This seventies-modern Mansard roofed house was floating in a sea of concrete and needed to be anchored to the site. The clients called upon designer Patrick L. Boyd-Lloyd, with David Rolston Landscape Architects, to help soften the harsh front yard that's only plantings were a formal edge of Cotoneaster glauca. A large section of the circular driveway, that read as a small landing strip, was removed, leaving a generous walkway and a new entry auto-court delineated by tall grasses. A simple, modern plant palette reflects the character of the house: Blue blooming Vitex trees and White Oak Leaf Hydrangeas add summer color, while Black Bamboo casts shadows on the pristine stucco walls, with wispy Ornamental Miscanthus Grass adding a slightly formal delineation. Contemporary Wok bowls, a Rolston signature accent, are used for spare accents of seasonal color.

Linda Oyama Bryan Photos
Beach style white tile and subway tile gray floor shower curtain photo in Seattle with raised-panel cabinets, medium tone wood cabinets, a one-piece toilet, white walls, an undermount sink and gray countertops

David O. Marlow
Example of a mountain style carpeted bedroom design in Denver with no fireplace

Stansbury Photography View the dramatic video of this captivating home here: http://bit.ly/22rjvjP

Builder: John Kraemer & Sons | Photography: Landmark Photography
Mid-sized minimalist concrete floor kitchen photo in Minneapolis with flat-panel cabinets, limestone countertops, beige backsplash, stainless steel appliances, an island and dark wood cabinets

Music studio with soft glow from translucent polycarbonate exterior skin - photo: Ben Benschneider
Trendy dark wood floor family room photo in Seattle with a music area and white walls

Inspiration for a large timeless formal and open concept living room remodel in New York with blue walls and a standard fireplace

Inspiration for a timeless light wood floor eat-in kitchen remodel in DC Metro with white cabinets and an island

Photographer: John Sutton
Dining room - traditional dining room idea in San Francisco with beige walls and a ribbon fireplace

Architectrure by TMS Architects Rob Karosis Photography
Beach style master gray tile and subway tile gray floor bathroom photo in Boston with beaded inset cabinets, white cabinets, gray walls, marble countertops and white countertops

The new design brings in an abundance of natural light, a mix of modern and classic materials, and a touch of steel for a clean, contemporary feel. Photo: Michael Cole

Studio Lux introduced the cove elements, designed to conceal LED strip lights viewed at shallow angles from great distances, and eliminating harsh shadows generally caused by light valences. Photography by Jim Bartsch

Dean Matthews
Example of a huge transitional 3/4 blue tile and ceramic tile ceramic tile walk-in shower design in Miami with gray cabinets, blue walls, an undermount sink, marble countertops and flat-panel cabinets

Baulinder Haus is located just a few houses down from a landmark Kansas City area home designed by Bauhaus architect Marcel Breuer. Baulinder Haus draws inspiration from the details of the neighboring home. Vertically oriented wood siding, simple forms, and overhanging masses—these were part of Breuer’s modernist palette. The house’s form consists of a series of stacked boxes, with public spaces on the ground level and private spaces in the boxes above. The boxes are oriented in a U-shaped plan to create a generous private courtyard. This was designed as an extension of the interior living space, blurring the boundaries between indoors and outdoors. Floor-to-ceiling south facing windows in the courtyard are shaded by the overhanging second floor above to prohibit solar heat gain, but allow for passive solar heating in the winter. Other sustainable elements of the home include a geothermal heat pump HVAC system, energy efficient windows and sprayed foam insulation. The exterior wood is a vertical shiplap siding milled from FSC certified Machiche. Baulinder Haus was designed to meet and exceed requirements put forward by the U.S. Environmental Protection Agency for their Indoor airPLUS qualified homes, and is working toward Energy Star qualification. Machiche and steel screening elements provide depth and texture to front facade.

David Wakely Photography While we appreciate your love for our work, and interest in our projects, we are unable to answer every question about details in our photos. Please send us a private message if you are interested in our architectural services on your next project.

