Search results for "Interplay designer" in Home Design Ideas
Joy Street Design
This classic Tudor home in Oakland was given a modern makeover with an interplay of soft and vibrant color, bold patterns, and sleek furniture. The classic woodwork and built-ins of the original house were maintained to add a gorgeous contrast to the modern decor.
Designed by Oakland interior design studio Joy Street Design. Serving Alameda, Berkeley, Orinda, Walnut Creek, Piedmont, and San Francisco.
For more about Joy Street Design, click here: https://www.joystreetdesign.com/
To learn more about this project, click here:
https://www.joystreetdesign.com/portfolio/oakland-tudor-home-renovation
Exterior Worlds Landscaping & Design
The problem this Memorial-Houston homeowner faced was that her sumptuous contemporary home, an austere series of interconnected cubes of various sizes constructed from white stucco, black steel and glass, did not have the proper landscaping frame. It was out of scale. Imagine Robert Motherwell's "Black on White" painting without the Museum of Fine Arts-Houston's generous expanse of white walls surrounding it. It would still be magnificent but somehow...off.
Intuitively, the homeowner realized this issue and started interviewing landscape designers. After talking to about 15 different designers, she finally went with one, only to be disappointed with the results. From the across-the-street neighbor, she was then introduced to Exterior Worlds and she hired us to correct the newly-created problems and more fully realize her hopes for the grounds. "It's not unusual for us to come in and deal with a mess. Sometimes a homeowner gets overwhelmed with managing everything. Other times it is like this project where the design misses the mark. Regardless, it is really important to listen for what a prospect or client means and not just what they say," says Jeff Halper, owner of Exterior Worlds.
Since the sheer size of the house is so dominating, Exterior Worlds' overall job was to bring the garden up to scale to match the house. Likewise, it was important to stretch the house into the landscape, thereby softening some of its severity. The concept we devised entailed creating an interplay between the landscape and the house by astute placement of the black-and-white colors of the house into the yard using different materials and textures. Strategic plantings of greenery increased the interest, density, height and function of the design.
First we installed a pathway of crushed white marble around the perimeter of the house, the white of the path in homage to the house’s white facade. At various intervals, 3/8-inch steel-plated metal strips, painted black to echo the bones of the house, were embedded and crisscrossed in the pathway to turn it into a loose maze.
Along this metal bunting, we planted succulents whose other-worldly shapes and mild coloration juxtaposed nicely against the hard-edged steel. These plantings included Gulf Coast muhly, a native grass that produces a pink-purple plume when it blooms in the fall. A side benefit to the use of these plants is that they are low maintenance and hardy in Houston’s summertime heat.
Next we brought in trees for scale. Without them, the impressive architecture becomes imposing. We placed them along the front at either corner of the house. For the left side, we found a multi-trunk live oak in a field, transported it to the property and placed it in a custom-made square of the crushed marble at a slight distance from the house. On the right side where the house makes a 90-degree alcove, we planted a mature mesquite tree.
To finish off the front entry, we fashioned the black steel into large squares and planted grass to create islands of green, or giant lawn stepping pads. We echoed this look in the back off the master suite by turning concrete pads of black-stained concrete into stepping pads.
We kept the foundational plantings of Japanese yews which add green, earthy mass, something the stark architecture needs for further balance. We contoured Japanese boxwoods into small spheres to enhance the play between shapes and textures.
In the large, white planters at the front entrance, we repeated the plantings of succulents and Gulf Coast muhly to reinforce symmetry. Then we built an additional planter in the back out of the black metal, filled it with the crushed white marble and planted a Texas vitex, another hardy choice that adds a touch of color with its purple blooms.
To finish off the landscaping, we needed to address the ravine behind the house. We built a retaining wall to contain erosion. Aesthetically, we crafted it so that the wall has a sharp upper edge, a modern motif right where the landscape meets the land.
