Search results for "Interplay designer" in Home Design Ideas
Joy Street Design
This classic Tudor home in Oakland was given a modern makeover with an interplay of soft and vibrant color, bold patterns, and sleek furniture. The classic woodwork and built-ins of the original house were maintained to add a gorgeous contrast to the modern decor.
Designed by Oakland interior design studio Joy Street Design. Serving Alameda, Berkeley, Orinda, Walnut Creek, Piedmont, and San Francisco.
For more about Joy Street Design, click here: https://www.joystreetdesign.com/
To learn more about this project, click here:
https://www.joystreetdesign.com/portfolio/oakland-tudor-home-renovation
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Brendon Pinola
Inspiration for a mid-sized country gray tile and marble tile marble floor and white floor powder room remodel in Birmingham with white walls, a console sink, open cabinets, a two-piece toilet, marble countertops and white countertops
Inspiration for a mid-sized country gray tile and marble tile marble floor and white floor powder room remodel in Birmingham with white walls, a console sink, open cabinets, a two-piece toilet, marble countertops and white countertops
Joy Street Design
This classic Tudor home in Oakland was given a modern makeover with an interplay of soft and vibrant color, bold patterns, and sleek furniture. The classic woodwork and built-ins of the original house were maintained to add a gorgeous contrast to the modern decor.
Designed by Oakland interior design studio Joy Street Design. Serving Alameda, Berkeley, Orinda, Walnut Creek, Piedmont, and San Francisco.
For more about Joy Street Design, click here: https://www.joystreetdesign.com/
To learn more about this project, click here:
https://www.joystreetdesign.com/portfolio/oakland-tudor-home-renovation
Find the right local pro for your project
Tobi Fairley Interior Design
Inspiration for a mid-sized transitional black and white tile alcove shower remodel in Little Rock with multicolored walls
Amy Peltier Interior Design & Home
This farmhouse designed by our interior design studio showcases custom, traditional style with modern accents. The laundry room was given an interesting interplay of patterns and texture with a grey mosaic tile backsplash and printed tiled flooring. The dark cabinetry provides adequate storage and style. All the bathrooms are bathed in light palettes with hints of coastal color, while the mudroom features a grey and wood palette with practical built-in cabinets and cubbies. The kitchen is all about sleek elegance with a light palette and oversized pendants with metal accents.
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Project designed by Pasadena interior design studio Amy Peltier Interior Design & Home. They serve Pasadena, Bradbury, South Pasadena, San Marino, La Canada Flintridge, Altadena, Monrovia, Sierra Madre, Los Angeles, as well as surrounding areas.
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For more about Amy Peltier Interior Design & Home, click here: https://peltierinteriors.com/
Joy Street Design
Our Oakland studio used an interplay of printed wallpaper, metal accents, and sleek furniture to give this home a new, chic look:
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Designed by Oakland interior design studio Joy Street Design. Serving Alameda, Berkeley, Orinda, Walnut Creek, Piedmont, and San Francisco.
For more about Joy Street Design, click here:
https://www.joystreetdesign.com/
To learn more about this project, click here:
https://www.joystreetdesign.com/portfolio/oakland-home-facelift
Exterior Worlds Landscaping & Design
The problem this Memorial-Houston homeowner faced was that her sumptuous contemporary home, an austere series of interconnected cubes of various sizes constructed from white stucco, black steel and glass, did not have the proper landscaping frame. It was out of scale. Imagine Robert Motherwell's "Black on White" painting without the Museum of Fine Arts-Houston's generous expanse of white walls surrounding it. It would still be magnificent but somehow...off.
Intuitively, the homeowner realized this issue and started interviewing landscape designers. After talking to about 15 different designers, she finally went with one, only to be disappointed with the results. From the across-the-street neighbor, she was then introduced to Exterior Worlds and she hired us to correct the newly-created problems and more fully realize her hopes for the grounds. "It's not unusual for us to come in and deal with a mess. Sometimes a homeowner gets overwhelmed with managing everything. Other times it is like this project where the design misses the mark. Regardless, it is really important to listen for what a prospect or client means and not just what they say," says Jeff Halper, owner of Exterior Worlds.
