the L-configuration of low, tuxedo-armed banquette seating that hugs two perimeter walls and turns the room inward upon itself. The plan reads as a conversation pit without excavation—the seat heights are deliberately suppressed, the backs held low, so that the horizon of upholstery never competes with the aperture behind it. Above, a flat, unadorned plaster soffit-plane is held tight to the wall line, its perimeter reveal drawing a crisp shadow-gap that lets the ceiling appear to float free of the fabric-wrapped walls. The architectural protagonist is the millwork: a deep-jambed picture window recessed within a wide, radiused casing of pale rift-sawn oak, its returns thickened into a continuous window seat and low credenza that transitions seamlessly into flanking cabinetry. This joinery performs double duty as tectonic frame and furniture, resolving the corner where the sofa arm meets the wall with a fitted oak console rather than a leftover void. On the right, a taller oak portal—part case-goods, part passage—houses a monolithic dark media volume, its recessive blackness anchoring the composition's east edge and countering the pull of the glazing. Sightlines are carefully triangulated: the low furniture, the horizontal blind valance, and the parapet railing beyond stack into a series of registers that push the eye out over the rooftops, borrowing the cityscape as a fourth wall. ## II. Materiality, Color & Texture The palette is a study in warm neutrality calibrated across a very narrow tonal band, where interest is generated by texture rather than chroma. Walls are sheathed in a woven grasscloth or linen-weave wallcovering in oatmeal-taupe, its subtle grain absorbing light and lending the envelope a matte, tactile softness that reads almost suede-like in raking illumination. Against this, the oak millwork supplies a honeyed mid-tone with visible cathedral figure, satin-lacquered rather than glossed, so the wood glows without reflecting. Upholstery is a heavy natural linen in flax, deeply channel-tufted and biscuit-quilted—an insistent geometry of dimples and seams that catches light and prevents the mass from flattening. The textile program is where the room permits itself wit: indigo-and-ecru ikat or resist-dyed pillows introduce the only true saturation and the only irregular, hand-made mark; a wool blanket-stripe cushion in wheat, dove, and slate mediates between them; and the tailored roman shade and pinch-pleat drapery, in a subtly striated ombré weave of bronze, sand, and pewter, act as a tonal bridge between wall and wood. Below, the field shifts cool—an abrasi or silk-and-wool rug in ink and petrol blue, overlaid with a sinuous ogee lattice in muted gold, whose viscose sheen produces directional shimmer against the room's otherwise matte disposition. Leather appears twice, in caramel-toned saddle upholstery on the twin benches and ottoman, its topstitched panels and strap-pull detailing offering the crispest edge in the room; the espresso-stained coffee table and plinths supply the necessary chromatic bass note. A single celadon-and-blush ceramic vessel, with its banded, glazed belly, functions as a deliberate polychrome accent—an object of arrested attention within a rigorously restrained field. ## III. Lighting, Atmosphere & Style Profile Daylight is the primary luminaire and it is meticulously managed. The roman shade is dropped to roughly one-third, cropping the sky and glare while framing the mid-ground rooftops—a device that converts an ordinary window into a horizontal, cinematic panorama. Concealed cove or integrated LED lighting within the oak jamb washes the reveal from within, so the window surround reads as a self-illuminated frame and the transition from interior brightness to exterior daylight is softened rather than silhouetted; the same strategy grazes the wall panel behind the sofa, producing a gentle vertical gradient. Artificial light is otherwise almost entirely decorative and directional: a swing-arm wall sconce in antiqued brass with a domed, spun-metal shade cantilevers over the corner console, its low placement establishing a task-scaled pool of warmth and reinforcing the room's insistent horizontality. The resultant atmosphere is hushed, enveloping, and distinctly crepuscular—a lounge tuned for late-afternoon light and low conversation. Stylistically, the project synthesizes a mid-century modern armature—low-slung planar seating, tuxedo arms, brass and dark wood—with the tactile restraint of contemporary Warm Minimalism and a discernible strain of Japanese-influenced spatial editing: deep reveals, floating planes, an appreciation for the void, and objects placed with ikebana-like economy. One might classify it as Refined Urban Modernism, or a bespoke Warm Minimalism, in which luxury is expressed not through ornament but through the precision of joinery, the depth of the material palette, and the discipline with which the view is framed.

Tween Bedrooom in turquoise, hot pink, black and lime green. Designed by Ashley Taylor Home www.ashleytaylorhome.com Photos by Brandelyn Lee - www.brandelynlee.com