FINNE Architects
The Magnolia Renovation has been primarily concerned with the design of a new, highly crafted modern kitchen in a traditional home located in the Magnolia neighborhood of Seattle. The kitchen design relies on the creation of a very simple continuous space that is occupied by highly crafted pieces of furniture, cabinets and fittings. Materials such as steel, bronze, bamboo, stained elm, woven cattail, and sea grass are used in juxtaposition, allowing each material to benefit from adjacent contrasts in texture and color.
The existing kitchen and dining room consisted of separate rooms with a dividing wall. This wall was removed to create a long, continuous, east-west space, approximately 34 feet long, with cabinets and counters along each wall. The west end of the space has glass doors and views to the Puget Sound. The east end also has glass doors, leading to a small garden space. In the center of the new kitchen/dining space, we designed two long, custom tables from reclaimed elm planks (20" wide, 2" thick). The first table is a working kitchen island, the second table is the dining table. Both tables have custom blued-steel bases with laser-cut bronze overlay. We also designed custom stools with blued-steel bases and woven cattail rush seats. The lighting of the kitchen consists of 15 small, candle-like fixtures arranged in a random array with custom steel brackets. The cabinets are custom designed, with bleached Alaskan yellow cedar frames and bamboo panels. The counters are a dark limestone with a beautiful stone mosaic backsplash with a bamboo-like pattern. Adjacent to the backsplash is a long horizontal window with a “beargrass” resin panel placed on the interior side of the window. The “beargrass” panel contains actual sea grasses, which are backlit by the window behind the panel.
Photo: Benjamin Benschneider
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Exterior Worlds Landscaping & Design
The problem this Memorial-Houston homeowner faced was that her sumptuous contemporary home, an austere series of interconnected cubes of various sizes constructed from white stucco, black steel and glass, did not have the proper landscaping frame. It was out of scale. Imagine Robert Motherwell's "Black on White" painting without the Museum of Fine Arts-Houston's generous expanse of white walls surrounding it. It would still be magnificent but somehow...off.
Intuitively, the homeowner realized this issue and started interviewing landscape designers. After talking to about 15 different designers, she finally went with one, only to be disappointed with the results. From the across-the-street neighbor, she was then introduced to Exterior Worlds and she hired us to correct the newly-created problems and more fully realize her hopes for the grounds. "It's not unusual for us to come in and deal with a mess. Sometimes a homeowner gets overwhelmed with managing everything. Other times it is like this project where the design misses the mark. Regardless, it is really important to listen for what a prospect or client means and not just what they say," says Jeff Halper, owner of Exterior Worlds.
Since the sheer size of the house is so dominating, Exterior Worlds' overall job was to bring the garden up to scale to match the house. Likewise, it was important to stretch the house into the landscape, thereby softening some of its severity. The concept we devised entailed creating an interplay between the landscape and the house by astute placement of the black-and-white colors of the house into the yard using different materials and textures. Strategic plantings of greenery increased the interest, density, height and function of the design.
First we installed a pathway of crushed white marble around the perimeter of the house, the white of the path in homage to the house’s white facade. At various intervals, 3/8-inch steel-plated metal strips, painted black to echo the bones of the house, were embedded and crisscrossed in the pathway to turn it into a loose maze.
Along this metal bunting, we planted succulents whose other-worldly shapes and mild coloration juxtaposed nicely against the hard-edged steel. These plantings included Gulf Coast muhly, a native grass that produces a pink-purple plume when it blooms in the fall. A side benefit to the use of these plants is that they are low maintenance and hardy in Houston’s summertime heat.
Next we brought in trees for scale. Without them, the impressive architecture becomes imposing. We placed them along the front at either corner of the house. For the left side, we found a multi-trunk live oak in a field, transported it to the property and placed it in a custom-made square of the crushed marble at a slight distance from the house. On the right side where the house makes a 90-degree alcove, we planted a mature mesquite tree.
To finish off the front entry, we fashioned the black steel into large squares and planted grass to create islands of green, or giant lawn stepping pads. We echoed this look in the back off the master suite by turning concrete pads of black-stained concrete into stepping pads.
