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Oriental Rug Of Houston Geometric Rugs
Bold, distinctive patterns; brilliant colors; affordability-these are some of the characteristics that explain the overwhelming popularity of the exquisite, flatwoven textiles from the Near and Far East known as kilims. Kilim designs are made by interweaving the variously colored wefts and warps, thus creating what is known as a flatweave. Kilim patterns are created by winding the weft threads, which are colored, backwards and forwards around pairs of warp threads. The motifs on kilims woven in this way are constrained to be somewhat angular and geometric. Kilims are prized by collectors for the crispness of their decoration.
Story Behind the Art Originating as a protest against mass produced inferior factory products of the 19th century, the Arts and Crafts Movement favored originality and craftsmanship. William Morris, main proponent of the movement, emphasized the use of handcrafts over the use of machinery and introduced a new design sensibility that evoked nature in home interiors through furniture, upholstery, wallpaper and rugs with intricate intertwining fruit, flower, and foliage patterns. The popularity of Morris's rug designs has endured to the current times and stands emblematic of Art and Crafts rugs with their simple, bold, informal design themes rooted in nature. Today, the Arts and Crafts rugs embrace a multitude of styles ranging from the Art Nouveau style (rug patterns with flowing, curvilinear lines and nature-inspired, floral designs), Mission-style as well as geometric patterns inspired by Native American designs, American Prairie style and Caucasian rugs (hand-knotted rugs made in a small, Middle-Eastern region called the Caucasus). Arts and Crafts Rugs' natural motifs and interesting color palette add to their versatility and enduring charm.
Bold, distinctive patterns; brilliant colors; affordability-these are some of the characteristics that explain the overwhelming popularity of the exquisite, flatwoven textiles from the Near and Far East known as kilims. Kilim designs are made by interweaving the variously colored wefts and warps, thus creating what is known as a flatweave. Kilim patterns are created by winding the weft threads, which are colored, backwards and forwards around pairs of warp threads. The motifs on kilims woven in this way are constrained to be somewhat angular and geometric. Kilims are prized by collectors for the crispness of their decoration.
Oushak Rugs, originating in the west-central Anatolian town of Oushak in Turkey, are renowned for their exceptional texture, expansive design and elegant style. These rugs are made using a family of designs that originate in Ushak, Turkey. They're recognizable for their large-scale designs and are typically based on geometric motifs with central medallion drawings, smaller all-over medallions or scattered sprays of vine scroll and palmettes. Made from lustrous wool, they favor muted earth tones and are extremely versatile.
Bold, distinctive patterns; brilliant colors; affordability-these are some of the characteristics that explain the overwhelming popularity of the exquisite, flatwoven textiles from the Near and Far East known as kilims. Kilim designs are made by interweaving the variously colored wefts and warps, thus creating what is known as a flatweave. Kilim patterns are created by winding the weft threads, which are colored, backwards and forwards around pairs of warp threads. The motifs on kilims woven in this way are constrained to be somewhat angular and geometric. Kilims are prized by collectors for the crispness of their decoration.
Bold, distinctive patterns; brilliant colors; affordability-these are some of the characteristics that explain the overwhelming popularity of the exquisite, flatwoven textiles from the Near and Far East known as kilims. Kilim designs are made by interweaving the variously colored wefts and warps, thus creating what is known as a flatweave. Kilim patterns are created by winding the weft threads, which are colored, backwards and forwards around pairs of warp threads. The motifs on kilims woven in this way are constrained to be somewhat angular and geometric. Kilims are prized by collectors for the crispness of their decoration.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful,ful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
Oushak Rugs, originating in the west-central Anatolian town of Oushak in Turkey, are renowned for their exceptional texture, expansive design and elegant style. These rugs are made using a family of designs that originate in Ushak, Turkey. They're recognizable for their large-scale designs and are typically based on geometric motifs with central medallion drawings, smaller all-over medallions or scattered sprays of vine scroll and palmettes. Made from lustrous wool, they favor muted earth tones and are extremely versatile.
