A simple one-story white clapboard 1920s cottage bungalow sat on a narrow straight street with many older homes, all of which meeting the street with a similar dignified approach. This house was the smallest of them all, built in 1922 as a weekend cottage, near the old East Falls Church rail station which provided direct access to Washington D.C. Its diminutive scale, low-pitched roof with the ridge parallel to the street, and lack of superfluous decoration characterized this cottage bungalow. Though the owners fell in love with the charm of the original house, their growing family presented an architectural dilemma: how do you significantly expand a charming little 1920’s Craftsman style house that you love without totally losing the integrity that made it so perfect? The answer began to formulate after a review of the houses in the turn-of-the-century neighborhood; every older house was two stories tall, each built in a different style, each beautifully proportioned, each much larger than this cottage bungalow. Most of the neighborhood houses had been significantly renovated or expanded. Growing this one-story house would certainly not adversely affect the architectural character of the neighborhood. Given that, the house needed to maintain a diminutive scale in order to appear friendly and avoid a dominating presence. The simplistic, crisp, honest materials and details of the little house, all painted white, would be saved and incorporated into a new house. Across the front of the house, the three public spaces would be saved, connected along an axis anchored on the left by the living room fireplace, with the dining room and the sitting room to the right. These three rooms are punctuated by thirteen windows, which for this house age and style, really suggests a more modern aesthetic. Hoachlander Davis Photography.

The Cleveland Park neighborhood of Washington, D.C boasts some of the most beautiful and well maintained bungalows of the late 19th century. Residential streets are distinguished by the most significant craftsman icon, the front porch. Porter Street Bungalow was different. The stucco walls on the right and left side elevations were the first indication of an original bungalow form. Yet the swooping roof, so characteristic of the period, was terminated at the front by a first floor enclosure that had almost no penetrations and presented an unwelcoming face. Original timber beams buried within the enclosed mass provided the only fenestration where they nudged through. The house, known affectionately as ‘the bunker’, was in serious need of a significant renovation and restoration. A young couple purchased the house over 10 years ago as a first home. As their family grew and professional lives matured the inadequacies of the small rooms and out of date systems had to be addressed. The program called to significantly enlarge the house with a major new rear addition. The completed house had to fulfill all of the requirements of a modern house: a reconfigured larger living room, new shared kitchen and breakfast room and large family room on the first floor and three modified bedrooms and master suite on the second floor. Front photo by Hoachlander Davis Photography. All other photos by Prakash Patel.

Photographer: Jay Goodrich This 2800 sf single-family home was completed in 2009. The clients desired an intimate, yet dynamic family residence that reflected the beauty of the site and the lifestyle of the San Juan Islands. The house was built to be both a place to gather for large dinners with friends and family as well as a cozy home for the couple when they are there alone. The project is located on a stunning, but cripplingly-restricted site overlooking Griffin Bay on San Juan Island. The most practical area to build was exactly where three beautiful old growth trees had already chosen to live. A prior architect, in a prior design, had proposed chopping them down and building right in the middle of the site. From our perspective, the trees were an important essence of the site and respectfully had to be preserved. As a result we squeezed the programmatic requirements, kept the clients on a square foot restriction and pressed tight against property setbacks. The delineate concept is a stone wall that sweeps from the parking to the entry, through the house and out the other side, terminating in a hook that nestles the master shower. This is the symbolic and functional shield between the public road and the private living spaces of the home owners. All the primary living spaces and the master suite are on the water side, the remaining rooms are tucked into the hill on the road side of the wall. Off-setting the solid massing of the stone walls is a pavilion which grabs the views and the light to the south, east and west. Built in a position to be hammered by the winter storms the pavilion, while light and airy in appearance and feeling, is constructed of glass, steel, stout wood timbers and doors with a stone roof and a slate floor. The glass pavilion is anchored by two concrete panel chimneys; the windows are steel framed and the exterior skin is of powder coated steel sheathing.

