Photo Ken Gutmaker Design Lucy Penfield
Minimalist eat-in kitchen photo in Minneapolis

A Malibu beach-front retreat built by art collector, designer and antiques dealer Richard Shapiro has “the look, age and aura of a very old, windswept structure from the Mediterranean or the Aegean.” All walls in the house are sheathed in frescoed plaster and partially covered by the Renaissance-style frescoes created by fresco artist iLia Anossov. Photo by Miguel Flores-Vianna. True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

Photos credit of Weidmann Remodeling
Inspiration for an eclectic basement remodel in Atlanta

This fresco project is inspired by the décor in Versailles as well as Regal Chateaux from South-West France. The fleur-des-lis elements--a stylized lily usually associated with the French monarchy--are done using 22-carat gold. True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

Multi-layered true buon fresco, Roman classic style recreation, XV and XVIII century, 36” x 36”. True fresco can be installed as a stand-alone panel/painting, or wall fragment, or as an entire wall. True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

Fresco ceiling in a dining room in a private residence. True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

A Malibu beach-front retreat built by art collector, designer and antiques dealer Richard Shapiro has “the look, age and aura of a very old, windswept structure from the Mediterranean or the Aegean.” All walls in the house are sheathed in frescoed plaster and partially covered by the Renaissance-style frescoes created by fresco artist iLia Anossov. Photo by Miguel Flores-Vianna. True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

This fresco project is inspired by the décor in Versailles as well as Regal Chateaux from South-West France. The fleur-des-lis elements--a stylized lily usually associated with the French monarchy--are done using 22-carat gold. True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

Italian classic fresco recreation, XVI century, buon fresco, part of a wall installation in a house in Malibu, California. True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

True (buon) frescoes of St. Anasthasius and Sophia. St. Athanasius (1307). The original fresco is located in the church of Our Lady Ljeviska in Prizren, built by King Milutin in 1307 on the foundations of an old basilica. During the Turkish rule the church was converted into a mosque and the frescoes covered with whitewash. They were first restored during the years of 1949-1953. True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new. Photo by Anatoly Valushkin

This fresco project is inspired by the décor in Versailles as well as Regal Chateaux from South-West France. The fleur-des-lis elements--a stylized lily usually associated with the French monarchy--are done using 22-carat gold. True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new. Photo credit: Anatoly Valenti

True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

Fresco Main Entry Portal True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new.

True (buon) frescoes of St. Anasthasius and Sophia. St. Athanasius (1307). The original fresco is located in the church of Our Lady Ljeviska in Prizren, built by King Milutin in 1307 on the foundations of an old basilica. During the Turkish rule the church was converted into a mosque and the frescoes covered with whitewash. They were first restored during the years of 1949-1953. True (buon) fresco—the oldest and most celebrated painting technique—is painting with natural pigments on wet plaster. Paints are prepared from minerals and various clays. Plaster is made of slaked lime (calcium hydrate) and sand. As wet plaster cures a natural reaction occurs permanently embedding pigments into the cured plaster. This artwork is created using true centuries-old fresco techniques and materials. Unlike faux finishes and fresco imitations, true (buon) frescoes create a unique feeling of authenticity, depth and richness of the artwork. The frescoes can be applied in traditional or contemporary settings: from genuine buon fresco fragments that are aged and worn to match period and style of selected era, to full-sized wall or ceiling frescos whether aged and stylized or fresh and new. Photo credit: Anatoly Valushkin