PillowFever and European Wall Art Traditional Bedding

Monet's Coquelicots woven European throw features the work of famous artist Claude Monet.
Inspired by the Monet painting of 1873, this piece is also called Poppies Blooming. We see a woman and child standing among the blooming poppies in the field under a cloudy blue sky.

The Bayeux woven European throw features a white background with birds in the center and a border of the infamous Bayeux boats of the conquest of England.

Sight III Lady and the Unicorn Belgian tapestry cushion cover is one of the six tapestries in the "Lady and the Unicorn" series. This tapestry represents the sense of sight.
The lady is seated, holding a mirror up in her right hand. The unicorn kneels on the ground, with his front legs in the lady's lap, from which he gazes at his reflection in the mirror. The lion on the left holds up a pennant.

Sight II Lady and the Unicorn Belgian tapestry cushion cover is one of the six tapestries in the "Lady and the Unicorn" series. This tapestry represents the sense of sight.
The lady is seated, holding a mirror up in her right hand. The unicorn kneels on the ground, with his front legs in the lady's lap, from which he gazes at his reflection in the mirror. The lion on the left holds up a pennant.

Touch, Lady and the Unicorn Belgian tapestry cushion cover is one of the six tapestries in the "Lady and the Unicorn" series. This tapestry represents the sense of touch.
The lady stands with one hand touching the unicorn's horn, and the other holding up the pennant. The lion sits to the side and looks on.

A verdure Belgian impressionist Aubusson tapestry pillow cover depicting a natural landscape covered in lush greenery and a waiting lake with a solitary boat. Paysage Flamand Moulin 1 is jacquard woven, the backed lining is of a plush velvet with an invisible zipper closure that allows easy placement and removal of cushion inserts.

Birds Face to Face II transports you to a universe filled with lush vegetation and colorful animals. This European jacquard tapestry cushion cover is based on a William Morris work, entitled Strawberry Thief, 1883. One of his most popular designs: he depicts thrushes that were stealing fruit in his country home garden. William Morris, the famous English artist has designed many fabrics and tapestries of world renown many of which now reside in the world's most prestigious museums. Morris looked to the earlier era of artisanship and beauty and sought to replicate the joys of handmade fiber arts
Please note: Rods and tassles not included.

An artistic scene from the early 20th century. Bank of the River Seine II, or Les quais de Seine, is a European jacquard tapestry cushion cover. Perfect to take a little Parisian atmosphere home after some time in the City of Light.
La Rive Gauche, or Left Bank of the Seine, generally refers to the Paris of an earlier era: the Paris of artists, writers, and philosophers. It often implies a sense of bohemianism, counterculture, and creativity.

Cushion cover backed with lining and zipper

Servant Girl I is a Belgian impressionist tapestry cushion cover piece inspired by Johannes Vermeer's, The Milkmaid (c 1658-1661). It is speculated that the maid in the painting was Tanneke Everpoel, the Vermeer household's maid whom the Vermeer family respected and admired. Vermeer used the semi-precious stone lapis lazuli to get such an intense blue in the skirt.
The Servant Girl I is jacquard woven, the backed lining is of a plush velvet with an invisible zipper closure that allows easy placement and removal of cushion inserts.

Intricately woven in rich hues and vivid vistas lead the entrancing design of our Wine Merchants Tapestry Cushion Cover. Our tapestry design is taken from a historical piece woven in 15th century Flanders. It echoes the hustle and bustle of the wine trade with merchants and their customers buying select grapes and vintages. The pillow cover is jacquard woven in Belgium from luxe 70% cotton, polyester and viscose for a silky feel and apparent sheen. The cover does not come with pillow insert and requires separate purchase. Cushion cover backed with lining and zipper. Infill not included. Woven in France.

Vieux Brussels II Belgian tapestry cushion cover depicts one of twelve hunting scenes in the Maximillian series woven in the late 16th century for the Archduke Maximillian who was later to become Emperor. The central ram of Aries signifies the month of March and the central horseman is the Emperor Charles V.

Licorne A La Fontaine: this European jacquard loom woven tapestry cushion cover is an extract from one of the five tapestries from Hunting The Unicorn, woven in the 15th century. This representation shows the hunted unicorn as it cleanses the fountain’s water with his horn, viewed by the hunters and the animals. Also known as Unicorn at the Fountain. Companion piece of this is #884 La Licorne Captive I.

