Example of a mid-sized ornate galley light wood floor and brown floor eat-in kitchen design in Boston with a drop-in sink, recessed-panel cabinets, beige cabinets, granite countertops, white backsplash, subway tile backsplash, stainless steel appliances and an island

Vaulted ceilings are supported by angled windows which open up the home to light. In order to cut down on the number of installed "can" lights, pendant lights were strung across the kitchen from wall to wall to provide ambient lighting.

As with all communal spaces in the house, indoor/outdoor living. Note the 15’ accordion window opening to the outdoor eating/living area. Functionality was a top priority, but the space had to be beautiful as well. The top-stitched leather pulls help soften the look and make it feel more comfortable. We designed every cabinet for specified storage. [For example: The area to the right of the refrigerator with the open shelving: we designed this as “breakfast-central.” This is where the toaster oven, toaster, and Vitamix usually live and can be neatly hidden by the pull-down aluminum tambour doors when not in use. All the items needed for breakfast to get everyone out the door efficiently are located in the refrigerator on the left and cabinet drawers below.]

Our client just bought a brand new home and came to us to help furnish and decorate the master bedroom, dining, and living room. With a clean slate to work with we wanted the the design to be "bright and airy" and we love how it turned out!

Photo: New York Times
Example of a transitional u-shaped light wood floor and beige floor kitchen design in Other with a drop-in sink, recessed-panel cabinets, gray cabinets, wood countertops, stainless steel appliances and no island

Perched above the beautiful Delaware River in the historic village of New Hope, Bucks County, Pennsylvania sits this magnificent custom home designed by OMNIA Group Architects. According to Partner, Brian Mann,"This riverside property required a nuanced approach so that it could at once be both a part of this eclectic village streetscape and take advantage of the spectacular waterfront setting." Further complicating the study, the lot was narrow, it resides in the floodplain and the program required the Master Suite to be on the main level. To meet these demands, OMNIA dispensed with conventional historicist styles and created an open plan blended with traditional forms punctuated by vast rows of glass windows and doors to bring in the panoramic views of Lambertville, the bridge, the wooded opposite bank and the river. Mann adds, "Because I too live along the river, I have a special respect for its ever changing beauty - and I appreciate that riverfront structures have a responsibility to enhance the views from those on the water." Hence the riverside facade is as beautiful as the street facade. A sweeping front porch integrates the entry with the vibrant pedestrian streetscape. Low garden walls enclose a beautifully landscaped courtyard defining private space without turning its back on the street. Once inside, the natural setting explodes into view across the back of each of the main living spaces. For a home with so few walls, spaces feel surprisingly intimate and well defined. The foyer is elegant and features a free flowing curved stair that rises in a turret like enclosure dotted with windows that follow the ascending stairs like a sculpture. "Using changes in ceiling height, finish materials and lighting, we were able to define spaces without boxing spaces in" says Mann adding, "the dynamic horizontality of the river is echoed along the axis of the living space; the natural movement from kitchen to dining to living rooms following the current of the river." Service elements are concentrated along the front to create a visual and noise barrier from the street and buttress a calm hall that leads to the Master Suite. The master bedroom shares the views of the river, while the bath and closet program are set up for pure luxuriating. The second floor features a common loft area with a large balcony overlooking the water. Two children's suites flank the loft - each with their own exquisitely crafted baths and closets. Continuing the balance between street and river, an open air bell-tower sits above the entry porch to bring life and light to the street. Outdoor living was part of the program from the start. A covered porch with outdoor kitchen and dining and lounge area and a fireplace brings 3-season living to the river. And a lovely curved patio lounge surrounded by grand landscaping by LDG finishes the experience. OMNIA was able to bring their design talents to the finish materials too including cabinetry, lighting, fixtures, colors and furniture.

Example of a small trendy single-wall light wood floor and brown floor open concept kitchen design in New York with a drop-in sink, flat-panel cabinets, white cabinets, quartzite countertops, white backsplash, mosaic tile backsplash, stainless steel appliances, an island and white countertops

Black and Tan Modern Kitchen
Enclosed kitchen - mid-sized transitional l-shaped light wood floor and beige floor enclosed kitchen idea in Chicago with a drop-in sink, flat-panel cabinets, beige cabinets, marble countertops, black backsplash, marble backsplash, paneled appliances, an island and black countertops

Inspiration for a mid-sized coastal u-shaped light wood floor and brown floor enclosed kitchen remodel in Other with a drop-in sink, shaker cabinets, white cabinets, quartz countertops, white backsplash, shiplap backsplash, stainless steel appliances, no island and white countertops

Example of a small beach style galley light wood floor and brown floor kitchen pantry design in Charleston with a drop-in sink, blue cabinets, marble countertops, white backsplash, shiplap backsplash, stainless steel appliances, no island and white countertops

Inspiration for a large modern l-shaped light wood floor and brown floor kitchen pantry remodel in Cincinnati with a drop-in sink, gray cabinets, quartzite countertops, gray backsplash, glass tile backsplash, stainless steel appliances, an island and white countertops

Example of a 1950s l-shaped light wood floor, exposed beam and brown floor eat-in kitchen design in Portland with a drop-in sink, medium tone wood cabinets, quartz countertops, white backsplash, subway tile backsplash, stainless steel appliances, an island, white countertops and flat-panel cabinets

Example of a trendy u-shaped light wood floor kitchen design in New York with a drop-in sink, flat-panel cabinets, gray cabinets, white backsplash, subway tile backsplash, stainless steel appliances and a peninsula

Handleless Cabinets The minimalist aesthetic continues with handleless cabinets. For buyers and homeowners seeking a sleek design, handleless cabinets are a must. If you’re having trouble finding handleless cabinets, try looking at home design companies like Ikea and Scandinavian Designs.

Large minimalist light wood floor and yellow floor eat-in kitchen photo in San Francisco with a drop-in sink, flat-panel cabinets, light wood cabinets, gray backsplash, glass tile backsplash, stainless steel appliances, an island and white countertops

Cosmetic renovation of a brownstone on Manhattan's Upper West Side.
Large eclectic u-shaped light wood floor and beige floor eat-in kitchen photo in New York with a drop-in sink, shaker cabinets, purple cabinets, marble countertops, multicolored backsplash, ceramic backsplash, stainless steel appliances, an island and gray countertops

Example of a large minimalist galley light wood floor and beige floor eat-in kitchen design in Atlanta with a drop-in sink, flat-panel cabinets, black cabinets, marble countertops, metallic backsplash, mirror backsplash, black appliances, an island and black countertops

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

Inspiration for a large modern l-shaped light wood floor and yellow floor eat-in kitchen remodel in San Francisco with a drop-in sink, flat-panel cabinets, light wood cabinets, gray backsplash, glass tile backsplash, stainless steel appliances, an island and white countertops