The 1,500 sq. ft. GO Home offers two story living with a combined kitchen/living/dining space on the main level and three bedrooms with full bath on the upper level. Amenities include covered entry porch, kitchen pantry, powder room, mud room and laundry closet. LEED Platinum certification; 1st Passive House–certified home in Maine, 12th certified in U.S.; USGBC Residential Project of the Year Award 2011; EcoHome Magazine Design Merit Award, 2011; TreeHugger, Best Passive House of the Year Award 2012 photo by Trent Bell

It started with vision. Then arrived fresh sight, seeing what was absent, seeing what was possible. Followed quickly by desire and creativity and know-how and communication and collaboration. When the Ramsowers first called Exterior Worlds, all they had in mind was an outdoor fountain. About working with the Ramsowers, Jeff Halper, owner of Exterior Worlds says, “The Ramsowers had great vision. While they didn’t know exactly what they wanted, they did push us to create something special for them. I get inspired by my clients who are engaged and focused on design like they were. When you get that kind of inspiration and dialogue, you end up with a project like this one.” For Exterior Worlds, our design process addressed two main features of the original space—the blank surface of the yard surrounded by looming architecture and plain fencing. With the yard, we dug out the center of it to create a one-foot drop in elevation in which to build a sunken pool. At one end, we installed a spa, lining it with a contrasting darker blue glass tile. Pedestals topped with urns anchor the pool and provide a place for spot color. Jets of water emerge from these pedestals. This moving water becomes a shield to block out urban noises and makes the scene lively. (And the children think it’s great fun to play in them.) On the side of the pool, another fountain, an illuminated basin built of limestone, brick and stainless steel, feeds the pool through three slots. The pool is counterbalanced by a large plot of grass. What is inventive about this grassy area is its sub-structure. Before putting down the grass, we installed a French drain using grid pavers that pulls water away, an action that keeps the soil from compacting and the grass from suffocating. The entire sunken area is finished off with a border of ground cover that transitions the eye to the limestone walkway and the retaining wall, where we used the same reclaimed bricks found in architectural features of the house. In the outer border along the fence line, we planted small trees that give the space scale and also hide some unsightly utility infrastructure. Boxwood and limestone gravel were embroidered into a parterre design to underscore the formal shape of the pool. Additionally, we planted a rose garden around the illuminated basin and a color garden for seasonal color at the far end of the yard across from the covered terrace. To address the issue of the house’s prominence, we added a pergola to the main wing of the house. The pergola is made of solid aluminum, chosen for its durability, and painted black. The Ramsowers had used reclaimed ornamental iron around their front yard and so we replicated its pattern in the pergola’s design. “In making this design choice and also by using the reclaimed brick in the pool area, we wanted to honor the architecture of the house,” says Halper. We continued the ornamental pattern by building an aluminum arbor and pool security fence along the covered terrace. The arbor’s supports gently curve out and away from the house. It, plus the pergola, extends the structural aspect of the house into the landscape. At the same time, it softens the hard edges of the house and unifies it with the yard. The softening effect is further enhanced by the wisteria vine that will eventually cover both the arbor and the pergola. From a practical standpoint, the pergola and arbor provide shade, especially when the vine becomes mature, a definite plus for the west-facing main house. This newly-created space is an updated vision for a traditional garden that combines classic lines with the modern sensibility of innovative materials. The family is able to sit in the house or on the covered terrace and look out over the landscaping. To enjoy its pleasing form and practical function. To appreciate its cool, soothing palette, the blues of the water flowing into the greens of the garden with a judicious use of color. And accept its invitation to step out, step down, jump in, enjoy.

A simple one-story white clapboard 1920s cottage bungalow sat on a narrow straight street with many older homes, all of which meeting the street with a similar dignified approach. This house was the smallest of them all, built in 1922 as a weekend cottage, near the old East Falls Church rail station which provided direct access to Washington D.C. Its diminutive scale, low-pitched roof with the ridge parallel to the street, and lack of superfluous decoration characterized this cottage bungalow. Though the owners fell in love with the charm of the original house, their growing family presented an architectural dilemma: how do you significantly expand a charming little 1920’s Craftsman style house that you love without totally losing the integrity that made it so perfect? The answer began to formulate after a review of the houses in the turn-of-the-century neighborhood; every older house was two stories tall, each built in a different style, each beautifully proportioned, each much larger than this cottage bungalow. Most of the neighborhood houses had been significantly renovated or expanded. Growing this one-story house would certainly not adversely affect the architectural character of the neighborhood. Given that, the house needed to maintain a diminutive scale in order to appear friendly and avoid a dominating presence. The simplistic, crisp, honest materials and details of the little house, all painted white, would be saved and incorporated into a new house. Across the front of the house, the three public spaces would be saved, connected along an axis anchored on the left by the living room fireplace, with the dining room and the sitting room to the right. These three rooms are punctuated by thirteen windows, which for this house age and style, really suggests a more modern aesthetic. Hoachlander Davis Photography

