Search results for "Concrete block house" in Home Design Ideas
Lincoln Lighthill Architect
This Eichler-esque house, in a neighborhood known for its tracts of homes by the famous developer, was a little different from the rest- a one-off custom build from 1962 that had mid-century modern bones but funky, neo-traditional finishes in the worn-out, time capsule state that the new owners found it. This called for an almost-gut remodel to keep the good, upgrade the building’s envelope and MEP systems, and reimagine the home’s character. To create a home that feels of its times, both now and then- A mid-century for the 21st century.
At the center of the existing home was a long, slender rectangular form that contained a fireplace, an indoor BBQ, and kitchen storage, and on the other side an original, suspended wood and steel rod stair down to the bedroom level below. Under the carpeted treads we were sure we’d find beautiful oak, as this stair was identical to one at our earlier Clarendon heights mid-century project.
This elegant core was obscured by walls that enclosed the kitchen and breakfast areas and a jumble of aged finishes that hid the elegance of this defining element. Lincoln Lighthill Architect removed the walls and unified the core’s finishes with light grey ground-face concrete block on the upgraded fireplace and BBQ, lacquered cabinets, and chalkboard paint at the stair wall for the owners’ young children to decorate. A new skylight above the stair washes this wall with light and brightens up the formerly dark center of the house.
The rest of the interior is a combination of mid-century-inspired elements and modern updates. New finishes throughout- cork flooring, ground-face concrete block, Heath tile, and white birch millwork give the interior the mid-century character it never fully had, while modern, minimalist detailing gives it a timeless, serene simplicity.
New lighting throughout, mostly indirect and all warm-dim LED , subtly and efficiently lights the home. All new plumbing and fixtures similarly reduce the home’s use of precious resources. On the exterior, new windows, insulation, and roofing provide modern standards of comfort and efficiency, while a new paint job and brick stain give the house an elegant yet playful character, with the golden yellow Heath tile from the primary bathroom floor reappearing on the front door.
nC2 architecture llc
A new, ground-up attached house facing Cooper Park in Williamsburg Brooklyn. The site is in a row of small 1950s two-story, split-level brick townhouses, some of which have been modified and enlarged over the years and one of which was replaced by this building.
The exterior is intentionally subdued, reminiscent of the brick warehouse architecture that occupies much of the neighborhood. In contrast, the interior is bright, dynamic and highly-innovative. In a nod to the original house, nC2 opted to explore the idea of a new, urban version of the split-level home.
The house is organized around a stair oriented laterally at its center, which becomes a focal point for the free-flowing spaces that surround it. All of the main spaces of the house - entry hall, kitchen/dining area, living room, mezzanine and a tv room on the top floor - are open to each other and to the main stair. The split-level configuration serves to differentiate these spaces while maintaining the open quality of the house.
A four-story high mural by the artist Jerry Inscoe occupies one entire side of the building and creates a dialog with the architecture. Like the building itself, it can only be truly appreciated by moving through the spaces.
Klopf Architecture
Klopf Architecture, Arterra Landscape Architects, and Flegels Construction updated a classic Eichler open, indoor-outdoor home. Expanding on the original walls of glass and connection to nature that is common in mid-century modern homes. The completely openable walls allow the homeowners to truly open up the living space of the house, transforming it into an open air pavilion, extending the living area outdoors to the private side yards, and taking maximum advantage of indoor-outdoor living opportunities. Taking the concept of borrowed landscape from traditional Japanese architecture, the fountain, concrete bench wall, and natural landscaping bound the indoor-outdoor space. The Truly Open Eichler is a remodeled single-family house in Palo Alto. This 1,712 square foot, 3 bedroom, 2.5 bathroom is located in the heart of the Silicon Valley.