Bold, distinctive patterns; brilliants; affordability-these are some of the characteristics that explain the overwhelming popularity of the exquisite, flatwoven textiles from the Near and Far East known as kilims. Kilim designs are made by interweaving the variouslyed wefts and warps, thus creating what is known as a flatweave. Kilim patterns are created by winding the weft threads, which areed, backwards and forwards around pairs of warp threads. The motifs on kilims woven in this way are constrained to be somewhat angular and geometric. Kilims are prized by collectors for the crispness of their decoration.
Bold, distinctive patterns; brilliant colors; affordability-these are some of the characteristics that explain the overwhelming popularity of the exquisite, flatwoven textiles from the Near and Far East known as kilims. Kilim designs are made by interweaving the variously colored wefts and warps, thus creating what is known as a flatweave. Kilim patterns are created by winding the weft threads, which are colored, backwards and forwards around pairs of warp threads. The motifs on kilims woven in this way are constrained to be somewhat angular and geometric. Kilims are prized by collectors for the crispness of their decoration.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful, colorful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
Originating as a protest against mass produced inferior factory products of the 19th century, the Arts and Crafts Movement favored originality and craftsmanship. William Morris, main proponent of the movement, emphasized the use of handcrafts over the use of machinery and introduced a new design sensibility that evoked nature in home interiors through furniture, upholstery, wallpaper and rugs with intricate intertwining fruit, flower, and foliage patterns. The popularity of Morris's rug designs has endured to the current times and stands emblematic of Art & Crafts rugs with their simple, bold, informal design themes rooted in nature. Today, the Arts & Crafts rugs embrace a multitude of styles ranging from the Art Nouveau style (rug patterns with flowing, curvilinear lines and nature-inspired, floral designs), Mission-style as well as geometric patterns inspired by Native American designs, American Prairie style and Caucasian rugs (hand-knotted rugs made in a small, Middle-Eastern region called the Caucasus). Arts and Crafts Rugs' natural motifs and interesting palette add to their versatility and enduring charm.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful,ful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
Oushak Rugs, originating in the west-central Anatolian town of Oushak in Turkey, are renowned for their exceptional texture, expansive design and elegant style. These rugs are made using a family of designs that originate in Ushak, Turkey. They're recognizable for their large-scale designs and are typically based on geometric motifs with central medallion drawings, smaller all-over medallions or scattered sprays of vine scroll and palmettes. Made from lustrous wool, they favor muted earth tones and are extremely versatile.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful,ful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
Originating as a protest against mass produced inferior factory products of the 19th century, the Arts and Crafts Movement favored originality and craftsmanship. William Morris, main proponent of the movement, emphasized the use of handcrafts over the use of machinery and introduced a new design sensibility that evoked nature in home interiors through furniture, upholstery, wallpaper and rugs with intricate intertwining fruit, flower, and foliage patterns. The popularity of Morris's rug designs has endured to the current times and stands emblematic of Art and Crafts rugs with their simple, bold, informal design themes rooted in nature. Today, the Arts and Crafts rugs embrace a multitude of styles ranging from the Art Nouveau style (rug patterns with flowing, curvilinear lines and nature-inspired, floral designs), Mission-style as well as geometric patterns inspired by Native American designs, American Prairie style and Caucasian rugs (hand-knotted rugs made in a small, Middle-Eastern region called the Caucasus). Arts and Crafts Rugs' natural motifs and interesting color palette add to their versatility and enduring charm.
Originating as a protest against mass produced inferior factory products of the 19th century, the Arts and Crafts Movement favored originality and craftsmanship. William Morris, main proponent of the movement, emphasized the use of handcrafts over the use of machinery and introduced a new design sensibility that evoked nature in home interiors through furniture, upholstery, wallpaper and rugs with intricate intertwining fruit, flower, and foliage patterns. The popularity of Morris's rug designs has endured to the current times and stands emblematic of Art and Crafts rugs with their simple, bold, informal design themes rooted in nature. Today, the Arts and Crafts rugs embrace a multitude of styles ranging from the Art Nouveau style (rug patterns with flowing, curvilinear lines and nature-inspired, floral designs), Mission-style as well as geometric patterns inspired by Native American designs, American Prairie style and Caucasian rugs (hand-knotted rugs made in a small, Middle-Eastern region called the Caucasus). Arts and Crafts Rugs' natural motifs and interesting color palette add to their versatility and enduring charm.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful, colorful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful,ful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful,ful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
Oushak Rugs, originating in the west-central Anatolian town of Oushak in Turkey, are renowned for their exceptional texture, expansive design and elegant style. These rugs are made using a family of designs that originate in U?ak, Turkey. They"re recognizable for their large-scale designs and are typically based on geometric motifs with central medallion drawings, smaller all-over medallions or scattered sprays of vine scroll and palmettes. Made from lustrous wool, they favor muted earth tones and are extremely versatile.
