SDH Studio - Architecture and Design Location: Bal Harbour, Florida, USA Set in a magnificent corner lot in Bal Harbour Village the site is filled with natural light. This contemporary home is conceived as an open floor plan that integrates indoor with outdoor maximizing family living and entertaining.

Reimagining an Urban Classic Perched high above San Francisco’s Cow Hollow neighborhood, this meticulously reimagined residence represents a thoughtful transformation of a classic urban home into a contemporary, light-filled sanctuary. The project involved a comprehensive renovation paired with both vertical and horizontal expansion, dramatically increasing the home’s footprint while enhancing its relationship to sweeping views of the Bay, the Palace of Fine Arts, and the surrounding hillside neighborhoods. The design strategy focused on opening the home to light, air, and vistas—elements often constrained in the dense urban fabric of San Francisco. By extending the structure upward and outward, the architects created a dynamic four-level residence that unfolds gradually, culminating in expansive living spaces and rooftop terraces oriented toward panoramic city and water views. Architecture that Frames the View At the heart of the design is a careful orchestration of sightlines and natural light. Large black-framed windows punctuate the façade and interior spaces, deliberately positioned to capture iconic San Francisco vistas while flooding the home with daylight. The architecture prioritizes openness, allowing rooms to flow seamlessly while maintaining a strong visual connection to the surrounding landscape. A dramatic skylight above the central stairwell anchors the vertical circulation of the home. This architectural gesture not only brings daylight deep into the interior but also reinforces the sense of spatial continuity between floors. Warm Modern Interiors Inside, the home balances architectural clarity with warm materiality. Wide-plank oak floors run throughout the residence, creating visual cohesion and grounding the interiors with natural warmth. Custom walnut millwork—integrated shelving, cabinetry, and wall panels—introduces depth and texture while complementing the clean lines of the architecture. The interiors are intentionally restrained yet richly layered. Contemporary furnishings, sculptural lighting, and curated artwork add personality while maintaining the calm, sophisticated palette that defines the home. The Social Heart of the Home The main living level serves as the social centerpiece of the residence. An open-plan kitchen, dining area, and lounge space unfold toward the view, creating an environment that feels both expansive and intimate. A sculptural marble island anchors the kitchen, functioning as both workspace and gathering hub. Surrounded by walnut cabinetry and professional-grade appliances, the kitchen merges elegance with functionality. Above, a cascading chandelier introduces a sense of vertical movement, reflecting the home’s emphasis on light and architectural rhythm. Living areas are arranged to encourage conversation and connection. Generous seating, layered rugs, and thoughtful lighting define distinct zones within the open plan while maintaining uninterrupted sightlines toward the cityscape beyond. Private Retreats Above the City Upper levels of the home are dedicated to quieter, more intimate spaces. The primary suite is conceived as a private retreat, where expansive windows frame treetop views and invite natural light throughout the day. The accompanying bathroom continues the home’s refined material palette. Marble surfaces, warm wood cabinetry, and brushed brass fixtures create a spa-like environment that balances luxury with tranquility. Additional bedrooms and flexible living spaces offer comfort for family and guests, each designed with the same attention to light, proportion, and material richness. Spaces for Entertaining Lower levels provide additional areas for gathering and entertaining. A lounge and bar area offer a relaxed setting for hosting, while custom wine storage adds a sophisticated touch for collectors and enthusiasts. These spaces transition easily to outdoor areas, reinforcing the home’s emphasis on indoor-outdoor living. A Rooftop Above the Neighborhood The transformation extends beyond the interior to include thoughtfully designed outdoor spaces. A landscaped rear yard introduces greenery and privacy at ground level, offering a serene urban escape. Above it all, the rooftop terrace becomes the crown jewel of the residence. Elevated above the neighborhood, it provides sweeping views of the San Francisco Bay and the Palace of Fine Arts. Comfortable seating areas, lush planters, and open sky create an ideal setting for outdoor entertaining, sunset gatherings, or quiet moments overlooking the city. A Contemporary Urban Sanctuary The completed residence demonstrates the power of thoughtful renovation and expansion within a historic urban neighborhood. By combining contemporary architecture, warm materiality, and an intentional relationship to the surrounding landscape, the project transforms a traditional San Francisco home into a modern sanctuary above the city.

SDH Studio - Architecture and Design Location: Pinecrest, Florida, USA Taking advantage of the site’s oversized width, this home’s Architecture was conceived as a series of volumes strategically placed to generate interior and exterior courtyards that become focal points within the home.

Every inch of the inside and outside living areas are re-conceived in this full house and guest-house renovation in Berkeley. In the main house the entire floor plan is flipped to re-orient public and private areas, with the formerly small, chopped up spaces opened and integrated with their surroundings. The studio, previously a deteriorating garage, is transformed into a clean and cozy space with an outdoor area of its own. A palette of screen walls, Corten steel, stucco and concrete connect the materiality and forms of the two spaces. What was a drab, dysfunctional bungalow is now an inspiring and livable home for a young family. Photo by David Duncan Livingston.

