Kitchen - country kitchen idea in Portland

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

This is an example of a contemporary vegetable garden landscape in San Francisco.

By relocating the sink and dishwasher to the island the new kitchen layout allows the owners to engage with guests seated at the island and the banquette while maintaining a view to the outdoor terrace.

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

Eichler in Marinwood - At the larger scale of the property existed a desire to soften and deepen the engagement between the house and the street frontage. As such, the landscaping palette consists of textures chosen for subtlety and granularity. Spaces are layered by way of planting, diaphanous fencing and lighting. The interior engages the front of the house by the insertion of a floor to ceiling glazing at the dining room. Jog-in path from street to house maintains a sense of privacy and sequential unveiling of interior/private spaces. This non-atrium model is invested with the best aspects of the iconic eichler configuration without compromise to the sense of order and orientation. photo: scott hargis

A meditation space designed for the Minnesota Landscape Arboretum. Vertical tamarack boards on the exterior align with the vertical nature of the surrounding pine trees. Inside, horizontal boards allow the eye to slowly step upward toward the opening and tree canopy above. The simple box form gracefully floats above the pine needle carpet of the ground. A reflecting pool merges ground, sky, trees, and viewers. Designed by David O'Brien Wagner, AIA of SALA Architects. Photos by Peter Kerze.

The sunroom was one long room, and very difficult to have conversations in. We divided the room into two zones, one for converstaion and one for privacy, reading and just enjoying the atmosphere. We also added two tub chairs that swivel so to allow the family to engage in a conversation in either zone.

Susan Gilmore
Large transitional master dark wood floor and brown floor bedroom photo in Minneapolis with gray walls and no fireplace

Tom Bonner Photography
Mid-sized 1950s master brown tile and porcelain tile pebble tile floor bathroom photo in Los Angeles with beige walls

Inspiration for a mid-sized transitional master white tile and marble tile marble floor and white floor freestanding bathtub remodel in Sacramento with shaker cabinets, white cabinets, gray walls, an undermount sink, marble countertops, a hinged shower door and white countertops

Tricia Shay Photography
Example of a minimalist l-shaped gray floor eat-in kitchen design in Milwaukee with a double-bowl sink, flat-panel cabinets, black cabinets, white backsplash, stainless steel appliances, an island and white countertops

Eichler in Marinwood - At the larger scale of the property existed a desire to soften and deepen the engagement between the house and the street frontage. As such, the landscaping palette consists of textures chosen for subtlety and granularity. Spaces are layered by way of planting, diaphanous fencing and lighting. The interior engages the front of the house by the insertion of a floor to ceiling glazing at the dining room. Jog-in path from street to house maintains a sense of privacy and sequential unveiling of interior/private spaces. This non-atrium model is invested with the best aspects of the iconic eichler configuration without compromise to the sense of order and orientation. photo: scott hargis

Asian hallway photo in San Francisco with gray walls

Photo by Nicholas V. Ruiz
Eat-in kitchen - traditional l-shaped eat-in kitchen idea in San Francisco with glass-front cabinets, wood countertops, white cabinets, white backsplash, subway tile backsplash and black appliances

MDF Interior Door - 4100
Example of a trendy bedroom design in Chicago

Dining Room with Stone Fireplace by Charles Cunniffe Architects http://cunniffe.com/projects/willoughby-way/ Photo by David O. Marlow

Example of a beach style living room design in Boston

The challenge of merging contemporary design with a classic traditional interior is emblematic of the vitality experienced in the evolution of Philadelphia’s urban fabric. The design of this Center City apartment engages a rich discourse between the new and the existing, focusing on areas of the residence that contradicted the new owners’ aesthetic and lifestyle. The elevator opens to the center of the spacious living area that includes the foyer, kitchen and living room. The serene, geometric character of the foyer enhances the sense of arrival – offering a moment to contemplate the owners’ art, the interplay of the old and the new, and the subtleties of light. The kitchen, while fully functional, willingly and quietly participates in the composition. Symmetry and asymmetry are seamlessly woven. The depth and endurance of daily experiences are the ingredients that transform architecture into a vital framework for living. As it relates to a home, the framework requires a resonate balance of comfort and drama, achieved here with a cast of dynamic materials and details that subtly collaborate in simple composition. Barry Halkin and Todd Mason Photography