Since the sheer size of the house is so dominating, Exterior Worlds' overall job was to bring the garden up to scale to match the house. Likewise, it was important to stretch the house into the landscape, thereby softening some of its severity. The concept we devised entailed creating an interplay between the landscape and the house by astute placement of the black-and-white colors of the house into the yard using different materials and textures. Strategic plantings of greenery increased the interest, density, height and function of the design.
First we installed a pathway of crushed white marble around the perimeter of the house, the white of the path in homage to the house’s white facade. At various intervals, 3/8-inch steel-plated metal strips, painted black to echo the bones of the house, were embedded and crisscrossed in the pathway to turn it into a loose maze.
Along this metal bunting, we planted succulents whose other-worldly shapes and mild coloration juxtaposed nicely against the hard-edged steel. These plantings included Gulf Coast muhly, a native grass that produces a pink-purple plume when it blooms in the fall. A side benefit to the use of these plants is that they are low maintenance and hardy in Houston’s summertime heat.
Next we brought in trees for scale. Without them, the impressive architecture becomes imposing. We placed them along the front at either corner of the house. For the left side, we found a multi-trunk live oak in a field, transported it to the property and placed it in a custom-made square of the crushed marble at a slight distance from the house. On the right side where the house makes a 90-degree alcove, we planted a mature mesquite tree.
To finish off the front entry, we fashioned the black steel into large squares and planted grass to create islands of green, or giant lawn stepping pads. We echoed this look in the back off the master suite by turning concrete pads of black-stained concrete into stepping pads.
We kept the foundational plantings of Japanese yews which add green, earthy mass, something the stark architecture needs for further balance. We contoured Japanese boxwoods into small spheres to enhance the play between shapes and textures.
In the large, white planters at the front entrance, we repeated the plantings of succulents and Gulf Coast muhly to reinforce symmetry. Then we built an additional planter in the back out of the black metal, filled it with the crushed white marble and planted a Texas vitex, another hardy choice that adds a touch of color with its purple blooms.
To finish off the landscaping, we needed to address the ravine behind the house. We built a retaining wall to contain erosion. Aesthetically, we crafted it so that the wall has a sharp upper edge, a modern motif right where the landscape meets the land.
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Columbus, OH
Dave Fox Design Build Remodelers
Columbus Area's Luxury Design Build Firm | 17x Best of Houzz Winner!
Prairie Blue Landscapes
Photo by Linda Oyama Bryan
Design ideas for a contemporary backyard landscaping in Chicago.
Design ideas for a contemporary backyard landscaping in Chicago.
Everything Home
We redesigned the entire home, layout, and chose the furniture. The palette is neutral with black accents and an interplay of textures and patterns. We wanted to make the best use of the space and designed with functionality as a priority.
––– Project completed by Wendy Langston's Everything Home interior design firm, which serves Carmel, Zionsville, Fishers, Westfield, Noblesville, and Indianapolis.
For more about Everything Home, click here: https://everythinghomedesigns.com/
To learn more about this project, click here:
https://everythinghomedesigns.com/portfolio/zionsville-new-construction/
Moment Engineering + Design
Trendy master white tile and stone slab white floor alcove shower photo in DC Metro with flat-panel cabinets, white walls, an undermount sink, a hinged shower door and white countertops
DiGiacomo Homes & Renovation
Design-Build: Rocky DiGiacomo, DiGiacomo Homes & Renovation, Inc.
Interior Designer: Gigi DiGiacomo, DiGiacomo Homes & Renovation, Inc.
Photos: Paul Markert, Markert Photo, Inc.
Allison Jaffe Interior Design LLC
Brio Photography
Winner of ASID 2010 ASID Design Excellence Awards
Example of a classic living room design in Austin
Example of a classic living room design in Austin
Narofsky Architecture + ways2design
Professional interior shots by Phillip Ennis Photography, exterior shots provided by Architect's firm.
