Beach style white two-story exterior home photo in Charleston with a metal roof

Interior Design by Vani Sayeed Studios Photo Credits:- Jared Kuzia Photography
Example of a beach style side yard deck design in Boston with a roof extension

John Evans
Inspiration for a timeless white tile and marble tile bathroom remodel in Columbus with gray walls

Klopf Architecture, Arterra Landscape Architects and Henry Calvert of Calvert Ventures Designed and built a new warm, modern, Eichler-inspired, open, indoor-outdoor home on a deeper-than-usual San Mateo Highlands property where an original Eichler house had burned to the ground. The owners wanted multi-generational living and larger spaces than the original home offered, but all parties agreed that the house should respect the neighborhood and blend in stylistically with the other Eichlers. At first the Klopf team considered re-using what little was left of the original home and expanding on it. But after discussions with the owner and builder, all parties agreed that the last few remaining elements of the house were not practical to re-use, so Klopf Architecture designed a new home that pushes the Eichler approach in new directions. One disadvantage of Eichler production homes is that the house designs were not optimized for each specific lot. A new custom home offered the team a chance to start over. In this case, a longer house that opens up sideways to the south fit the lot better than the original square-ish house that used to open to the rear (west). Accordingly, the Klopf team designed an L-shaped “bar” house with a large glass wall with large sliding glass doors that faces sideways instead of to the rear like a typical Eichler. This glass wall opens to a pool and landscaped yard designed by Arterra Landscape Architects. Driving by the house, one might assume at first glance it is an Eichler because of the horizontality, the overhanging flat roof eaves, the dark gray vertical siding, and orange solid panel front door, but the house is designed for the 21st Century and is not meant to be a “Likeler.” You won't see any posts and beams in this home. Instead, the ceiling decking is a western red cedar that covers over all the beams. Like Eichlers, this cedar runs continuously from inside to out, enhancing the indoor / outdoor feeling of the house, but unlike Eichlers it conceals a cavity for lighting, wiring, and insulation. Ceilings are higher, rooms are larger and more open, the master bathroom is light-filled and more generous, with a separate tub and shower and a separate toilet compartment, and there is plenty of storage. The garage even easily fits two of today's vehicles with room to spare. A massive 49-foot by 12-foot wall of glass and the continuity of materials from inside to outside enhance the inside-outside living concept, so the owners and their guests can flow freely from house to pool deck to BBQ to pool and back. During construction in the rough framing stage, Klopf thought the front of the house appeared too tall even though the house had looked right in the design renderings (probably because the house is uphill from the street). So Klopf Architecture paid the framer to change the roofline from how we had designed it to be lower along the front, allowing the home to blend in better with the neighborhood. One project goal was for people driving up the street to pass the home without immediately noticing there is an "imposter" on this lot, and making that change was essential to achieve that goal. This 2,606 square foot, 3 bedroom, 3 bathroom Eichler-inspired new house is located in San Mateo in the heart of the Silicon Valley. Klopf Architecture Project Team: John Klopf, AIA, Klara Kevane Landscape Architect: Arterra Landscape Architects Contractor: Henry Calvert of Calvert Ventures Photography ©2016 Mariko Reed Location: San Mateo, CA Year completed: 2016

Country front porch photo in San Francisco with decking and a roof extension

Photos: Robert Radifera Photography
Elegant family room photo in DC Metro

The planning phase of this modern retreat was an intense collaboration that took place over the course of more than two years. While the initial design concept exceeded the clients' expectations, it also exceeded their budget beyond the point of comfort. The next several months were spent modifying the design, in attempts to lower the budget. Ultimately, the decision was made that they would hold off on the project until they could budget for the original design, rather than compromising the vision. About a year later, we repeated that same process, which resulted in the same outcome. After another year-long hiatus, we met once again. We revisited design thoughts, each of us bringing to the table new ideas and options. Each thought simply solidified the fact that the initial vision was absolutely what we all wanted to see come to fruition, and the decision was finally made to move forward. The main challenge of the site was elevation. The Southeast corner of the lot stands 5'6" above the threshold of the rear door, while the Northeast corner dropped a full 2' below the threshold of the door. The backyard was also long and narrow, sloping side-to-side and toward the house. The key to the design concept was to deftly place the project into the slope and utilize the elevation changes, without allowing them to dominate the yard, or overwhelm the senses. The unseen challenge on this project came in the form of hitting every underground issue possible. We had to relocate the sewer main, the gas line, and the electrical service; and since rock was sitting about 6" below the surface, all of these had to be chiseled through many feet of dense rock, adding to our projected timeline and budget. As you enter the space, your first stop is an outdoor living area. Smooth finished concrete, colored to match the 'Leuder' limestone coping, has a subtle saw-cut pattern aligned with the edges of the recessed fire pit. In small spaces, it is important to consider a multi-purpose approach. So, the recessed fire pit has been fitted with an aluminum cover that allows our client to set up tables and chairs for entertaining, right over the top of the fire pit. From here, it;s two steps up to the pool elevation, and the floating 'Leuder' limestone stepper pads that lead across the pool and hide the dam wall of the flush spa. The main retaining wall to the Southeast is a poured concrete wall with an integrated sheer descent waterfall into the spa. To bring in some depth and texture, a 'Brownstone' ledgestone was used to face both the dropped beam on the pool, and the raised beam of the water feature wall. The main water feature is comprised of five custom made stainless steel scuppers, supplied by a dedicated booster pump. Colored concrete stepper pads lead to the 'Ipe' wood deck at the far end of the pool. The placement of this wood deck allowed us to minimize our use of retaining walls on the Northeast end of the yard, since it drops off over three feet below the elevation of the pool beam. One of the most unique features on this project has to be the structure over the dining area. With a unique combination of steel and wood, the clean modern aesthetic of this structure creates a visual stamp in the space that standard structure could not accomplish. 4" steel posts, painted charcoal grey, are set on an angle, 4' into the bedrock, to anchor the structure. Steel I-beams painted in green-yellow color--aptly called "frolic"--act as the base to the hefty cedar rafters of the roof structure, which has a slight pitch toward the rear. A hidden gutter on the back of the roof sends water down a copper rain chain, and into the drainage system. The backdrop for both this dining area , as well as the living area, is the horizontal screen panel, created with alternating sizes of cedar planks, stained to a calm hue of dove grey.

