The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Charles Davis Smith

The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Charles Davis Smith

The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Charles Davis Smith

The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Spaces and Faces Photography

The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Charles Davis Smith

The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Charles Davis Smith

The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Charles Davis Smith

The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Charles Davis Smith

The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Charles Davis Smith

The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Spaces and Faces Photography

The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Charles Davis Smith

The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Spaces and Faces Photography

The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Spaces and Faces Photography

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The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature. The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house. Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property. Photography Spaces and Faces Photography

We took a large kitchen that could be overwhelming and transformed the space to create a sense of intimacy by using earthy materials like the wood beams on the ceiling and wooden cabinetry and mixes of natural stones. The other challenge is the request from the client to have a contemporary approach to the design but making sure that it is still warm and inviting for their use. -Contrasting materials like the heavy blackened steel and granite were used with soft, natural materials to create a balance between serenity and masculinity. What is unique is the play of mix of materials in a variety of finishes from natural sandblasted granite to a honed limestone combine with a solid surface material Caesar Stone. The cabinets (cabinet maker-Mueller Nichols) has two different wood combination from a lighter vertical Eucalyptus and darker vertical Walnut (running horizontal on the cabinets) But the look is subtle since the mix is still overall earthy, natural and tone on tone change. The old beams in the ceiling were used. It was painted over the years so we stripped it down to the natural material and added cross beams to create the grid patterns. Rustic cross beams combine with beautiful phoenician plaster on the ceilings. Built in speakers that can be troweled over with plastering so the speakers are totally hidden in the ceilings. Multi level islands to serve multiple activities from cleaning, prepping, chopping and eating. Butcher block lower level for easy chopping and cantilivered to create a more dynamic and sculptural quality. ce the clients really cook in this kitchen that the list of appliances for extraordinary. Pizza oven, built in coffee maker, steamer, double convection ovens, 6 burner pro style cooktop, 48 inch refrigerator, 2 refrigerator drawers, 2 dishwashers, wine refrigerators etc... Contrasting materials like the heavy dark steel and granite were used with soft, natural materials to create a balance between serenity and masculinity. The seamless windows highlight and connect the indoor and outdoor living spaces. The clients are gourmet cooks that enjoy entertaining and cooking so many types of cooking equipments like a six burner cook top with grill, a brick oven and a speed oven as well as a pantry that is connected to the kitchen were used. There are also two islands in the kitchen which serves different functions. One is used mainly for prepping and cleaning while the other is used as a serving area and a place to gather. A cigar-box-style cabinet in walnut sets off the granite countertop on the island, and a tongue-and-groove finish shows craftsmanship. "We layered materials, textures and colors to create a space that was natural and inviting, yet in keeping with the modern style of the rest of the house," says the designer. Using different kinds of wood and stains brings a sense of intimacy to this large walk-in pantry. Credit List Architect : James Rogers, James Rogers Architecture Interior designer : Vernon Applegate, Applegate Tran Interiors (San Francisco, CA) Kitchen designer : Gioi Tran, Applegate Tran Interiors Kitchen manufacturer : Mueller Nicholls Inc Cabinets : Eucalyptus; walnut Countertops : Granite; limestone Flooring : Ann Sacks limestone tiles Chairs : Custom Wallcoverings : Plaster; steel; wood Lighting : Soleil; Policelli Lighting & Design Backsplash : Limestone Basin : Blanco Dishwasher and oven : Miele Ventilation : Custom Vent-A-Hood Refrigeration : Sub-Zero Story by Lydia Brewer Photography by David Livingston Gessi Wolf Cooking-36265 Broan NuTone Sub-Zero Refrigerators-36264 TRUE Professional Series Home Advertise with us Contact us Submit a location eNewsletters Terms and Conditions About us Jobs Eight Doors Every inch of space in the kitchen is integrated with each other which leaves no room for error and presents a flawless design execution. Cabinets Manufacturer:Mueller Nicholls http://www.mnbuild.com/ Contractor:James Rogers Knobs:Rocky Mountain Hardware  Product Binder  ‘O’ Cabinet Hardware  pg 4 Style # CK225 http://www.rockymountainhardware.com/binder_pages/O_CabinetHardware.pdf Pulls:Rocky Mountain Hardware  Product Binder  ‘O’ Cabinet Hardware  pg 12 Style # CK355 http://www.rockymountainhardware.com/binder_pages/O_CabinetHardware.pdf Pendant Lights:Sloan Miyasato Sinks: Blanco Refrigerator: Subzero Double Oven: Miele Coffee System: Miele Speed Oven: Miele Warming Drawer: Miele Dishwasher: Miele Hood: Independent Hood Wood Oven: Mugnaini Wine Storage and Drawer Refrigerator: Subzero Island Counter: Sea Foam Granite from ASN Stone Perimeter Countertop: Caesar Stone Backsplash: Lochness Green Antiqued Limestone from ASN Stone Cabinetry: Quartered Eucalyptus and American Black Walnut Butcher Block: Spekva Flooring: Limestone from Ann Sacks Faucets: Dornbrachts Photo-David Livingston