Mid-sized minimalist l-shaped concrete floor eat-in kitchen photo in New York with stainless steel appliances, flat-panel cabinets, dark wood cabinets, quartz countertops, an undermount sink and an island
Mid-sized minimalist l-shaped concrete floor eat-in kitchen photo in New York with stainless steel appliances, flat-panel cabinets, dark wood cabinets, quartz countertops, an undermount sink and an island
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Ferguson Bath, Kitchen & Lighting Gallery
Ferguson Bath, Kitchen & Lighting Gallery
Joy Street Design
Our Oakland studio used an interplay of printed wallpaper, metal accents, and sleek furniture to give this home a new, chic look:
---
Designed by Oakland interior design studio Joy Street Design. Serving Alameda, Berkeley, Orinda, Walnut Creek, Piedmont, and San Francisco.
For more about Joy Street Design, click here:
https://www.joystreetdesign.com/
To learn more about this project, click here:
https://www.joystreetdesign.com/portfolio/oakland-home-facelift
Exterior Worlds Landscaping & Design
The problem this Memorial-Houston homeowner faced was that her sumptuous contemporary home, an austere series of interconnected cubes of various sizes constructed from white stucco, black steel and glass, did not have the proper landscaping frame. It was out of scale. Imagine Robert Motherwell's "Black on White" painting without the Museum of Fine Arts-Houston's generous expanse of white walls surrounding it. It would still be magnificent but somehow...off.
Intuitively, the homeowner realized this issue and started interviewing landscape designers. After talking to about 15 different designers, she finally went with one, only to be disappointed with the results. From the across-the-street neighbor, she was then introduced to Exterior Worlds and she hired us to correct the newly-created problems and more fully realize her hopes for the grounds. "It's not unusual for us to come in and deal with a mess. Sometimes a homeowner gets overwhelmed with managing everything. Other times it is like this project where the design misses the mark. Regardless, it is really important to listen for what a prospect or client means and not just what they say," says Jeff Halper, owner of Exterior Worlds.
Since the sheer size of the house is so dominating, Exterior Worlds' overall job was to bring the garden up to scale to match the house. Likewise, it was important to stretch the house into the landscape, thereby softening some of its severity. The concept we devised entailed creating an interplay between the landscape and the house by astute placement of the black-and-white colors of the house into the yard using different materials and textures. Strategic plantings of greenery increased the interest, density, height and function of the design.
First we installed a pathway of crushed white marble around the perimeter of the house, the white of the path in homage to the house’s white facade. At various intervals, 3/8-inch steel-plated metal strips, painted black to echo the bones of the house, were embedded and crisscrossed in the pathway to turn it into a loose maze.
Along this metal bunting, we planted succulents whose other-worldly shapes and mild coloration juxtaposed nicely against the hard-edged steel. These plantings included Gulf Coast muhly, a native grass that produces a pink-purple plume when it blooms in the fall. A side benefit to the use of these plants is that they are low maintenance and hardy in Houston’s summertime heat.
Next we brought in trees for scale. Without them, the impressive architecture becomes imposing. We placed them along the front at either corner of the house. For the left side, we found a multi-trunk live oak in a field, transported it to the property and placed it in a custom-made square of the crushed marble at a slight distance from the house. On the right side where the house makes a 90-degree alcove, we planted a mature mesquite tree.
To finish off the front entry, we fashioned the black steel into large squares and planted grass to create islands of green, or giant lawn stepping pads. We echoed this look in the back off the master suite by turning concrete pads of black-stained concrete into stepping pads.
We kept the foundational plantings of Japanese yews which add green, earthy mass, something the stark architecture needs for further balance. We contoured Japanese boxwoods into small spheres to enhance the play between shapes and textures.
In the large, white planters at the front entrance, we repeated the plantings of succulents and Gulf Coast muhly to reinforce symmetry. Then we built an additional planter in the back out of the black metal, filled it with the crushed white marble and planted a Texas vitex, another hardy choice that adds a touch of color with its purple blooms.
To finish off the landscaping, we needed to address the ravine behind the house. We built a retaining wall to contain erosion. Aesthetically, we crafted it so that the wall has a sharp upper edge, a modern motif right where the landscape meets the land.
