This is an example of a traditional courtyard landscaping in Kansas City.

colorful succulents wrap around stone fire element
Photo of a contemporary drought-tolerant backyard landscaping in San Diego.

Dan Piassick Photography
Powder room - mid-sized contemporary brown tile and mosaic tile travertine floor powder room idea in Dallas with a vessel sink, furniture-like cabinets, granite countertops, dark wood cabinets and brown countertops

The development of the architecture and the site were critical to blend the home into this well established, but evolving, neighborhood. One goal was to make the home appear as if it had been there 20 years. The home is designed on just under an acre of land with a primary concern of working around the old, established trees (all but one was saved). The exterior style, driven by the client’s taste of a modern Craftsman home, marries materials, finishes and technologies to create a very comfortable environment both inside and out. Sustainable materials and technologies throughout the home create a warm, comfortable, and casual home for the family of four. Considerations from air quality, interior finishes, exterior materials, plan layout and orientation, thermal envelope and energy efficient appliances give this home the warmth of a craftsman with the technological edge of a green home. Photography by Casey Dunn

Bliss Garden Design
Inspiration for a contemporary full sun backyard landscaping in Los Angeles.

Example of a mid-sized classic white two-story wood gable roof design in Bridgeport with a mixed material roof

Small eclectic loft-style light wood floor and beige floor living room photo in Los Angeles with multicolored walls, a corner fireplace, a plaster fireplace and a wall-mounted tv

Modern Cape Cod green home earned LEED Gold certification for green features including solar electric, a green roof, and the use of sustainable materials. Construction by Cape Associates. Photos by Michael J Lee. Green architecture by ZeroEnergy Design. www.Zeroenergy.com

We were contacted by the owner of a Houston, Texas home who asked us to design a series of gardens and landscaping features that would compliment and expand the Mediterranean theme of his house into the surrounding landscape. This house sat on a very large lot of several acres in a secluded Memorial Drive neighborhood located near the 610 Loop. The home featured a symmetrical, linear appearance in spite of its two-story build, and our client wanted a landscape and garden design that would follow these same principles of self-contained regularity and subtle linear motion. Creating a Mediterranean theme in a Houston, Texas garden and landscape is a bit more complex that it might appear at face value. The southern coast of Europe—particularly in Italy and Greece—is a mountainous area where homes and gardens are built on steep angles and sharp vertical rises. Gardens and fields are often built in terraces that climb the mountains due to the limited planting area and rough, rocky terrain. Limestone is the predominant rock type in Italy and Greece and has become iconic of this part of the world in our collective consciousness. Mediterranean homes and gardens are historically famous for their white stucco walls, olive groves, and carefully sculptured greenery embedded in a rugged limestone backdrop. The challenge lay in taking an essentially three-dimensional landscaping style and transfering it to a Houston property. As we all know, this part of Texas is very flat, so a hillside garden is out of the question in the literal sense. However, using a combination of symmetrical forms and linear progressions, along with some innovative garden materials, we were able to mimic several aspects of seaside European terrain. The key to doing this was to establish a combination of circular forms and linear patterns in the multiple garden elements we designed. French and Italian gardens place a heavy emphasis on order and symmetry, and both tend to utilize right angles to establish form. We planted a variety of low level growth around the house and rear swimming pool patio to emphasize its walls and corners. We then added three keynote forms to the landscape to create a Houston equivalent of a Mediterranean garden. The first of these forms was a knot garden centered on the front door, located just in front of the home’s motorcourt. We planted boxwoods in three circular rows that looked like terraces on a hillside. In the center of the knot garden we planted Loropatalum, punctuated with a lone Crinum lily as the center piece. The rich purple of the Loropatalum draws catches the eye, and the vertical dimension added by the lily draws it upward to the front entrance of the house. Moving then to one side of the house, we transformed a substantial portion of the yard into a parterre garden that centered on a large glass room that extended from the west wing of the house. This garden was populated by low-growth rose bushes whose amenability to constant trimming makes them an ideal plant material for parterre gardens, and whose colorful blooms a made them stand out from multiple vantage points throughout this Houston neighborhood. The garden borders were made from of boxwood hedges, and the central pathways were made using European limestone gravel that mimics the color of the limestone cliffs of the Aegean and Adriatic Seas. We then completed the design by adding dwarf yaupon, a small shrub that bears a curious resemblance to clouds, all along the borders of the gravel walkways. This helped create the impression that the garden was located on a hilltop near the sea, and that the clouds were rolling across the shoreline. One of the most appealing attributes of this Houston, Texas property is its superb location. The back of the yard borders a 50-foot ravine carved out of the earth by a major tributary of Buffalo Bayou. This seemed to us a natural destination spot for garden guests to visit after strolling around the west wing of the home to the pool. To encourage them to do so, we planted an alley of crepe myrtles leading from the pool area all the way back to the woods along the ravine. We then built a walkway out of limestone aggregate blocks that started at the parterre garden, ran alongside the house to the pool, then ran straight out through the alley of trees to the scenic overlook of the forest and stream below. For more the 20 years Exterior Worlds has specialized in servicing many of Houston's fine neighborhoods.

Inspiration for a large transitional partial sun backyard gravel landscaping in Santa Barbara.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

www.sethbennphoto.com ©2013
Transitional white two-story wood exterior home photo in Minneapolis

Is there anything more fun than outdoor entertaining? The house, patio and lawn all flow together to create one seamless space that appears to go forever. Here we worked to create the kind of atmosphere you find in an Italian Piazza with the outdoor market lights strung from the house to the tree and speakers hidden in strategic locations filling the air with music. Photo Credit: Mark Pinkerton, vi360

This adorable beach cottage is in the heart of the village of La Jolla in San Diego. The goals were to brighten up the space and be the perfect beach get-away for the client whose permanent residence is in Arizona. Some of the ways we achieved the goals was to place an extra high custom board and batten in the great room and by refinishing the kitchen cabinets (which were in excellent shape) white. We created interest through extreme proportions and contrast. Though there are a lot of white elements, they are all offset by a smaller portion of very dark elements. We also played with texture and pattern through wallpaper, natural reclaimed wood elements and rugs. This was all kept in balance by using a simplified color palate minimal layering. I am so grateful for this client as they were extremely trusting and open to ideas. To see what the space looked like before the remodel you can go to the gallery page of the website www.cmnaturaldesigns.com Photography by: Chipper Hatter

A charming 1920s colonial had a dated dark kitchen that was not in keeping with the historic charm of the home. The owners, who adored British design, wanted a kitchen that was spacious and storage friendly, with the feel of a classic English kitchen. Designer Sarah Robertson of Studio Dearborn helped her client, while architect Greg Lewis redesigned the home to accommodate a larger kitchen, new primary bath, mudroom, and butlers pantry. Photos Adam Macchia. For more information, you may visit our website at www.studiodearborn.com or email us at info@studiodearborn.com.

Patio - transitional patio idea in Houston with a pergola

Inspiration for a contemporary japanese bathtub remodel in New York

Mid-sized cottage l-shaped medium tone wood floor and brown floor kitchen photo in Chicago with a farmhouse sink, shaker cabinets, white cabinets, quartz countertops, multicolored backsplash, terra-cotta backsplash, stainless steel appliances, two islands and white countertops

Hoi Ning Wong
Photo of a traditional full sun formal garden in San Francisco.