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- Type: Lithograph
Industrial Landscape Lithographs
Henry MOORE - HAND SIGNED Lithograph ORIGINAL "Lullaby Sleeping..." XL w/Frameby Unknown
$6,500
Original Hand Signed Limited Edition Henry Moore lithograph, 1973. Title: Lullaby Sleeping Head. Original Stone Lithograph. Proofed at Petersburg Press, Ltd London 1974. On Handmade Hodgkinson paper that is watermarked (crop mark designed by Moore) with deckled edges. Hand Signed (lower right) and hand numbered (lower left). This is of a limited edition of 75, this one being no. 65. This piece is catalogue referenced by Cramer (c250) of which reference is included with artwork. Artwork comes with Gallery Prepared Documentation, which includes Gallery Certificate of Authenticity and Prepared Catalogue Reference (c250), justification copy and Provenance. This is the VERY LARGE PAPER size lithograph (51,4 cm x 64,2cm), from the XL Edition out of 75. Frame: 26 1/4 x 31 1/4in.
For many years Moore had owned a drawing by the French pointillist artist Seurat. Seurat created his images from tiny dots that visually gave no outline to an object thus fusing the object into its surroundings. Moore used this technique, describing it as an entirely new way of drawing, using no outlines and fusing together space and form, light, depths and distances into a marvellous and mysterious unity of vision. There was never any question of introducing colour. Moore was always after a printed image identical to the blackness of the drawing, which described something of the bleak industrial landscape and the rugged high moors of Yorkshire.
Professional custom cut and sized frame. Material used: Solid wood moulding, Crescent™ Acid Fee Museum Rag Mat™ + acid free backing and TruVu™ UV Protection Anti Glare Museum™ Glass. Modern Now's in-house framer constructs all of the archival framing to match the same specification of the artworks that are hung in the gallery for the preservation and protection of your artworks.
For many years Moore had owned a drawing by the French pointillist artist Seurat. Seurat created his images from tiny dots that visually gave no outline to an object thus fusing the object into its surroundings. Moore used this technique, describing it as an entirely new way of drawing, using no outlines and fusing together space and form, light, depths and distances into a marvellous and mysterious unity of vision. There was never any question of introducing colour. Moore was always after a printed image identical to the blackness of the drawing, which described something of the bleak industrial landscape and the rugged high moors of Yorkshire.
Professional custom cut and sized frame. Material used: Solid wood moulding, Crescent™ Acid Fee Museum Rag Mat™ + acid free backing and TruVu™ UV Protection Anti Glare Museum™ Glass. Modern Now's in-house framer constructs all of the archival framing to match the same specification of the artworks that are hung in the gallery for the preservation and protection of your artworks.
Henry MOORE Lithograph ORIGINAL Ltd. Edition "Forest" w/Custom Frameby Modern Now
$1,545
Limited Edition Henry Moore lithograph, 1973. Title: The Forest. Plate Size: 21 x 28.9cm. Frame Size: 18 1/4 x 21 1/2in. Proofed at Petersburg Press, Ltd London 1974. Numbered Limited Edition (38/150.) This piece is catalogue referenced by Cramer (c262) of which reference is included with artwork. Artwork comes with Gallery Prepared Documentation, which includes Gallery Certificate of Authenticity and Prepared Catalogue Reference (c262), justification copy and Provenance.
For many years Moore had owned a drawing by the French pointillist artist Seurat. Seurat created his images from tiny dots that visually gave no outline to an object thus fusing the object into its surroundings. Moore used this technique, describing it as an entirely new way of drawing, using no outlines and fusing together space and form, light, depths and distances into a marvellous and mysterious unity of vision. There was never any question of introducing colour. Moore was always after a printed image identical to the blackness of the drawing, which described something of the bleak industrial landscape and the rugged high moors of Yorkshire.
Professional custom cut and sized frame. Material used: Solid wood moulding, Crescent™ Acid Fee Museum Rag Mat™ + acid free backing and TruVu™ UV Protection Anti Glare Museum™ Glass. Modern Now's in-house framer constructs all of the archival framing to match the same specification of the artworks that are hung in the gallery for the preservation and protection of your artworks.
For many years Moore had owned a drawing by the French pointillist artist Seurat. Seurat created his images from tiny dots that visually gave no outline to an object thus fusing the object into its surroundings. Moore used this technique, describing it as an entirely new way of drawing, using no outlines and fusing together space and form, light, depths and distances into a marvellous and mysterious unity of vision. There was never any question of introducing colour. Moore was always after a printed image identical to the blackness of the drawing, which described something of the bleak industrial landscape and the rugged high moors of Yorkshire.
Professional custom cut and sized frame. Material used: Solid wood moulding, Crescent™ Acid Fee Museum Rag Mat™ + acid free backing and TruVu™ UV Protection Anti Glare Museum™ Glass. Modern Now's in-house framer constructs all of the archival framing to match the same specification of the artworks that are hung in the gallery for the preservation and protection of your artworks.
Henry MOORE Lithograph ORIGINAL "Cavern" Ltd. Edition w/Archival FRAMEby Modern Now
$1,305
Limited Edition Henry Moore lithograph, 1973. Title: Cavern. Plate Size: 26.7x32.1cm. Frame Size: 18 1/4 x 21 1/4in. Proofed at Petersburg Press, Ltd London 1974. This piece is catalogue referenced by Cramer (c248) of which reference is included with artwork. Numbered Limited Edition (38/150.) Artwork comes with Gallery Prepared Documentation, which includes Gallery Certificate of Authenticity and Prepared Catalogue Reference (c248), justification copy and Provenance.
For many years Moore had owned a drawing by the French pointillist artist Seurat. Seurat created his images from tiny dots that visually gave no outline to an object thus fusing the object into its surroundings. Moore used this technique, describing it as an entirely new way of drawing, using no outlines and fusing together space and form, light, depths and distances into a marvellous and mysterious unity of vision. There was never any question of introducing colour. Moore was always after a printed image identical to the blackness of the drawing, which described something of the bleak industrial landscape and the rugged high moors of Yorkshire.
Professional custom cut and sized frame. Material used: Solid wood moulding, Crescent™ Acid Fee Museum Rag Mat™ + acid free backing and TruVu™ UV Protection Anti Glare Museum™ Glass. Modern Now's in-house framer constructs all of the archival framing to match the same specification of the artworks that are hung in the gallery for the preservation and protection of your artworks.
For many years Moore had owned a drawing by the French pointillist artist Seurat. Seurat created his images from tiny dots that visually gave no outline to an object thus fusing the object into its surroundings. Moore used this technique, describing it as an entirely new way of drawing, using no outlines and fusing together space and form, light, depths and distances into a marvellous and mysterious unity of vision. There was never any question of introducing colour. Moore was always after a printed image identical to the blackness of the drawing, which described something of the bleak industrial landscape and the rugged high moors of Yorkshire.
Professional custom cut and sized frame. Material used: Solid wood moulding, Crescent™ Acid Fee Museum Rag Mat™ + acid free backing and TruVu™ UV Protection Anti Glare Museum™ Glass. Modern Now's in-house framer constructs all of the archival framing to match the same specification of the artworks that are hung in the gallery for the preservation and protection of your artworks.