Peacock & Doves is a Belgian impressionist tapestry cushion cover piece inspired by Eugene Bidau's "A Peacock and Doves In a Garden" circa 1888. This is one of the more traditionally thought of images when one envisions a splendid garden landscape overgrowing with wisteria amidst architecture of well crafted columns and exotic birds. Incorporating this series piece into your home decor motif will lend a sense of exotic splendor.
Peacock & Doves is jacquard woven, the backed lining is of a plush velvet with an invisible zipper closure that allows easy placement and removal of cushion inserts.

Fragrance I is a Belgian impressionist tapestry cushion cover piece inspired by the works of Simon Bull. Bull's floral art has brought him great renown, celebrated by royalty and revered among his peers. Bull's art style is both provocative and traditional, which adds to the appeal. This piece is a wonderful addition to your home decor motif, adding an air of softness and splendor to any room.
Fragrance I is jacquard woven, the backed lining is of a plush velvet with an invisible zipper closure that allows easy placement and removal of cushion inserts.

Spellbound I is a Belgian impressionist tapestry cushion cover piece inspired by the works of Simon Bull. Bull's floral art has brought him great renown, celebrated by royalty and revered among his peers. Bull's art style is both provocative and traditional, which adds to the appeal. This piece is a wonderful addition to your home decor motif, adding an air of softness and splendor to any room.
Spellbound I is jacquard woven, the backed lining is of a plush velvet with an invisible zipper closure that allows easy placement and removal of cushion inserts.

Hearing II Lady and the Unicorn Belgian tapestry cushion cover is one of the six tapestries in the "Lady and the Unicorn" series. This tapestry represents the sense of hearing.
The lady plays a positive organ on top of a table covered with a Turkish rug. Her maidservant stands to the opposite side, and holds the organ in place. The lion and unicorn once again frame the scene holding up the pennants, but in this scene, their positions are reversed so that they are inside the frame, and each is on the opposite the side of the lady that they are on in all the other tapestries.

Peacock is a Belgian impressionist tapestry cushion cover piece inspired by Eugene Bidau's "A Peacock and Doves In a Garden" circa 1888. This is one of the more traditionally thought of images when one envisions a splendid garden landscape overgrowing with wisteria amidst architecture of well crafted columns and exotic birds. Incorporating this series piece into your home decor motif will lend a sense of exotic splendor.
Peacock is jacquard woven, the backed lining is of a plush velvet with an invisible zipper closure that allows easy placement and removal of cushion inserts.

Wine Making is a European jacquard woven tapestry cushion cover. It is an extract of Marche au vin, or Winemarket, which was woven in the 15th century in Flanders. The scene depicts trading in the wine market. Companion piece to this is #876 Wine Making.

Maison de Cygne Belgian tapestry cushion cover features the La Maison du Cygne restaurant located in Bruxelles, Belgium.

Smallest of Dreams 1 is a Belgian impressionist tapestry cushion cover piece inspired by the works of Simon Bull. Bull's floral art has brought him great renown, celebrated by royalty and revered among his peers. Bull's art style is both provocative and traditional, which adds to the appeal. This piece is a wonderful addition to your home decor motif, adding an air of softness and splendor to any room.
Smallest of Dreams 1 is jacquard woven, the backed lining is of a plush velvet with an invisible zipper closure that allows easy placement and removal of cushion inserts.

Lady 1 is a Belgian impressionist tapestry cushion cover piece inspired by the story of Owain, The Lady of the Fountain. The countess and wife of once historical figure turned legendary knight of King Arthur's court; Owain. There is no knowing if she actually existed alongside Owain in actual history but her place in Arthurian lore is prevalent. She's known to be the Countess of the Fountain who is described as the fairest, most wise, kind, liberal, and noble woman.
Lady 1 is jacquard woven, the backed lining is of a plush velvet with an invisible zipper closure that allows easy placement and removal of cushion inserts.

Falcon 1 is a Belgian impressionist tapestry cushion cover piece inspired by the ancient art of falconry that dates as far back as 200 B.C.E..
Falcon 1 is jacquard woven, the backed lining is of a plush velvet with an invisible zipper closure that allows easy placement and removal of cushion inserts.