Inspiration for a mid-sized traditional shade backyard gravel landscaping in San Francisco for spring.

Hi everyone, I'm Sarah and Ogun we are here with fine line kitchens. So we are a couple working together. I do the interior design and remodeling of the space material selection meeting with the clients. And I handled operations outside, you know meaning all the construction work that is taking place the inside. The houses that we work in. I handle all the aspects of the construction, so today's project is very special. We're in Vienna and the client had a very big family. It's a family of seven that lives here. So we had a few aspects that we needed to keep in mind while designing this one. Having everybody be able to sit on the island. So we wanted plenty of seating all the way around. We didn't want anybody standing or anything like that. So what we did is we maximize the space. The center island is the biggest part of the kitchen. We use a natural stone to kind of give it a beautiful texture versus quartz. It's kind of standard white or kind of fabricated, so I wanted something very natural. We did this because I took my inspiration from the outside, so the inspiration if you look at the view right in front of me is there are so many greens there's a lot of brass accents and I wanted to bring this. Into this kitchen while designing it for my clients. She is very warm very. She wanted a very homey, comfy kind of look for the kitchen. So that's what we did today. As you can see, the cabinets are sage green, very light, so I still think it's a neutral, but it's a lighter color that again brings the outside in and we combine that with the oak right behind me so it's a slightly warm oak. It's not very dark. It's not very light. It's a medium brown and the same color went on the island. To kind of tie these two in and the backsplash, my favorite part is where you can see a little bit of design. It is, in my opinion still classic, but includes a pattern so the outside part is as we said in the beginning, is handled by my husband. I'd like him to speak a little bit about that. Thanks, Sarah, I want to talk to you guys a little bit about the construction part of this project. Originally this kitchen was located mostly in this area. They had their stove there sing. It was more of a peninsula layout in Sarah's and the customer vision they wanted. They wanted to get rid of the peninsula and they want to be able to have a huge island that can at least sit seven people because they're familiar with seven. So we wanted to make sure that we can achieve this design and bring it to life so that they can be happy with this layout. Some of the challenges we had, the house, the home being, you know, old home. There were a lot of you know the older electrical and plumbing that had to be replaced. We had to relocate the stove from here to this area. Over here we had put a nice foot fan that we had to relocate all the ductwork and the plumbing. Was being on the peninsula area. We had to relocate it to the center islands. So we achieved all this and kind of like bring it to bring in this kitchen up to date it looks beautiful. That's true, so yes, the old layout did not function for my clients because everything was kind of gathered on one side of the kitchen. So there was like a peninsula right there. So the end of this island kind of continued straight. And that was just the L shape. Kind of where everything was and there used to be another big table here, so they were using only kind of half of the space. So like I said at the beginning, our vision was to kind of feed everybody at the island, create some symmetry. 'cause I love that. So as you can see behind me, this is kind of the focal point symmetrical. Everything is kind of even we wanted to also panel the fridge here so it mimics the pantry and another size. So when you're looking at it, it is bringing again that symmetry back again. I hope you enjoyed this kitchen and this video and I'll see you soon. So how do you think this project turned out? It's nice. I like the color. I think it turned out nice. It's kind of like a little bit different color than what we always do. So I realize. Are you giving me a little bit of credit here that I did something different? Are you proud? I'm so proud of you. Other than that I like it. That they have kind of like a two sink. So if this was our kitchen, if we ever like you can have your own. I can have mine if we ever get into a fight then this can be like my own kitchen. Why are we gonna bring in a fight right now? So I'm cooking anyway. You're grilling most of the time, So what are you even talking about? My kitchen? That's my kitchen. You can just take the small sink. That's fine. It's always good to have your own space right there, so anyways. Thank you guys for watching. We hope to see you soon and if you have any questions please click the link below. It'll lead you to our website, house, YouTube and all of the social media is so nice to have you guys. We'll see you soon. Thanks bye bye-bye.