Oushak Rugs, originating in the west-central Anatolian town of Oushak in Turkey, are renowned for their exceptional texture, expansive design and elegant style. These rugs are made using a family of designs that originate in U?ak, Turkey. They"re recognizable for their large-scale designs and are typically based on geometric motifs with central medallion drawings, smaller all-over medallions or scattered sprays of vine scroll and palmettes. Made from lustrous wool, they favor muted earth tones and are extremely versatile.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful,ful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful, colorful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful,ful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
Bold, distinctive patterns; brilliants; affordability-these are some of the characteristics that explain the overwhelming popularity of the exquisite, flatwoven textiles from the Near and Far East known as kilims. Kilim designs are made by interweaving the variouslyed wefts and warps, thus creating what is known as a flatweave. Kilim patterns are created by winding the weft threads, which areed, backwards and forwards around pairs of warp threads. The motifs on kilims woven in this way are constrained to be somewhat angular and geometric. Kilims are prized by collectors for the crispness of their decoration.
Indo Oushak rugs (made in India) are a specific rug style that favors the weaving and design techniques of the authentic Oushak rugs from Turkey. The rugs retain the essence of the Persian rugs and produce identical themes and patterns consisting of beautifully designed medallions, niches, trees and figural motifs and all-over floral motifs. It was during the Mughal rule in India that the rug industry reached its zenith and came on its own as an art form. Tight weaving, silk like wool, bright, deep color range and realistic motifs became the defining feature of Indian rugs. It is this combination of exquisitely detailed and painstaking craftsmanship and masterful interplay of design elements that has earned Indian rugs age-defying allure and patronship defying borders and time. These rugs are made using a certain family of designs that originate in U?ak, Turkey. They�re recognizable for their large-scale designs and understated elegance. They�re predominately made from lustrous wool and silk and feature muted earth tones such as cinnamon, saffron, green, ivory and gray. Usually they feature geometric pattern and you will find them with an allover design or with a central medallion motif.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful,ful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
For centuries Tibetans have used rugs for decorative and functional purposes, drawing upon geometric patterns, auspicious symbols, real and mythical animals, and natural imagery to create beautiful,ful designs. But it was only after 1959 with the Chinese invasion of Tibet and the growth of Tibetan diaspora in Nepal and Tibet that Tibetan rug weaving underwent a crucial commercial revival. In the 1970s, Tibetan rugs rose to prominence and Nepalese artisans, drafted in to keep up with the rising demand, became the mainstay of the Tibetan rug weaving traditions. While either Turkish knot or the Persian knot (Senneh knot) is used to create the pile or depth of a rug in most of Asia, the Tibetan rug utilizes a slit-loop technique called the Tibetan knot. Here rugs are woven by wrapping a continues length of yarn over a rod laid across the warps stretched on the loom. When the rod has been wrapped for its entire length, a knife is slid along the rod, cutting the wrapped yarn into two rows of pile tufts. The resultant pile is a wonderful mix of depth, texture and richness. Traditional Tibetan rug motifs generally reflect the importance of Buddhist religion in Tibetan art and culture. Many design elements of Chinese origin like the phoenix, dragon, and lotus symbols alongside motifs from Chinese decorative tradition have also been assimilated in the rug repertoire of this region. In modern times, designs featured in Tibetan, Nepalese rugs (those woven by Tibetan refugees in Nepal) and Indo-Tibetans (woven in India) range from Westernized adaptations of traditional Tibetan motifs (such as branching floral designs and snow lions) to a large mixture of foreign and modern free-form patterns.