My favorite French Country Kitchen
Enclosed kitchen - mid-sized french country l-shaped travertine floor enclosed kitchen idea in Louisville with a farmhouse sink, raised-panel cabinets, medium tone wood cabinets, granite countertops, white backsplash, ceramic backsplash, stainless steel appliances and an island

As a recently purchased home, our clients quickly decided they needed to make some major adjustments. The home was pretty outdated and didn’t speak to the young family’s unique style, but we wanted to keep the welcoming character of this Mediterranean bungalow in tact. The classic white kitchen with a new layout is the perfect backdrop for the family. Brass accents add a touch of luster throughout and modernizes the fixtures and hardware. While the main common areas feature neutral color palettes, we quickly gave each room a burst of energy through bright accent colors and patterned textiles. The kids’ rooms are the most playful, showcasing bold wallcoverings, bright tones, and even a teepee tent reading nook. Designed by Joy Street Design serving Oakland, Berkeley, San Francisco, and the whole of the East Bay. For more about Joy Street Design, click here: https://www.joystreetdesign.com/ To learn more about this project, click here: https://www.joystreetdesign.com/portfolio/gower-street

The vaulted airy space of the traditional yet simple family room is highlighted by the herringbone marble fireplace surround. Accented with the artist’s sculpture overhead, the designer chose soft colors with hints of blue create a relaxed, informal space. Art and sculptures by Martha Burkert. ©Shoot2Sell Photography

Lars Frazer
Inspiration for a rustic beige floor single front door remodel in Austin with a dark wood front door

Windmiller Design & Development ****Please click on image for additional details****
Living room - large transitional living room idea in Cedar Rapids

The unique design challenge in this early 20th century Georgian Colonial was the complete disconnect of the kitchen to the rest of the home. In order to enter the kitchen, you were required to walk through a formal space. The homeowners wanted to connect the kitchen and garage through an informal area, which resulted in building an addition off the rear of the garage. This new space integrated a laundry room, mudroom and informal entry into the re-designed kitchen. Additionally, 25” was taken out of the oversized formal dining room and added to the kitchen. This gave the extra room necessary to make significant changes to the layout and traffic pattern in the kitchen. Beth Singer Photography

Living room - transitional living room idea in Los Angeles with blue walls and a standard fireplace

Artistic Tile Toledo Blanc backsplash installed in a kitchen designed by Karr Bick Kitchen and Bath and Sunderland Brothers Company.
Eat-in kitchen - large transitional u-shaped medium tone wood floor eat-in kitchen idea in New York with an undermount sink, recessed-panel cabinets, white cabinets, marble countertops, white backsplash, mosaic tile backsplash, stainless steel appliances and an island

Builder: Thompson Properties, Interior Designer: Allard & Roberts Interior Design, Cabinetry: Advance Cabinetry, Countertops: Mountain Marble & Granite, Lighting Fixtures: Lux Lighting and Allard & Roberts, Doors: Sun Mountain Door, Plumbing & Appliances: Ferguson, Door & Cabinet Hardware: Bella Hardware & Bath Photography: David Dietrich Photography Tile: Artistic Tile Area Rug: Togar rugs

****Please click on image for additional details****
Living room - transitional formal dark wood floor living room idea in Cedar Rapids with gray walls, a ribbon fireplace, a stone fireplace and a tv stand

In its 34th consecutive year hosting the Street of Dreams, the Home Builders Association of Metropolitan Portland decided to do something different. They went urban – into the Pearl District. Each year designers clamor for the opportunity to design and style a home in the Street of Dreams. Apparently the allure of designing in contemporary penthouses with cascading views was irresistible to many, because the HBA experienced record interest from the design community at large in 2009. It was an honor to be one of seven designers selected. “The Luster of the Pearl” combined the allure of clean lines and redefined traditional silhouettes with texture and opulence. The color palette was fashion-inspired with unexpected color combinations like smoky violet and tiger-eye gold backed with metallic and warm neutrals. Our design included cosmetic reconstruction of the fireplace, mosaic tile improvements to the kitchen, artistic custom wall finishes and introduced new materials to the Portland market. The process was a whirlwind of early mornings, late nights and weekends. “With an extremely short timeline with large demands, this Street of Dreams challenged me in extraordinary ways that made me a better project manager, communicator, designer and partner to my vendors.” This project won the People’s Choice Award for Best Master Suite at the Northwest Natural 2009 Street of Dreams. For more about Angela Todd Studios, click here: https://www.angelatoddstudios.com/

This Quarton Lake architectural gem was built merely 8 years ago. The original kitchen never met the homeowner's needs. As a result they hired MainStreet to design and build a two story addition off of the rear of the home, gaining much needed space in the kitchen and master closet. The new custom kitchen features a copper and limestone hood, mocha glazed character cherry and hand painted cabinetry from Plato Woodwork, along with contrasting flamed granite countertops. The Brazilian walnut floor adds to the unique character of this lovely home. Beth Singer Photography

