This is a sophisticated scroll arm sofa, slightly flared, with a loose cushion back. The dressmaker skirt is somewhat relaxed, accommodating a range of fabrics and lifestyles.

Michael S Smith thinks of the Roosevelt as the nearly perfect easy chair. This is one of those enduring standards - with proven comfort and a design that really can work anywhere. While the form is traditional, the tailoring is crisply contemporary. With a little extra pitch, both the comfort and...

Inspired by an early Queen Anne chair, Michael S Smith designed the Surrey as a sculptural and altogether charming alternative to formal dining. Its relative height, and curving over-scrolled back, give the Surrey exceptional presence - and a room new dimension. Easily used as a flanker or a desk...

Inspired by an early Queen Anne chair, Michael S Smith designed the Surrey as a sculptural and charming alternative to formal dining. Its relative height, and curving over-scrolled back, give the Surrey exceptional presence. Easily used as a flanker or a desk chair.

The Voltaire was inspired by the French etageres of glamorous 1940s salons. The Brown Crackle finish option with gold accents continues in the tradition of neoclassical elegance. By contrast, the Lindstrom Green Crackle with white gold accents allows the form to take a more relaxed look. Both are...

Michael S Smith designed the Millbrook to be a comfortably charming table with all of the provincial eccentricities appreciated in every day use. An oval form adds a sense of refinement. The apron and capitals, the latter an uncommon Gutta finger peg form, contribute an architectural sensibility....

The Winslow recasts the color and texture of early baroque furniture as a bold traditional statement for the 21st century.