Add a historical touch to your interiors with our Wine Merchants Tapestry Cushion Cover. This Intricately woven cover boasts rich hues and vivid vistas of the original 15th century tapestry from Flanders. It reflects the festive environment of the wine trade with merchants and their customers buying select grapes and vintages. The pillow cover is jacquard woven in Belgium from luxe 70% cotton, polyester and viscose for a silky feel and apparent sheen. The cover does not come with pillow insert and requires separate purchase. Cushion cover backed with lining and zipper. Infill not included. Woven in France.

Drawing inspiration from the Dutch painting “The Milkmaid” our tapestry cushion cover boasts all the intense blue and golden hues of its muse. Johannes Vermeer painted his around 1657 or ’58 and is now on permanent residence at the Rijksmuseum in Amsterdam. You’ll love the bit of history and beauty this decorative accent lends to your home. The tapestry pillow cover is woven of a luxe textural and visual blend of cotton/viscose/polyester. Cushion cover backed with lining and zipper. Infill not included. Woven in Belgium.

This decorative European jacquard tapestry cushion cover, Bayeux Le Repas, is an extract of Queen Mathilde's Bayeux tapestry. The original, some 230 feet long, is in the Bayeux museum in Normandy. It describes how England was conquered by Normans. Also known as L'Embarquement.

• Here King Harold prepares for his trip. He enjoys his last meal before taking the open sea in direction of Normandy.
• Companion piece #902 Bayeux L'Embarquement.

This European jacquard tapestry cushion cover is called Josephine. These flowers were on the upholstery fabrics of the Empress Josephine (1763-1814) in Compiegne. The horn of plenty forming a "J" in the middle of the pattern makes a double allusion to Josephine and to prosperity. The freshness of the colors, the delicateness of the peach blossoms, the variety of flowers and leaves used in the border echo Josephine's passion for botany. The presence of the laurel is explained in a salon of pageantry.

A Time To Dream 1 is a Belgian impressionist tapestry cushion cover piece inspired by the works of Simon Bull. Bull's floral art has brought him great renown, celebrated by royalty and revered among his peers. Bull's art style is both provocative and traditional, which adds to the appeal. This piece is a wonderful addition to your home decor motif, adding an air of softness and splendor to any room.
A Time To Dream 1 is jacquard woven, the backed lining is of a plush velvet with an invisible zipper closure that allows easy placement and removal of cushion inserts.

Journey Never Ends I is a Belgian impressionist tapestry cushion cover piece inspired by the works of Simon Bull. Bull's floral art has brought him great renown, celebrated by royalty and revered among his peers. Bull's art style is both provocative and traditional, which adds to the appeal. This piece is a wonderful addition to your home decor motif, adding an air of softness and splendor to any room.
Journey Never Ends I is jacquard woven, the backed lining is of a plush velvet with an invisible zipper closure that allows easy placement and removal of cushion inserts.

Floral in Arch is a Belgian impressionist tapestry cushion cover piece inspired by traditional floral still life fine art. The expert craftsmanship of our skilled artisans has created for you an array of flowers in bloom with such captured detail lend this piece a sense of fresh spring air that is vibrant and full of life.
Floral in Arch is jacquard woven, the backed lining is of a plush velvet with an invisible zipper closure that allows easy placement and removal of cushion inserts.

This imported jacquard cushion cover represents the unicorn from the famous work "the Lady and the Unicorn".

The original of this jacquard tapestry cushion cover, The Knight, or Le Chevalier, was woven in Arras (Flanders) at the end of the 15th century and now resides in the Montecut House in Great-Britain. The tapestry represents the knight Jean de Daillon, bearing the wolf banner, on a floral background. Jean de Daillon was officer and adviser to France's King Charles, the VIII. Being with Joan of Arc when taking Orleans made his fame.

This beautiful European jacquard woven tapestry cushion cover, L'ouie, or The Hearing, is an extract from the famous set of 6 medieval tapestries the Lady and the Unicorn, depicting the five senses, the sixth commonly considered to be a declaration of love.
Woven in about 1511, they feature the arms of Jean le Viste and are now housed in the Cluny Museum, Paris. The background is done in the Mille-fleur style.