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- Material: Paper
Industrial Paper Landscape Fine Art Prints
David Lloyd Glover 'Tea House Lake' Art, Black Frame, 16"x20", White Matteby Trademark Fine Art(10)
David Lloyd Glover has a 25 year international reputation exhibiting in major galleries in the US, Canada, Mexico and Japan. His works have been acquired by collectors all over the world. Glover creates masterworks in watercolor on paper, gouache on paper, oil on canvas and acrylic on canvas with equal facility. After a career in the advertising industry he embarked on a full time vocation of creating fine art for gallery sales.
An 11x14 giclee print under acrylic in a 16x20 black frame. Giclee (jee-clay) is an advanced printmaking process for creating museum quality fine art reproductions. This high quality print is matted using antique white matting and comes in a black frame. A clear acrylic facing is added to protect the print. The piece is fully assembled by professional framers and comes ready to hang. The antique white mat allows the image to really stand out, making it a great addition to any space.
SALE
$48$58
- Artist: David Lloyd Glover
- Subject: Landscape
- Style: Contemporary
- Product Type: Black Frame, White Mat, Acrylic
- Made in USA
David Lloyd Glover has a 25 year international reputation exhibiting in major galleries in the US, Canada, Mexico and Japan. His works have been acquired by collectors all over the world. Glover creates masterworks in watercolor on paper, gouache on paper, oil on canvas and acrylic on canvas with equal facility. After a career in the advertising industry he embarked on a full time vocation of creating fine art for gallery sales.
An 11x14 giclee print under acrylic in a 16x20 black frame. Giclee (jee-clay) is an advanced printmaking process for creating museum quality fine art reproductions. This high quality print is matted using antique white matting and comes in a black frame. A clear acrylic facing is added to protect the print. The piece is fully assembled by professional framers and comes ready to hang. The antique white mat allows the image to really stand out, making it a great addition to any space.
Henry MOORE - HAND SIGNED Lithograph ORIGINAL "Lullaby Sleeping..." XL w/Frameby Unknown
$6,500
Original Hand Signed Limited Edition Henry Moore lithograph, 1973. Title: Lullaby Sleeping Head. Original Stone Lithograph. Proofed at Petersburg Press, Ltd London 1974. On Handmade Hodgkinson paper that is watermarked (crop mark designed by Moore) with deckled edges. Hand Signed (lower right) and hand numbered (lower left). This is of a limited edition of 75, this one being no. 65. This piece is catalogue referenced by Cramer (c250) of which reference is included with artwork. Artwork comes with Gallery Prepared Documentation, which includes Gallery Certificate of Authenticity and Prepared Catalogue Reference (c250), justification copy and Provenance. This is the VERY LARGE PAPER size lithograph (51,4 cm x 64,2cm), from the XL Edition out of 75. Frame: 26 1/4 x 31 1/4in.
For many years Moore had owned a drawing by the French pointillist artist Seurat. Seurat created his images from tiny dots that visually gave no outline to an object thus fusing the object into its surroundings. Moore used this technique, describing it as an entirely new way of drawing, using no outlines and fusing together space and form, light, depths and distances into a marvellous and mysterious unity of vision. There was never any question of introducing colour. Moore was always after a printed image identical to the blackness of the drawing, which described something of the bleak industrial landscape and the rugged high moors of Yorkshire.
Professional custom cut and sized frame. Material used: Solid wood moulding, Crescent™ Acid Fee Museum Rag Mat™ + acid free backing and TruVu™ UV Protection Anti Glare Museum™ Glass. Modern Now's in-house framer constructs all of the archival framing to match the same specification of the artworks that are hung in the gallery for the preservation and protection of your artworks.
For many years Moore had owned a drawing by the French pointillist artist Seurat. Seurat created his images from tiny dots that visually gave no outline to an object thus fusing the object into its surroundings. Moore used this technique, describing it as an entirely new way of drawing, using no outlines and fusing together space and form, light, depths and distances into a marvellous and mysterious unity of vision. There was never any question of introducing colour. Moore was always after a printed image identical to the blackness of the drawing, which described something of the bleak industrial landscape and the rugged high moors of Yorkshire.
Professional custom cut and sized frame. Material used: Solid wood moulding, Crescent™ Acid Fee Museum Rag Mat™ + acid free backing and TruVu™ UV Protection Anti Glare Museum™ Glass. Modern Now's in-house framer constructs all of the archival framing to match the same specification of the artworks that are hung in the gallery for the preservation and protection of your artworks.