Peter Aaron
Mid-sized beach style medium tone wood floor hallway photo in Boston with white walls

Paint-Sherwin Williams Tony Taupe, Cabinetry-Kitchen Craft, Alabaster w/Pewter Glaze and Cappuccino w/Chocolate Glaze, Lighting-Pottery Barn's Hundi Lantern's and Kichler's Circolo chandelier, Tile-Emser Tile, Glass 3 x 6 Fog, Granite-Arctic Cream. Thanks for looking! Jo McKeown/Great Spaces! Special Thanks to Reed Lewis Photography

A small courtyard garden in San Francisco. • Creative use of space in the dense, urban fabric of hilly SF. • For the last several years the clients had carved out a make shift courtyard garden at the top of their driveway. It was one of the few flat spaces in their yard where they could sit in the sun and enjoy a cup of coffee. We turned the top of a steep driveway into a courtyard garden. • The actual courtyard design was planned for the maximum dimensions possible to host a dining table and a seating area. The space is conveniently located outside their kitchen and home offices. However we needed to save driveway space for parking the cars and getting in and out. • The design, fabrication and installation team was comprised of people we knew. I was an acquaintance to the clients having met them through good friends. The landscape contractor, Boaz Mor, http://www.boazmor.com/, is their neighbor and someone I worked with before. The metal fabricator is Murray Sandford of Moz Designs, https://mozdesigns.com/, https://www.instagram.com/moz_designs/ . Both contractors have long histories of working in the Bay Area on a variety of complex designs. • The size of this garden belies the complexity of the design. We did not want to remove any of the concrete driveway which was 12” or more in thickness, except for the area where the large planter was going. The driveway sloped in two directions. In order to get a “level”, properly, draining patio, we had to start it at around 21” tall at the outside and end it flush by the garage doors. • The fence is the artful element in the garden. It is made of power-coated aluminum. The panels match the house color; and posts match the house trim. The effect is quiet, blending into the overall property. The panels are dramatic. Each fence panel is a different size with a unique pattern. • The exterior panels that you see from the street are an abstract riff on the seasons of the Persian walnut tree in their front yard. The cut-outs illustrate spring bloom when the walnut leafs out to autumn when the nuts drop to the ground and the squirrels eats them, leaving a mess of shells everywhere. Even the pesky squirrel appears on one of the panels. • The interior panels, lining the entry into the courtyard, are an abstraction of the entire walnut tree. • Although the panel design is made of perforations, the openings are designed to retain privacy when you are inside the courtyard. • There is a large planter on one side of the courtyard, big enough for a tree to soften a harsh expanse of a neighboring wall. Light through the branches cast playful shadows on the wall behind. • The lighting, mounted on the house is a nod to the client’s love of New Orleans gas lights. • The paving is black stone from India, dark enough to absorb the warmth of the sun on a cool, summer San Francisco day.

A small courtyard garden in San Francisco. • Creative use of space in the dense, urban fabric of hilly SF. • For the last several years the clients had carved out a make shift courtyard garden at the top of their driveway. It was one of the few flat spaces in their yard where they could sit in the sun and enjoy a cup of coffee. We turned the top of a steep driveway into a courtyard garden. • The actual courtyard design was planned for the maximum dimensions possible to host a dining table and a seating area. The space is conveniently located outside their kitchen and home offices. However we needed to save driveway space for parking the cars and getting in and out. • The design, fabrication and installation team was comprised of people we knew. I was an acquaintance to the clients having met them through good friends. The landscape contractor, Boaz Mor, http://www.boazmor.com/, is their neighbor and someone I worked with before. The metal fabricator is Murray Sandford of Moz Designs, https://mozdesigns.com/, https://www.instagram.com/moz_designs/ . Both contractors have long histories of working in the Bay Area on a variety of complex designs. • The size of this garden belies the complexity of the design. We did not want to remove any of the concrete driveway which was 12” or more in thickness, except for the area where the large planter was going. The driveway sloped in two directions. In order to get a “level”, properly, draining patio, we had to start it at around 21” tall at the outside and end it flush by the garage doors. • The fence is the artful element in the garden. It is made of power-coated aluminum. The panels match the house color; and posts match the house trim. The effect is quiet, blending into the overall property. The panels are dramatic. Each fence panel is a different size with a unique pattern. • The exterior panels that you see from the street are an abstract riff on the seasons of the Persian walnut tree in their front yard. The cut-outs illustrate spring bloom when the walnut leafs out to autumn when the nuts drop to the ground and the squirrels eats them, leaving a mess of shells everywhere. Even the pesky squirrel appears on one of the panels. • The interior panels, lining the entry into the courtyard, are an abstraction of the entire walnut tree. • Although the panel design is made of perforations, the openings are designed to retain privacy when you are inside the courtyard. • There is a large planter on one side of the courtyard, big enough for a tree to soften a harsh expanse of a neighboring wall. Light through the branches cast playful shadows on the wall behind. • The lighting, mounted on the house is a nod to the client’s love of New Orleans gas lights. • The paving is black stone from India, dark enough to absorb the warmth of the sun on a cool, summer San Francisco day.