Conceived of as a vertical light box, Cleft House features walls made of translucent panels as well as massive sliding window walls. Located on an extremely narrow lot, the clients required contemporary design, waterfront views without loss of privacy, sustainability, and maximizing space within stringent cost control. A modular structural steel frame was used to eliminate the high cost of custom steel.

This transitional kitchen in shades of grey and white is a show stopper, as well as functional for the homeowners' growing family. I conceived of this "Crystal Ball" influenced design and Signature Properties of Wilmette was the first to be brave enough to have a go at it. The result is stunning and yet very eco friendly. M Lake

On a pristine stretch of white sand dunes and sea grapes, an architectural marvel is quietly rising. 2000 Ocean, by Enrique Norten – TEN Arquitectos, conceived as a private residential enclave, is highly sophisticated and offers not only an elevated landscape, but an elevated life. Located just north of South Florida’s Golden Beach, this contemporary, 40-story glass tower showcases panoramic views of the ocean, intracoastal and surrounding endless sandy beaches. Proudly positioned on the beach, and closer to the ocean than any of its neighbors, it is bathed with sunlight from sunrise to sunset. 64 families will have the privilege to call 2000 Ocean, a property that signifies prestige and quality, their home. Adding beauty and opulence to the Atlantic coastline, there is truly nothing else like it.

Description: In early 1994, the architects began work on the project and while in construction (demolition, grading and foundations) the owner, due to circumstances beyond his control, halted all construction of the project. Seven years later the owner returned to the architects and asked them to complete the partially constructed house. Due to code changes, city ordinances and a wide variety of obstacles it was determined that the house was unable to be completed as originally designed. After much consideration the client asked the architect if it were possible to alter/remodel the partially constructed house, which was a remodel/addition to a 1970’s ranch style house, into a project that fit into current zoning and structural codes. The owner also requested that the house’s footprint and partially constructed foundations remain to avoid the need for further entitlements and delays on an already long overdue and difficult hillside site. The architects’ main challenge was how to alter the design that reflected an outdated philosophical approach to architecture that was nearly a decade old. How could the house be re-conceived reflecting the architect and client’s maturity on a ten-year-old footprint? The answer was to remove almost all of the previously proposed existing interior walls and transform the existing footprint into a pavilion-like structure that allows the site to in a sense “pass through the house”. This allowed the client to take better advantage of a limited and restricted building area while capturing extraordinary panoramic views of the San Fernando Valley and Hollywood Hills. Large 22-foot high custom sliding glass doors allow the interior and exterior to become one. Even the studio is separated from the house and connected only by an exterior bridge. Private spaces are treated as loft-like spaces capturing volume and views while maintaining privacy. Limestone floors extend from inside to outside and into the lap pool that runs the entire length of the house creating a horizon line at the edge of the view. Other natural materials such as board formed concrete, copper, steel and cherry provides softness to the objects that seem to float within the interior volume. By placing objects and materials "outside the frame," a new frame of reference deepens our sense of perception. Art does not reproduce what we see; rather it makes us see.

Photography by Peter Vanderwarker This Second Empire house is a narrative woven about its circulation. At the street, a quietly fanciful stoop reaches to greet one's arrival. Inside and out, Victorian details are playfully reinterpreted and celebrated in fabulous and whimsical spaces for a growing family - Double story kitchen with open cylindrical breakfast room Parents' and Children's libraries Secret playspaces Top floor sky-lit courtyard Writing room and hidden library Basement parking Media Room Landscape of exterior rooms: The site is conceived as a string of rooms: a landscaped drive-way court, a lawn for play, a sunken court, a serene shade garden, a New England flower garden. The stair grows out of the garden level ordering the surrounding rooms as it rises to a light filled courtyard at the Master suite on the top floor. On each level the rooms are arranged in a circuit around the stair core, making a series of distinct suites for the children, for the parents, and for their common activities.

This beautiful table is styled after Noguchi’s “Cyclone” table. It has a solid white top with a painted cast iron base and in a black top and black base. The Noguchi Cyclone table was conceived in 1953 as a rocking stool made of metal wire and wood. Noguchi’s playful object was manufactured the following year in varying sizes, and later evolved into a table that became a companion piece to the Bertoia wire children’s chair. Noguchi’s small table was enlarged to full size in 1957. Buy Now Overall Product Dimensions: 47″D x 28″H Floor to Underside of Table: 27″H Thickness of Table: 1″H Base Width: 47″W Width of Legs: 20 – 21″W