We kept the foundational plantings of Japanese yews which add green, earthy mass, something the stark architecture needs for further balance. We contoured Japanese boxwoods into small spheres to enhance the play between shapes and textures.
In the large, white planters at the front entrance, we repeated the plantings of succulents and Gulf Coast muhly to reinforce symmetry. Then we built an additional planter in the back out of the black metal, filled it with the crushed white marble and planted a Texas vitex, another hardy choice that adds a touch of color with its purple blooms.
To finish off the landscaping, we needed to address the ravine behind the house. We built a retaining wall to contain erosion. Aesthetically, we crafted it so that the wall has a sharp upper edge, a modern motif right where the landscape meets the land.
Amy Peltier Interior Design & Home
This farmhouse designed by our interior design studio showcases custom, traditional style with modern accents. The laundry room was given an interesting interplay of patterns and texture with a grey mosaic tile backsplash and printed tiled flooring. The dark cabinetry provides adequate storage and style. All the bathrooms are bathed in light palettes with hints of coastal color, while the mudroom features a grey and wood palette with practical built-in cabinets and cubbies. The kitchen is all about sleek elegance with a light palette and oversized pendants with metal accents.
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Project designed by Pasadena interior design studio Amy Peltier Interior Design & Home. They serve Pasadena, Bradbury, South Pasadena, San Marino, La Canada Flintridge, Altadena, Monrovia, Sierra Madre, Los Angeles, as well as surrounding areas.
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For more about Amy Peltier Interior Design & Home, click here: https://peltierinteriors.com/
Everything Home
We redesigned the entire home, layout, and chose the furniture. The palette is neutral with black accents and an interplay of textures and patterns. We wanted to make the best use of the space and designed with functionality as a priority.
––– Project completed by Wendy Langston's Everything Home interior design firm, which serves Carmel, Zionsville, Fishers, Westfield, Noblesville, and Indianapolis.
For more about Everything Home, click here: https://everythinghomedesigns.com/
To learn more about this project, click here:
https://everythinghomedesigns.com/portfolio/zionsville-new-construction/
Sponsored
Columbus, OH
Dave Fox Design Build Remodelers
Columbus Area's Luxury Design Build Firm | 17x Best of Houzz Winner!
Amy Peltier Interior Design & Home
This farmhouse designed by our interior design studio showcases custom, traditional style with modern accents. The laundry room was given an interesting interplay of patterns and texture with a grey mosaic tile backsplash and printed tiled flooring. The dark cabinetry provides adequate storage and style. All the bathrooms are bathed in light palettes with hints of coastal color, while the mudroom features a grey and wood palette with practical built-in cabinets and cubbies. The kitchen is all about sleek elegance with a light palette and oversized pendants with metal accents.
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Project designed by Pasadena interior design studio Amy Peltier Interior Design & Home. They serve Pasadena, Bradbury, South Pasadena, San Marino, La Canada Flintridge, Altadena, Monrovia, Sierra Madre, Los Angeles, as well as surrounding areas.
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For more about Amy Peltier Interior Design & Home, click here: https://peltierinteriors.com/
Joy Street Design
This classic Tudor home in Oakland was given a modern makeover with an interplay of soft and vibrant color, bold patterns, and sleek furniture. The classic woodwork and built-ins of the original house were maintained to add a gorgeous contrast to the modern decor.
Designed by Oakland interior design studio Joy Street Design. Serving Alameda, Berkeley, Orinda, Walnut Creek, Piedmont, and San Francisco.
For more about Joy Street Design, click here: https://www.joystreetdesign.com/
To learn more about this project, click here:
https://www.joystreetdesign.com/portfolio/oakland-tudor-home-renovation
Exterior Worlds Landscaping & Design
The problem this Memorial-Houston homeowner faced was that her sumptuous contemporary home, an austere series of interconnected cubes of various sizes constructed from white stucco, black steel and glass, did not have the proper landscaping frame. It was out of scale. Imagine Robert Motherwell's "Black on White" painting without the Museum of Fine Arts-Houston's generous expanse of white walls surrounding it. It would still be magnificent but somehow...off.
