In the canvases for her series Sixteen Street—shown first at Wade Wilson Art in Houston and then at Lennon Weinberg in New York—Jill Moser deviates from her characteristic deep blue, instead employing the interaction of both vibrant and neutral tones in an exploration of structure and process in drawing and painting. She says, “All of my work comes out of drawing…This sets up the field between drawing and painting that I have been investigating ever since. What remains important in both is that the image is active in the process of describing itself.”