Klopf Architecture Project Team: John Klopf, AIA, Geoff Campen, and Angela Todorova
Landscape Architect: Arterra Landscape Architects
Structural Engineer: Brian Dotson Consulting Engineers
Contractor: Flegels Construction
Photography ©2014 Mariko Reed
Location: Palo Alto, CA
Year completed: 2014
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Cornerstone Architects
Nestled into sloping topography, the design of this home allows privacy from the street while providing unique vistas throughout the house and to the surrounding hill country and downtown skyline. Layering rooms with each other as well as circulation galleries, insures seclusion while allowing stunning downtown views. The owners' goals of creating a home with a contemporary flow and finish while providing a warm setting for daily life was accomplished through mixing warm natural finishes such as stained wood with gray tones in concrete and local limestone. The home's program also hinged around using both passive and active green features. Sustainable elements include geothermal heating/cooling, rainwater harvesting, spray foam insulation, high efficiency glazing, recessing lower spaces into the hillside on the west side, and roof/overhang design to provide passive solar coverage of walls and windows. The resulting design is a sustainably balanced, visually pleasing home which reflects the lifestyle and needs of the clients.
Photography by Adam Steiner
Stonehouse + Irons Architecture
Concrete block walls provide thermal mass for heating and defence agains hot summer. The subdued colours create a quiet and cosy space focussed around the fire. Timber joinery adds warmth and texture , framing the collections of books and collected objects.
Michael Willoughby & Associates - Architects
A combination of cement stucco and stone, solid-sawn timber beams, columns and brackets and stained v-groove siding set around the custom carriage house doors evoke the style of building that may have been built with the original 1800's farm house. White clapboard siding matches the existing house while authentic working shutters flank the french casement windows.
(Beth Singer Photography)
Lasley Brahaney Architecture + Construction
The new covered porch with tuscan columns and detailed trimwork centers the entrance and mirrors the second floor addition dormers . A new in-law suite was also added to left. Tom Grimes Photography
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Dave Fox Design Build Remodelers
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Exterior Worlds Landscaping & Design
The problem this Memorial-Houston homeowner faced was that her sumptuous contemporary home, an austere series of interconnected cubes of various sizes constructed from white stucco, black steel and glass, did not have the proper landscaping frame. It was out of scale. Imagine Robert Motherwell's "Black on White" painting without the Museum of Fine Arts-Houston's generous expanse of white walls surrounding it. It would still be magnificent but somehow...off.
Intuitively, the homeowner realized this issue and started interviewing landscape designers. After talking to about 15 different designers, she finally went with one, only to be disappointed with the results. From the across-the-street neighbor, she was then introduced to Exterior Worlds and she hired us to correct the newly-created problems and more fully realize her hopes for the grounds. "It's not unusual for us to come in and deal with a mess. Sometimes a homeowner gets overwhelmed with managing everything. Other times it is like this project where the design misses the mark. Regardless, it is really important to listen for what a prospect or client means and not just what they say," says Jeff Halper, owner of Exterior Worlds.
Since the sheer size of the house is so dominating, Exterior Worlds' overall job was to bring the garden up to scale to match the house. Likewise, it was important to stretch the house into the landscape, thereby softening some of its severity. The concept we devised entailed creating an interplay between the landscape and the house by astute placement of the black-and-white colors of the house into the yard using different materials and textures. Strategic plantings of greenery increased the interest, density, height and function of the design.
First we installed a pathway of crushed white marble around the perimeter of the house, the white of the path in homage to the house’s white facade. At various intervals, 3/8-inch steel-plated metal strips, painted black to echo the bones of the house, were embedded and crisscrossed in the pathway to turn it into a loose maze.
Along this metal bunting, we planted succulents whose other-worldly shapes and mild coloration juxtaposed nicely against the hard-edged steel. These plantings included Gulf Coast muhly, a native grass that produces a pink-purple plume when it blooms in the fall. A side benefit to the use of these plants is that they are low maintenance and hardy in Houston’s summertime heat.