Exterior Worlds Landscaping & Design
The problem this Memorial-Houston homeowner faced was that her sumptuous contemporary home, an austere series of interconnected cubes of various sizes constructed from white stucco, black steel and glass, did not have the proper landscaping frame. It was out of scale. Imagine Robert Motherwell's "Black on White" painting without the Museum of Fine Arts-Houston's generous expanse of white walls surrounding it. It would still be magnificent but somehow...off.
Intuitively, the homeowner realized this issue and started interviewing landscape designers. After talking to about 15 different designers, she finally went with one, only to be disappointed with the results. From the across-the-street neighbor, she was then introduced to Exterior Worlds and she hired us to correct the newly-created problems and more fully realize her hopes for the grounds. "It's not unusual for us to come in and deal with a mess. Sometimes a homeowner gets overwhelmed with managing everything. Other times it is like this project where the design misses the mark. Regardless, it is really important to listen for what a prospect or client means and not just what they say," says Jeff Halper, owner of Exterior Worlds.
Since the sheer size of the house is so dominating, Exterior Worlds' overall job was to bring the garden up to scale to match the house. Likewise, it was important to stretch the house into the landscape, thereby softening some of its severity. The concept we devised entailed creating an interplay between the landscape and the house by astute placement of the black-and-white colors of the house into the yard using different materials and textures. Strategic plantings of greenery increased the interest, density, height and function of the design.
First we installed a pathway of crushed white marble around the perimeter of the house, the white of the path in homage to the house’s white facade. At various intervals, 3/8-inch steel-plated metal strips, painted black to echo the bones of the house, were embedded and crisscrossed in the pathway to turn it into a loose maze.
Along this metal bunting, we planted succulents whose other-worldly shapes and mild coloration juxtaposed nicely against the hard-edged steel. These plantings included Gulf Coast muhly, a native grass that produces a pink-purple plume when it blooms in the fall. A side benefit to the use of these plants is that they are low maintenance and hardy in Houston’s summertime heat.
Next we brought in trees for scale. Without them, the impressive architecture becomes imposing. We placed them along the front at either corner of the house. For the left side, we found a multi-trunk live oak in a field, transported it to the property and placed it in a custom-made square of the crushed marble at a slight distance from the house. On the right side where the house makes a 90-degree alcove, we planted a mature mesquite tree.
To finish off the front entry, we fashioned the black steel into large squares and planted grass to create islands of green, or giant lawn stepping pads. We echoed this look in the back off the master suite by turning concrete pads of black-stained concrete into stepping pads.
We kept the foundational plantings of Japanese yews which add green, earthy mass, something the stark architecture needs for further balance. We contoured Japanese boxwoods into small spheres to enhance the play between shapes and textures.
In the large, white planters at the front entrance, we repeated the plantings of succulents and Gulf Coast muhly to reinforce symmetry. Then we built an additional planter in the back out of the black metal, filled it with the crushed white marble and planted a Texas vitex, another hardy choice that adds a touch of color with its purple blooms.
To finish off the landscaping, we needed to address the ravine behind the house. We built a retaining wall to contain erosion. Aesthetically, we crafted it so that the wall has a sharp upper edge, a modern motif right where the landscape meets the land.
Bianchi Design
To amplify the initial impression of
the home, Bianchi introduced a sensuous, feminine form by using a of low (but ascending) 30-inch-thick walls. The resulting visual tension and interplay energizes the entry experience as the curving walls juxtapose with the distinctly masculine, ascending planes of the home's facade.
Visitors are greeted by the embrace of these walls and led along a path past a trio of rusted steel corten panels that lend a lyrical quality to the pathway with their alternating folds, sequential spacing and ascending heights- echoing botht he pitch and material of the roofline beyond. As the path narrows in the curvature of these walls, there's a sense of compression followed by expansion as the path turns and opens up again as it nears a rusted steep pivot gate, offering access to the forecourt leading to the front door. The notes of this song continue in the shadowy recesses of the cantilevered stair tread detail, and with the striking interjection of tree forms that cast twisting shadows on the imperfectly smooth stucco facing the planar backdrop.
michaelwoodall.com
Showing Results for "Interplay Designer"
Sponsored
Columbus, OH
Trish Takacs Design
Award Winning & Highly Skilled Kitchen & Bath Designer in Columbus
Butler Armsden Architects
Example of a classic bedroom design in San Francisco with gray walls and a standard fireplace
Everything Home
We redesigned the entire home, layout, and chose the furniture. The palette is neutral with black accents and an interplay of textures and patterns. We wanted to make the best use of the space and designed with functionality as a priority.