Oushak Rugs, originating in the west-central Anatolian town of Oushak in Turkey, are renowned for their exceptional texture, expansive design and elegant style. These rugs are made using a family of designs that originate in Usak, Turkey. They're recognizable for their large-scale designs and are typically based on geometric motifs with central medallion drawings, smaller all-over medallions or scattered sprays of vine scroll and palmettes. Made from lustrous wool, they favor muted earth tones and are extremely versatile.
Indo Oushak rugs (made in India) are a specific rug style that favors the weaving and design techniques of the authentic Oushak rugs from Turkey. The rugs retain the essence of the Persian rugs and produce identical themes and patterns consisting of beautifully designed medallions, niches, trees and figural motifs and all-over floral motifs. It was during the Mughal rule in India that the rug industry reached its zenith and came on its own as an art form. Tight weaving, silk like wool, bright, deep color range and realistic motifs became the defining feature of Indian rugs. It is this combination of exquisitely detailed and painstaking craftsmanship and masterful interplay of design elements that has earned Indian rugs age-defying allure and patronship defying borders and time. These rugs are made using a certain family of designs that originate in Usak, Turkey. They're recognizable for their large-scale designs and understated elegance. They're predominately made from lustrous wool and silk and feature muted earth tones such as cinnamon, saffron, green, ivory and gray. Usually they feature geometric pattern and you will find them with an allover design or with a central medallion motif.
Frequently Asked Questions
Where to buy Rugs?
If you are looking to buy a Rug, Houzz is a great option with a wide range of curated products with high-quality features. They also offer free shipping on orders over $49, free returns, and top-notch customer service.How much do Rugs cost?
The cost of a rug can vary depending on size, material, and weave type among other factors:
- Size: Smaller rugs, such as 2′x3′ or 3′x5′, can range from $20 to $200, while larger rugs like 8′x10′ or 9′x12′ can cost anywhere from $200 to $2000 or more, depending on quality and materials.
- Material: Different materials have varying price ranges. Natural fibers like wool or silk tend to be more expensive than synthetic fibers such as polyester or polypropylene.
- Quality: Handmade or hand-knotted rugs are typically more expensive due to the craftsmanship involved, while machine-made rugs are often more affordable.
- Design and Brand: Intricate designs, patterns, and branded rugs may come with a higher price tag compared to simpler or generic designs.
On average, rug prices can range from as low as $20 for smaller, basic synthetic rugs to several thousand dollars for larger, high-quality, handmade
How to keep Rugs from Sliding?
To prevent rugs from sliding on hard surfaces like hardwood, tile, or laminate, consider purchasing Rug Pads. Use non-slip rug pads or grippers designed for the specific floor type. These provide traction and grip to keep the rug in place.
Where to buy cheap and affordable rugs?
Explore Houzz’s rug sale for a diverse selection of affordable rugs that perfectly complement your individual style. Enjoy additional discounts while shopping to elevate your space with quality and affordability
How to choose the right rug size?
Selecting the right rug size involves considering both the room’s dimensions and the furniture layout.
- 2′x3′ to 3′x5′ Rugs: Ideal for small areas like entryways, bedside, or kitchen sinks.
- 5′x7′ to 6′x9′ Rugs: Versatile for medium-sized rooms like living rooms or dining areas, allowing furniture legs to sit on or off the rug.
- 8′x10′ to 9′x12′ Rugs: Suitable for larger spaces like living rooms or bedrooms, providing ample coverage with furniture entirely on the rug.
- 10′x14′ Rugs and Larger: Perfect for grand living rooms or open floor plans, accommodating large furniture groupings.
Review our Rug Size guide to how to find the perfect fit.
What are the best rug materials for high traffic areas?
For high-traffic areas, durability is key. Consider these rug materials known for their resilience:
- Wool: Naturally durable, wool rugs handle foot traffic well, resist stains, and maintain their appearance over time. They’re also good at hiding dirt.
- Polypropylene: A synthetic material, polypropylene, is stain-resistant, easy to clean, and stands up well to heavy use.
- Polyester: While not as durable as nylon, polyester rugs are stain-resistant, budget-friendly, and offer a soft feel, making them a good choice for moderate traffic areas.