Kitchen - transitional dark wood floor kitchen idea in Boston with white cabinets

This project hits very close to home for us. Not your typical office space, we re-purposed a 19th century carriage barn into our office and workshop. With no heat, minimum electricity and few windows (most of which were broken), a priority for CEO and Designer Jason Hoffman was to create a space that honors its historic architecture, era and purpose but still offers elements of understated sophistication. The building is nearly 140 years old, built before many of the trees towering around it had begun growing. It was originally built as a simple, Victorian carriage barn, used to store the family’s horse and buggy. Later, it housed 2,000 chickens when the Owners worked the property as their farm. Then, for many years, it was storage space. Today, it couples as a workshop for our carpentry team, building custom projects and storing equipment, as well as an office loft space ready to welcome clients, visitors and trade partners. We added a small addition onto the existing barn to offer a separate entry way for the office. New stairs and an entrance to the workshop provides for a small, yet inviting foyer space. From the beginning, even is it’s dark state, Jason loved the ambiance of the old hay loft with its unfinished, darker toned timbers. He knew he wanted to find a way to refinish the space with a focus on those timbers, evident in the statement they make when walking up the stairs. On the exterior, the building received new siding, a new roof and even a new foundation which is a story for another post. Inside, we added skylights, larger windows and a French door, with a small balcony. Along with heat, electricity, WiFi and office furniture, we’re ready for visitors!

Inspired by another mid-century modern home the client owned, this new residence represents a much larger 21st-century version built into the gently sloping hillside to take advantage of the sprawling hilltop views of the Sonoma valley. The quiet front facade leads guests into a formal entry that divides the house into private and public spaces. Rounding the corner into the great room, one is immediately hit by the breathtaking view that extends outward beyond the infinity pool and deck through a continuous wall of glass. In the opposite direction, each of the three bedrooms was designed with its own seating area and bathroom, creating private suites for family members and guests alike. The linear design and open, flowing living spaces provide almost every room with outdoor access to the expansive patio, protected from the Sonoma heat by deep overhangs. Warm woods, clean lines, and a rhythmic post and beam ceiling design create a homey feeling of rest and relaxation, evoking the essence of modern California living. Klopf Architecture project team: Geoff Campen, Ethan Taylor, Noel Andrade, and John Klopf Landscape Architects: Arterra Landscape Architects Structural Engineer: ZFA Contractor: Eames Construction Photography: ©2022 Mariko Reed Completion year: 2022

V3215SQ-6 6' Vinyl Privacy fence with Tongue and Groove panels and Square Lattice toppers. Shown with posts and rails in Grand Illusions Vinyl Woodbond Rosewood (W104) and panels and lattice in Grand Illusions Color Spectrum Black (L105). What a great backyard fence idea for your dream home.

Kitchen - transitional dark wood floor kitchen idea in Nashville with shaker cabinets, white cabinets, white backsplash, subway tile backsplash, an island and white countertops

Blue Ribbon Dancer Contemporary Metal Art Sculpture As seen on the ABC hit TV show "Nashville"! A blue ribbon pirouettes around a central support in this freestanding contemporary metal art sculpture, an airy abstract composition that seems to float in space. The graceful spiral of the metal ribbon, which twists and tapers elegantly, is in contrast to its bold color, a deep cobalt blue that suggests passion and exuberance. Dimensions: - Approximately 76"H x 16"L x 12"D including the 14" artistically textured wooden base. - Ready to secure to a patio, deck or garden stone with the included pre-drilled mounting plate for easy installation.(Screws not included) Color: Brilliant Blue Jewel Tones with Black Finial Pleae note: ustom pieces are available for your size and color specifications.

V3215SQ-6 6' Vinyl Privacy fence with Tongue and Groove panels and Square Lattice toppers. Shown with posts and rails in Grand Illusions Vinyl Woodbond Rosewood (W104) and panels and lattice in Grand Illusions Color Spectrum Black (L105). What a great backyard fence idea for your dream home.

“People tend to want to place their sofas right against the wall,” Lovett says. “I always try to float the sofa a bit and give the sofa some breathing room. Here, we didn’t have floor outlets or any eye-level lighting. Incorporating table lamps allows for mood lighting and ambiance. We placed a console behind the sofa to bring in large-scale lamps, which also helped fill in the negative space between the sofa and the bottom of the windows.” Photography: Amy Bartlam

Matthew Niemann Photography
Example of a transitional u-shaped light wood floor and beige floor kitchen design in Austin with a farmhouse sink, raised-panel cabinets, gray backsplash, paneled appliances, an island, white countertops, quartz countertops, white cabinets and stone tile backsplash

Elegant basement photo in Philadelphia