Experience a Victorian Christmas at the Gibson House
Step back in time into the extravagant and carefully preserved Boston residence of a wealthy widow, decorated elegantly for the holidays
Join us this holiday season on a virtual visit to the Gibson House Museum and experience traditional family life in Boston's affluent Back Bay neighborhood at the end of the 19th century. The home was built in 1859 by Boston architect Edward Clarke Cabot for Catherine Hammond Gibson, the widow of a merchant who made his fortune in the sugar trade — she was one of very few women to own a house in this area. Most of the rooms in this carefully preserved home, still filled with the Gibson family's original furniture and personal possessions, are decorated for the holidays, brimming with historical ambience.
Location: 137 Beacon Street, Boston
Hours: Guided tours are offered Wednesday through Sunday at 1 p.m., 2 p.m. and 3 p.m.
Cost: $9 adults; $6 students and seniors, $3 children under 12
Location: 137 Beacon Street, Boston
Hours: Guided tours are offered Wednesday through Sunday at 1 p.m., 2 p.m. and 3 p.m.
Cost: $9 adults; $6 students and seniors, $3 children under 12
In the 1800s the visitors' entry in typical Back Bay row homes was on the side. But here visitors step into a grand and lavishly decorated space. The dark furniture, black walnut woodwork and dim lights were designed to impress and intimidate visitors.
Embossed and gilded wallpaper in the entryway, called Japanese leather, imitates the expensive leather wall coverings that were popular at the time.
At 2 p.m. each day, the Gibson family would gather in the first-floor dining room for their main meal of the day — a 12-course formal event.
The dining room has been done up for a Christmas meal with green and red china, a decorated mantel and fruits on a serving table. The family china sits on display in a corner.
Soot and smoke from the shallow coal furnace and gas lighting have greatly subdued the original bright gold wall coverings.
Soot and smoke from the shallow coal furnace and gas lighting have greatly subdued the original bright gold wall coverings.
The mantel in the dining room is lavishly decorated with fruit and evergreens. This amazing house is like a time capsule, remaining intact for the past 150 years, with plenty of evidence of what life was like during the mid-1800s.
The dining room's view is of a back alley that originally ran along the rear of Boston's Back Bay townhouses. Lace curtains would have been hung to block the view yet let in light.
The butler's pantry, in utilitarian oak, was used by servants to stage meals for presentation in the dining room. The back door opens to the servants' staircase, which went from the top to the bottom of the home. A guest would typically never see this area.
The pantry has a dumbwaiter for lifting food up from the basement kitchen, a speaking tube system to speak with those in the kitchen, storage cabinets, wooden counters and a copper sink. The softness of the copper lessened dishwashing noises, which would have disturbed the Gibsons and their guests.
The pantry has a dumbwaiter for lifting food up from the basement kitchen, a speaking tube system to speak with those in the kitchen, storage cabinets, wooden counters and a copper sink. The softness of the copper lessened dishwashing noises, which would have disturbed the Gibsons and their guests.
The servants' staircase has 94 steps.
The music room is styled after a French salon. This is where the family gathered for tea parties, music recitals and evening entertainment. The light color palette came about in the 1880s, when dark woods and colors went out of favor. This is the only room in the house with a hardwood floor; the rest are made with pine wide boards.
The French wallpaper has a thin layer of mica to imitate silk.
The French wallpaper has a thin layer of mica to imitate silk.
In Victorian times men and women parted for a period of time after a big dinner party to digest. The men would file into the library and smoke cigars, and the ladies would go to the salon to listen to the children play the piano. The butterfly grand piano (previous two photos) is by Boston piano company Mason & Hamlin.
Fresh greens, large pine cones and seasonal berries adorn the mantel (previous photo). A tree set in the bay window bathes in natural light.
Fresh greens, large pine cones and seasonal berries adorn the mantel (previous photo). A tree set in the bay window bathes in natural light.
The music room opens into the hallway, with a view of the library beyond. This floor was called the parlor floor; it has a layout typical of most homes in this neighborhood at the time.
Portraits of almost all the Gibsons who lived in the house hang in the library — starting with Catherine Gibson, who commissioned the house; son Charles; and his wife, Rosamond.
Rosamond's grandfather, John Collins Warren, was a prominent surgeon who founded Massachusetts General Hospital and the first surgeon to perform an operation on a patient under ether.
A portrait of Rosamond and Charles' son, Charles, Jr., hangs above the mantel. He worked to preserve the house as a musem.
Rosamond's grandfather, John Collins Warren, was a prominent surgeon who founded Massachusetts General Hospital and the first surgeon to perform an operation on a patient under ether.
A portrait of Rosamond and Charles' son, Charles, Jr., hangs above the mantel. He worked to preserve the house as a musem.
Men would conduct afternoon business in the library and gathered to smoke cigars after dinner in their formal attire. Casual attire was unheard of in a Back Bay parlor.
A simple gold Christmas tree decorates a table in the library.
The floor above the parlor floor in Back Bay homes contains the master bedroom suite. Husbands and wives maintained separate bedrooms due to propriety and the luxury of privacy. Originally a bedroom, this room has been made over into a study.
The bedroom has 157 matching pieces of bird's-eye maple, including the curtain rods. They are all carved to resemble bamboo, in a popular style of the time known as Japanesque.
Rosamond ran the house from this room when she and Charles lived there: hiring and firing servants, planning meals, managing the family’s correspondence and figuring out decoration schemes. Hand cranks on either side of the bed pull wires in the walls to ring the kitchen for service.
The master bath sits between the bedrooms and still has plumbing fixtures from 1902. This floor of the house had cold running water in 1859; hot water was brought up by the servants.
The kitchen and the laundry room are in the home's basement. The massive coal stove, made in 1884, made this the warmest room in the house in the winter. Two call-bell systems are above the door.
A female servant came into the house one day a week to do the laundry in this room. The room is equipped with a soapstone sink, a manual washing machine with a mangle, and a pair of rollers that press water out of the clothes. A cauldron for boiling linens and making soap, and a potbellied stove for heating irons, complete this workhorse of a room.
The brownstone's steps and first-story facade look much like those of Manhattan homes built during this period. However, red brick was more traditionally found in Boston architecture.