Intuitively, the homeowner realized this issue and started interviewing landscape designers. After talking to about 15 different designers, she finally went with one, only to be disappointed with the results. From the across-the-street neighbor, she was then introduced to Exterior Worlds and she hired us to correct the newly-created problems and more fully realize her hopes for the grounds. "It's not unusual for us to come in and deal with a mess. Sometimes a homeowner gets overwhelmed with managing everything. Other times it is like this project where the design misses the mark. Regardless, it is really important to listen for what a prospect or client means and not just what they say," says Jeff Halper, owner of Exterior Worlds.
Since the sheer size of the house is so dominating, Exterior Worlds' overall job was to bring the garden up to scale to match the house. Likewise, it was important to stretch the house into the landscape, thereby softening some of its severity. The concept we devised entailed creating an interplay between the landscape and the house by astute placement of the black-and-white colors of the house into the yard using different materials and textures. Strategic plantings of greenery increased the interest, density, height and function of the design.
First we installed a pathway of crushed white marble around the perimeter of the house, the white of the path in homage to the house’s white facade. At various intervals, 3/8-inch steel-plated metal strips, painted black to echo the bones of the house, were embedded and crisscrossed in the pathway to turn it into a loose maze.
Along this metal bunting, we planted succulents whose other-worldly shapes and mild coloration juxtaposed nicely against the hard-edged steel. These plantings included Gulf Coast muhly, a native grass that produces a pink-purple plume when it blooms in the fall. A side benefit to the use of these plants is that they are low maintenance and hardy in Houston’s summertime heat.
Next we brought in trees for scale. Without them, the impressive architecture becomes imposing. We placed them along the front at either corner of the house. For the left side, we found a multi-trunk live oak in a field, transported it to the property and placed it in a custom-made square of the crushed marble at a slight distance from the house. On the right side where the house makes a 90-degree alcove, we planted a mature mesquite tree.
To finish off the front entry, we fashioned the black steel into large squares and planted grass to create islands of green, or giant lawn stepping pads. We echoed this look in the back off the master suite by turning concrete pads of black-stained concrete into stepping pads.
We kept the foundational plantings of Japanese yews which add green, earthy mass, something the stark architecture needs for further balance. We contoured Japanese boxwoods into small spheres to enhance the play between shapes and textures.
In the large, white planters at the front entrance, we repeated the plantings of succulents and Gulf Coast muhly to reinforce symmetry. Then we built an additional planter in the back out of the black metal, filled it with the crushed white marble and planted a Texas vitex, another hardy choice that adds a touch of color with its purple blooms.
To finish off the landscaping, we needed to address the ravine behind the house. We built a retaining wall to contain erosion. Aesthetically, we crafted it so that the wall has a sharp upper edge, a modern motif right where the landscape meets the land.
Everything Home
We redesigned the entire home, layout, and chose the furniture. The palette is neutral with black accents and an interplay of textures and patterns. We wanted to make the best use of the space and designed with functionality as a priority.
––– Project completed by Wendy Langston's Everything Home interior design firm, which serves Carmel, Zionsville, Fishers, Westfield, Noblesville, and Indianapolis.
For more about Everything Home, click here: https://everythinghomedesigns.com/
To learn more about this project, click here:
https://everythinghomedesigns.com/portfolio/zionsville-new-construction/
Everything Home
We redesigned the entire home, layout, and chose the furniture. The palette is neutral with black accents and an interplay of textures and patterns. We wanted to make the best use of the space and designed with functionality as a priority.
––– Project completed by Wendy Langston's Everything Home interior design firm, which serves Carmel, Zionsville, Fishers, Westfield, Noblesville, and Indianapolis.