Our Oakland studio changed the layout of the master suite and kid's bathroom in this home and gave it a modern update: --- Designed by Oakland interior design studio Joy Street Design. Serving Alameda, Berkeley, Orinda, Walnut Creek, Piedmont, and San Francisco. For more about Joy Street Design, click here: https://www.joystreetdesign.com/ To learn more about this project, click here: https://www.joystreetdesign.com/portfolio/bathroom-design-renovation

Welcome to Marquis Residences the heavenly oasis in Downtown Miami carefully designed to achieve perfection. Every space at Marquis has been enhanced with beautiful and luxurious finishes and designs to make of your living experience simply unique. Within close proximity to dozens of art galleries, interior design showrooms, fashion boutiques, architects, designers, artists’ studios, restaurants and cafés line the streets. Marquis is definitely one of South Florida's most stunning residential buildings. For additional information, visit: http://www.marquissresidences.com/

Firmness . . . Santa Cruz’s historically eclectic Pleasure Point neighborhood has been evolving in its own quirky way for almost a century, and many of its inhabitants seem to have been around just as long. They cling to the relaxed and funky seaside character of their beach community with an almost indignant provinciality. For both client and architect, neighborhood context became the singular focus of the design; to become the “poster child” for compatibility and sustainability. Dozens of photos were taken of the surrounding area as inspiration, with the goal of honoring the idiosyncratic, fine-grained character and informal scale of a neighborhood built over time. A low, horizontal weathered ipe fence at the street keeps out surfer vans and neighborhood dogs, and a simple gate beckons visitors to stroll down the boardwalk which gently angles toward the front door. A rusted steel fire pit is the focus of this ground level courtyard, which is encircled by a curving cor-ten garden wall graced by a sweep of horse tail reeds and tufts of feather grass. Extensive day-lighting throughout the home is achieved with high windows placed in all directions in all major rooms, resulting in an abundance of natural light throughout. The clients report having only to turning on lights at nightfall. Notable are the numerous passive solar design elements: careful attention to overhangs and shading devices at South- and West-facing glass to control heat gain, and passive ventilation via high windows in the tower elements, all are significant contributors to the structure’s energy efficiency. Commodity . . . Beautiful views of Monterey Bay and the lively local beach scene became the main drivers in plan and section. The upper floor was intentionally set back to preserve ocean views of the neighbor to the north. The surf obsessed clients wished to be able to see the “break” from their upper floor breakfast table perch, able to take a moment’s notice advantage of some killer waves. A tiny 4,500 s.f. lot and a desire to create a ground level courtyard for entertaining dictated the small footprint. A graceful curving cor-ten and stainless steel stair descends from the upper floor living areas, connecting them to a ground level “sanctuary”. A small detached art studio/surfboard storage shack in the back yard fulfills functional requirements, and includes an outdoor shower for the post-surf hose down. Parking access off a back alley helps to preserve ground floor space, and allows in the southern sun on the view/courtyard side. A relaxed “bare foot beach house” feel is underscored by weathered oak floors, painted re-sawn wall finishes, and painted wood ceilings, which recall the cozy cabins that stood here at Breakers Beach for nearly a century. Delight . . . Commemorating the history of the property was a priority for the surfing couple. With that in mind, they created an artistic reproduction of the original sign that decorated the property for many decades as an homage to the “Cozy Cabins at Breakers Beach”, which now graces the foyer. This casual assemblage of local vernacular architecture has been informed by the consistent scale and simple materials of nearby cottages, shacks, and bungalows. These influences were distilled down to a palette of board and batt, clapboard, and cedar shiplap, and synthesized with bolder forms that evoke images of nearby Capitola Wharf, beach lifeguard towers, and the client’s “surf shack” program requirements. The landscape design takes its cues from boardwalks, rusted steel fire rings, and native grasses, all of which firmly tie the building to its local beach community. The locals have embraced it as one of their own. Architect - Noel Cross Architect Landscape Architect - Christopher Yates Interior Designer - Gina Viscusi-Elson Lighting Designer - Vita Pehar Design Contractor - The Conrado Company

A key requirement of this primary residence for a couple with grown children was ample studio and display space for its resident artist, Kharlene Boxenbaum. The design creates large wall expanses bathed in ambient light, ideal for showcasing paintings. The 2,500-square-foot second floor serves as her studio. (Photo: Juergen Nogai)