The Port Ludlow Residence is a compact, 2400 SF modern house located on a wooded waterfront property at the north end of the Hood Canal, a long, fjord-like arm of western Puget Sound. The house creates a simple glazed living space that opens up to become a front porch to the beautiful Hood Canal. The east-facing house is sited along a high bank, with a wonderful view of the water. The main living volume is completely glazed, with 12-ft. high glass walls facing the view and large, 8-ft.x8-ft. sliding glass doors that open to a slightly raised wood deck, creating a seamless indoor-outdoor space. During the warm summer months, the living area feels like a large, open porch. Anchoring the north end of the living space is a two-story building volume containing several bedrooms and separate his/her office spaces. The interior finishes are simple and elegant, with IPE wood flooring, zebrawood cabinet doors with mahogany end panels, quartz and limestone countertops, and Douglas Fir trim and doors. Exterior materials are completely maintenance-free: metal siding and aluminum windows and doors. The metal siding has an alternating pattern using two different siding profiles. The house has a number of sustainable or “green” building features, including 2x8 construction (40% greater insulation value); generous glass areas to provide natural lighting and ventilation; large overhangs for sun and rain protection; metal siding (recycled steel) for maximum durability, and a heat pump mechanical system for maximum energy efficiency. Sustainable interior finish materials include wood cabinets, linoleum floors, low-VOC paints, and natural wool carpet.

This sixth floor penthouse overlooks the city lakes, the Uptown retail district and the city skyline beyond. Designed for a young professional, the space is shaped by distinguishing the private and public realms through sculptural spatial gestures. Upon entry, a curved wall of white marble dust plaster pulls one into the space and delineates the boundary of the private master suite. The master bedroom space is screened from the entry by a translucent glass wall layered with a perforated veil creating optical dynamics and movement. This functions to privatize the master suite, while still allowing light to filter through the space to the entry. Suspended cabinet elements of Australian Walnut float opposite the curved white wall and Walnut floors lead one into the living room and kitchen spaces. A custom perforated stainless steel shroud surrounds a spiral stair that leads to a roof deck and garden space above, creating a daylit lantern within the center of the space. The concept for the stair began with the metaphor of water as a connection to the chain of city lakes. An image of water was abstracted into a series of pixels that were translated into a series of varying perforations, creating a dynamic pattern cut out of curved stainless steel panels. The result creates a sensory exciting path of movement and light, allowing the user to move up and down through dramatic shadow patterns that change with the position of the sun, transforming the light within the space. The kitchen is composed of Cherry and translucent glass cabinets with stainless steel shelves and countertops creating a progressive, modern backdrop to the interior edge of the living space. The powder room draws light through translucent glass, nestled behind the kitchen. Lines of light within, and suspended from the ceiling extend through the space toward the glass perimeter, defining a graphic counterpoint to the natural light from the perimeter full height glass. Within the master suite a freestanding Burlington stone bathroom mass creates solidity and privacy while separating the bedroom area from the bath and dressing spaces. The curved wall creates a walk-in dressing space as a fine boutique within the suite. The suspended screen acts as art within the master bedroom while filtering the light from the full height windows which open to the city beyond. The guest suite and office is located behind the pale blue wall of the kitchen through a sliding translucent glass panel. Natural light reaches the interior spaces of the dressing room and bath over partial height walls and clerestory glass.

Open concept kitchen - mid-sized scandinavian galley light wood floor open concept kitchen idea in New York with an undermount sink, flat-panel cabinets, light wood cabinets, paneled appliances and an island