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Sea Change No. 2
Sea Change No. 2
Sea Change No. 2
Sea Change No. 2
Sea Change No. 2
Sea Change No. 2
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Sea Change No. 2 is an original acrylic painting on wood from the Atmospheric Series with multiple layers of lacquer which provides a textured high sheen much like that of sunlight on waves of the sea. This piece is offered fully framed with a rustic silver leaf gallery frame. This piece is customizable to your color and size specifications!
Michelle Woolley Sauter has been pursuing a splendid atmospheric thematic in her latest work by layering many thin glazes of paint over fresco on canvas and wood to enhance dimensional qualities.
In this continuing series of paintings, Michelle investigates undulation and shifting thresholds in environments and memories. Her technique includes accumulating layers of acrylic emulsion and brush dragging across a chosen substrate. This process allows for slick, waxy surfaces on which to apply the paint with brush, palette knife and rag.
By using additional layers of paint, her glazes and pigment are flooded with vehicle and applied between the layers of emulsion. Blended tones become suspended, enhancing atmospheric and dimensionally textural qualities.


Sea Change No. 2
$795
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Est. Delivery: May. 7 - May. 19 (to )
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    • Product Description
    • Product Specifications
    • Shipping and Returns
    Sea Change No. 2 is an original acrylic painting on wood from the Atmospheric Series with multiple layers of lacquer which provides a textured high sheen much like that of sunlight on waves of the sea. This piece is offered fully framed with a rustic silver leaf gallery frame. This piece is customizable to your color and size specifications!
    Michelle Woolley Sauter has been pursuing a splendid atmospheric thematic in her latest work by layering many thin glazes of paint over fresco on canvas and wood to enhance dimensional qualities.
    In this continuing series of paintings, Michelle investigates undulation and shifting thresholds in environments and memories. Her technique includes accumulating layers of acrylic emulsion and brush dragging across a chosen substrate. This process allows for slick, waxy surfaces on which to apply the paint with brush, palette knife and rag.
    By using additional layers of paint, her glazes and pigment are flooded with vehicle and applied between the layers of emulsion. Blended tones become suspended, enhancing atmospheric and dimensionally textural qualities.


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