––– Project completed by Wendy Langston's Everything Home interior design firm, which serves Carmel, Zionsville, Fishers, Westfield, Noblesville, and Indianapolis.
For more about Everything Home, click here: https://everythinghomedesigns.com/
To learn more about this project, click here:
https://everythinghomedesigns.com/portfolio/zionsville-new-construction/
Exterior Worlds Landscaping & Design
The problem this Memorial-Houston homeowner faced was that her sumptuous contemporary home, an austere series of interconnected cubes of various sizes constructed from white stucco, black steel and glass, did not have the proper landscaping frame. It was out of scale. Imagine Robert Motherwell's "Black on White" painting without the Museum of Fine Arts-Houston's generous expanse of white walls surrounding it. It would still be magnificent but somehow...off.
Intuitively, the homeowner realized this issue and started interviewing landscape designers. After talking to about 15 different designers, she finally went with one, only to be disappointed with the results. From the across-the-street neighbor, she was then introduced to Exterior Worlds and she hired us to correct the newly-created problems and more fully realize her hopes for the grounds. "It's not unusual for us to come in and deal with a mess. Sometimes a homeowner gets overwhelmed with managing everything. Other times it is like this project where the design misses the mark. Regardless, it is really important to listen for what a prospect or client means and not just what they say," says Jeff Halper, owner of Exterior Worlds.
Since the sheer size of the house is so dominating, Exterior Worlds' overall job was to bring the garden up to scale to match the house. Likewise, it was important to stretch the house into the landscape, thereby softening some of its severity. The concept we devised entailed creating an interplay between the landscape and the house by astute placement of the black-and-white colors of the house into the yard using different materials and textures. Strategic plantings of greenery increased the interest, density, height and function of the design.
First we installed a pathway of crushed white marble around the perimeter of the house, the white of the path in homage to the house’s white facade. At various intervals, 3/8-inch steel-plated metal strips, painted black to echo the bones of the house, were embedded and crisscrossed in the pathway to turn it into a loose maze.
Along this metal bunting, we planted succulents whose other-worldly shapes and mild coloration juxtaposed nicely against the hard-edged steel. These plantings included Gulf Coast muhly, a native grass that produces a pink-purple plume when it blooms in the fall. A side benefit to the use of these plants is that they are low maintenance and hardy in Houston’s summertime heat.
Next we brought in trees for scale. Without them, the impressive architecture becomes imposing. We placed them along the front at either corner of the house. For the left side, we found a multi-trunk live oak in a field, transported it to the property and placed it in a custom-made square of the crushed marble at a slight distance from the house. On the right side where the house makes a 90-degree alcove, we planted a mature mesquite tree.
To finish off the front entry, we fashioned the black steel into large squares and planted grass to create islands of green, or giant lawn stepping pads. We echoed this look in the back off the master suite by turning concrete pads of black-stained concrete into stepping pads.
We kept the foundational plantings of Japanese yews which add green, earthy mass, something the stark architecture needs for further balance. We contoured Japanese boxwoods into small spheres to enhance the play between shapes and textures.
In the large, white planters at the front entrance, we repeated the plantings of succulents and Gulf Coast muhly to reinforce symmetry. Then we built an additional planter in the back out of the black metal, filled it with the crushed white marble and planted a Texas vitex, another hardy choice that adds a touch of color with its purple blooms.
To finish off the landscaping, we needed to address the ravine behind the house. We built a retaining wall to contain erosion. Aesthetically, we crafted it so that the wall has a sharp upper edge, a modern motif right where the landscape meets the land.
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