Next we brought in trees for scale. Without them, the impressive architecture becomes imposing. We placed them along the front at either corner of the house. For the left side, we found a multi-trunk live oak in a field, transported it to the property and placed it in a custom-made square of the crushed marble at a slight distance from the house. On the right side where the house makes a 90-degree alcove, we planted a mature mesquite tree.
To finish off the front entry, we fashioned the black steel into large squares and planted grass to create islands of green, or giant lawn stepping pads. We echoed this look in the back off the master suite by turning concrete pads of black-stained concrete into stepping pads.
We kept the foundational plantings of Japanese yews which add green, earthy mass, something the stark architecture needs for further balance. We contoured Japanese boxwoods into small spheres to enhance the play between shapes and textures.
In the large, white planters at the front entrance, we repeated the plantings of succulents and Gulf Coast muhly to reinforce symmetry. Then we built an additional planter in the back out of the black metal, filled it with the crushed white marble and planted a Texas vitex, another hardy choice that adds a touch of color with its purple blooms.
To finish off the landscaping, we needed to address the ravine behind the house. We built a retaining wall to contain erosion. Aesthetically, we crafted it so that the wall has a sharp upper edge, a modern motif right where the landscape meets the land.
Boxleaf Design, Inc.
Small residential garden to suite a modern house and active children. This photo shows one of the only colorful planting beds.
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Design ideas for a modern landscaping in San Francisco.
Design ideas for a modern landscaping in San Francisco.
Griffin Enright Architects
Front entry showing arrival along custom window box.
This is an example of a mid-sized modern partial sun front yard concrete paver landscaping in Los Angeles with a fire pit.
This is an example of a mid-sized modern partial sun front yard concrete paver landscaping in Los Angeles with a fire pit.
Brickworks Building Products
Kids playing on the front lawn.
Project: Fairfield Hacienda
Location: Fairfield VIC
Function: Family home
Architect: MRTN Architects
Structural engineer: Deery Consulting
Builder: Lew Building
Featured products: Austral Masonry
GB Honed and GB Smooth concrete
masonry blocks
Photography: Peter Bennetts
Design Works Architecture
Timbered porches shelter entries, an outdoor kitchen and sitting areas for this timber framed house.
Photos by Don Cochran Photography
Inspiration for a rustic wood exterior home remodel in New York
Inspiration for a rustic wood exterior home remodel in New York
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Columbus, OH
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RTS Home Solutions
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Alderwood Landscape Architecture and Construction
Example of a mid-sized classic backyard stone patio design in Seattle with a fire pit and a gazebo
BiLDEN
Porcelain tile flooring was carried throughout the ground floor for visual continuity. The interstitial walls of glass were rebuilt and re-glazed with dual-pane, energy-efficient doors and windows. /
photo: Karyn R Millet
Coats Homes
white house, two story house,
Huge transitional beige two-story stucco house exterior photo in Dallas with a hip roof and a shingle roof
Huge transitional beige two-story stucco house exterior photo in Dallas with a hip roof and a shingle roof
Matt Fajkus Architecture
The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house.
The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day.
The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core.
Photography: Charles Davis Smith
Showing Results for "Concrete Block House"
Marcelle Guilbeau, Interior Designer
Gieves Anderson Photography
Pool house - large coastal backyard pool house idea in Nashville
Pool house - large coastal backyard pool house idea in Nashville
Flavin Architects
This new modern house is located in a meadow in Lenox MA. The house is designed as a series of linked pavilions to connect the house to the nature and to provide the maximum daylight in each room. The center focus of the home is the largest pavilion containing the living/dining/kitchen, with the guest pavilion to the south and the master bedroom and screen porch pavilions to the west. While the roof line appears flat from the exterior, the roofs of each pavilion have a pronounced slope inward and to the north, a sort of funnel shape. This design allows rain water to channel via a scupper to cisterns located on the north side of the house. Steel beams, Douglas fir rafters and purlins are exposed in the living/dining/kitchen pavilion.
Photo by: Nat Rea Photography
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