Upper Valley Estate Curb Appeal – El Paso, Texas This curb appeal transformation was conceived as a deliberate sequence—an arrival experience where architecture, landscape, and lighting work together as one. Every element was designed to honor the home’s stone construction, turreted forms, and Old World character while responding precisely to the Upper Valley climate and lifestyle. By day, the experience is grounded and composed. Brick-edged concrete drives establish order and permanence, guiding movement through the property with clarity and intention. Natural stone walls and columns anchor the architecture, while layered gravel beds, drought-tolerant plantings, and manicured turf soften transitions and connect the home to its desert setting. Mature trees were preserved and carefully integrated, providing scale, shade, and a sense of continuity. As afternoon shifts toward sunset, the materials begin to speak differently. Stone warms, textures deepen, and sightlines subtly draw the eye toward the front entry. The landscape narrows the focus, creating a moment of pause before arrival—calm, quiet, and refined. At night, the design reveals its final layer. Low-voltage lighting is integrated with precision, washing stone surfaces, tracing architectural curves, and uplighting specimen trees to create depth without glare. The drive, walkways, and entry feel safe, legible, and inviting, while the home itself glows with a restrained elegance. Coming home after dark feels intentional—protected, welcoming, and unmistakably yours. What was created is more than curb appeal. It is a cohesive design-build solution where nothing is ornamental without purpose and nothing is built without intention. A daily experience of arrival that reflects craftsmanship, care, and the enduring character of the Upper Valley.

Every inch of the inside and outside living areas are re-conceived in this full house and guest-house renovation in Berkeley. In the main house the entire floor plan is flipped to re-orient public and private areas, with the formerly small, chopped up spaces opened and integrated with their surroundings. The studio, previously a deteriorating garage, is transformed into a clean and cozy space with an outdoor area of its own. A palette of screen walls, Corten steel, stucco and concrete connect the materiality and forms of the two spaces. What was a drab, dysfunctional bungalow is now an inspiring and livable home for a young family. Architecture by Tierney Conner Design Studio Photo by David Duncan Livingston.

This waterfront home was conceived by the architects as a series of identically scaled, simply articulated gable-roofed elements linked by flat-roofed connectors. From the entrance driveway, the house appears almost as a village of individual granite residences. These two elements – gables and flat roofs – complement each other, establishing a dynamic of light and dark, smooth and rough, grounded and floating. It was critical to the ultimate success of this building that it be well suited and connected to tits content so that it seems like it could not be anywhere else. The home was positioned to capture this view and, in a way, imbue it with power. We responded to this directive by incorporating large expanses of windows that allow one to literally look through the house from the front yard to the sailboats bobbing on the water at the rear. A short bridge passes over an exterior passage connecting front and rear.

A servery and coffee station are tucked along a corridor connecting the kitchen to the home’s existing dining room beyond. These supporting spaces for the kitchen and dining area are conceived as a separate zone between the two rooms to offer a functional solution for different styles of entertaining and dining, and to separate the working ‘service’ spaces from the social ‘gathering’ spaces.

Exterior view of a custom luxury residence in San Jose Del Cabo, Baja California, Mexico, designed by Hyde Evans Design, Seattle. The home was conceived as a spa-inspired getaway for long-standing clients — a seamless retreat that draws from the landscape, climate, and craft traditions of Mexico while delivering the full comfort of a custom luxury residence. Hyde Evans Design collaborated with local architect Arturo Ponce De Leon on the project. Interior Design: Hyde Evans Design, Seattle, WA. Architecture: Arturo Ponce De Leon.

Conceived of as a C-shaped house with a small private courtyard and a large private rear yard, this new house maximizes the floor area available to build on this smaller Palo Alto lot. An Accessory Dwelling Unit (ADU) integrated into the main structure gave a floor area bonus. For now, it will be used for visiting relatives. One challenge of this design was keeping a low profile and proportional design while still meeting the FEMA flood plain requirement that the finished floor start about 3′ above grade. The new house has four bedrooms (including the attached ADU), a separate family room with a window seat, a music room, a prayer room, and a large living space that opens to the private small courtyard as well as a large covered patio at the rear. Mature trees around the perimeter of the lot were preserved, and new ones planted, for private indoor-outdoor living. C-shaped house, New home, ADU, Palo Alto, CA, courtyard, KA Project Team: John Klopf, AIA, Angela Todorova, Lucie Danigo
Structural Engineer: ZFA Structural Engineers
Landscape Architect: Outer Space Landscape Architects
Contractor: Coast to Coast Development
Photography: ©2023 Mariko Reed
Year Completed: 2022 Location: Palo Alto, CA

This re-conceived rambler for a family of 4 sits comfortably within its original footprint yet meets contemporary living needs through StudioMB's addition of a new second floor, covered and uncovered rear courts, and a lower terrace. These elements, along with a new front court that brings views of the outdoors into the new living and kitchen, overcomes the original layout’s small, dark spaces while the added wood and glass boxes bring natural light deep into the home.

SDH Studio - Architecture and Design Location: Golden Beach, Florida, USA The Architecture is conceived as an ensemble of vertical and horizontal planes that guide the user through a sequence of spatial and visual experiences. Our clients’ passion for the outdoors is embedded in the entire project. Also, the use of color is an important feature that highlights certain accents along the design.

Mimicking the radius of the cul-de-sac it faces, these Turkish limestone clad walls embrace the home's site. The custom stone pattern was conceived by architect C.P. Drewett. The steel sculpture is by Scottsdale artist Michael Anderson.