For more about Everything Home, click here: https://everythinghomedesigns.com/
To learn more about this project, click here:
https://everythinghomedesigns.com/portfolio/zionsville-new-construction/
Amy Peltier Interior Design & Home
This farmhouse designed by our interior design studio showcases custom, traditional style with modern accents. The laundry room was given an interesting interplay of patterns and texture with a grey mosaic tile backsplash and printed tiled flooring. The dark cabinetry provides adequate storage and style. All the bathrooms are bathed in light palettes with hints of coastal color, while the mudroom features a grey and wood palette with practical built-in cabinets and cubbies. The kitchen is all about sleek elegance with a light palette and oversized pendants with metal accents.
---
Project designed by Pasadena interior design studio Amy Peltier Interior Design & Home. They serve Pasadena, Bradbury, South Pasadena, San Marino, La Canada Flintridge, Altadena, Monrovia, Sierra Madre, Los Angeles, as well as surrounding areas.
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For more about Amy Peltier Interior Design & Home, click here: https://peltierinteriors.com/
Sponsored
Delaware, OH
Buckeye Basements, Inc.
Central Ohio's Basement Finishing ExpertsBest Of Houzz '13-'21
Amy Peltier Interior Design & Home
Our versatile kitchen and bathroom designs are suited for traditional and modern homes. We use natural, luxe materials, an interplay of textures, and sophisticated lighting to add a glamorous feel to the final look.
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Project designed by Pasadena interior design studio Amy Peltier Interior Design & Home. They serve Pasadena, Bradbury, South Pasadena, San Marino, La Canada Flintridge, Altadena, Monrovia, Sierra Madre, Los Angeles, as well as surrounding areas.
For more about Amy Peltier Interior Design & Home, click here: https://peltierinteriors.com/
Small trendy freestanding desk dark wood floor and turquoise floor home office photo in Seattle with no fireplace and gray walls
New Frontier Tiny Homes
StudioBell
Open concept kitchen - industrial galley dark wood floor and brown floor open concept kitchen idea in Nashville with a farmhouse sink, flat-panel cabinets, white cabinets, white backsplash, subway tile backsplash, paneled appliances, no island and gray countertops
Open concept kitchen - industrial galley dark wood floor and brown floor open concept kitchen idea in Nashville with a farmhouse sink, flat-panel cabinets, white cabinets, white backsplash, subway tile backsplash, paneled appliances, no island and gray countertops
Harwick Homes
Doug Thompson Photography
Wet bar - victorian u-shaped wet bar idea in Miami with raised-panel cabinets, dark wood cabinets and green backsplash
Wet bar - victorian u-shaped wet bar idea in Miami with raised-panel cabinets, dark wood cabinets and green backsplash
Showing Results for "Interplay Designer"
Sponsored
Columbus, OH
Dave Fox Design Build Remodelers
Columbus Area's Luxury Design Build Firm | 17x Best of Houzz Winner!
Sandra Ericksen Design
This house has a decidedly Arts & Crafts style to the architecture so we tried to be consistent with the clean lines and very little fussiness. Chris & Cami photography
Wendi Young Design
Photography by Tim Street-Porter
Example of a french country dark wood floor bedroom design in Orange County with beige walls
Example of a french country dark wood floor bedroom design in Orange County with beige walls
Wagner Hodgson
Wagner Residence
North Ferrisburgh, Vermont
Keith Wagner drew from his love of flat land and open sky when it came to selecting a site and designing his own home. The resulting assembly of wood and metal outbuildings forms a minimalist compound containing a main house, guest house, painting studio and sculpture studio. The outbuildings are organized by and contained within a datum of low concrete walls, a tree bosque, hedgerows and a crushed stone sculpture court. The architecture gives way to the landscape and allows visitors to focus on nature. Keith's own large spherical sculptures dot the landscape and evoke the rolled hay bales seen across the New England landscape.
Architectural Design: Keith Wagner with Birdseye Design
Image Credit: Westphalen Photography
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