The house was a traditional Foursquare. The heavy Mission-style roof parapet, oppressive dark porch and interior trim along with an unfortunate addition did not foster a cheerful lifestyle. Upon entry, the immediate focus of the Entry Hall was an enclosed staircase which arrested the flow and energy of the home. As you circulated through the rooms of the house it was apparent that there were numerous dead ends. The previous addition did not compliment the house, in function, scale or massing. AIA Gold Medal Winner for Interior Architectural Element. For the whole story visit www.clawsonarchitects.com

A simple one-story white clapboard 1920s cottage bungalow sat on a narrow straight street with many older homes, all of which meeting the street with a similar dignified approach. This house was the smallest of them all, built in 1922 as a weekend cottage, near the old East Falls Church rail station which provided direct access to Washington D.C. Its diminutive scale, low-pitched roof with the ridge parallel to the street, and lack of superfluous decoration characterized this cottage bungalow. Though the owners fell in love with the charm of the original house, their growing family presented an architectural dilemma: how do you significantly expand a charming little 1920’s Craftsman style house that you love without totally losing the integrity that made it so perfect? The answer began to formulate after a review of the houses in the turn-of-the-century neighborhood; every older house was two stories tall, each built in a different style, each beautifully proportioned, each much larger than this cottage bungalow. Most of the neighborhood houses had been significantly renovated or expanded. Growing this one-story house would certainly not adversely affect the architectural character of the neighborhood. Given that, the house needed to maintain a diminutive scale in order to appear friendly and avoid a dominating presence. The simplistic, crisp, honest materials and details of the little house, all painted white, would be saved and incorporated into a new house. Across the front of the house, the three public spaces would be saved, connected along an axis anchored on the left by the living room fireplace, with the dining room and the sitting room to the right. These three rooms are punctuated by thirteen windows, which for this house age and style, really suggests a more modern aesthetic. Hoachlander Davis Photography.

Glencoe Residence Landscape. Brick Paver Driveway with Bluestone Motorcourt Border, Radiant Snow Melt Heat System, French Inspired Formal Entrance Landscape, Low Voltage Lighting, and Irrigation. Entire property Constructed by: Arrow. Designed by: Marco Romani, RLA - Landscape Architect.

While cleaning out the attic of this recently purchased Arlington farmhouse, an amazing view was discovered: the Washington Monument was visible on the horizon. The architect and owner agreed that this was a serendipitous opportunity. A badly needed renovation and addition of this residence was organized around a grand gesture reinforcing this view shed. A glassy “look out room” caps a new tower element added to the left side of the house and reveals distant views east over the Rosslyn business district and beyond to the National Mall. A two-story addition, containing a new kitchen and master suite, was placed in the rear yard, where a crumbling former porch and oddly shaped closet addition was removed. The new work defers to the original structure, stepping back to maintain a reading of the historic house. The dwelling was completely restored and repaired, maintaining existing room proportions as much as possible, while opening up views and adding larger windows. A small mudroom appendage engages the landscape and helps to create an outdoor room at the rear of the property. It also provides a secondary entrance to the house from the detached garage. Internally, there is a seamless transition between old and new. Photos: Hoachlander Davis Photography

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Huge transitional beige two-story stucco house exterior photo in Dallas with a hip roof and a shingle roof

Picture Perfect House
Inspiration for a large farmhouse white two-story wood house exterior remodel in Chicago with a shingle roof

In the design stages many details were incorporated in this classic kitchen to give it dimension since the surround cabinets, counters and backsplash were white. Polished nickel plumbing, hardware and custom grilles on feature cabinets along with the island pendants add shine, while finer details such as inset doors, furniture kicks on non-working areas and lofty crown details add a layering effect in the millwork. Surround counters as well as 3" x 6" backsplash tile are Calacutta Gold stone, while island counter surface is walnut. Conveniences include a 60" Wolf range, a 36" Subzero refrigerator and freezer and two farmhouse sinks by Kallista. The kitchen also boasts two dishwashers (one in the island and one to the right of the sink cabinet under the window) and a coffee bar area with a built-in Miele. Photo by Pete Maric.

Who lives there: Asha Mevlana and her Havanese dog named Bali Location: Fayetteville, Arkansas Size: Main house (400 sq ft), Trailer (160 sq ft.), 1 loft bedroom, 1 bath What sets your home apart: The home was designed specifically for my lifestyle. My inspiration: After reading the book, "The Life Changing Magic of Tidying," I got inspired to just live with things that bring me joy which meant scaling down on everything and getting rid of most of my possessions and all of the things that I had accumulated over the years. I also travel quite a bit and wanted to live with just what I needed. About the house: The L-shaped house consists of two separate structures joined by a deck. The main house (400 sq ft), which rests on a solid foundation, features the kitchen, living room, bathroom and loft bedroom. To make the small area feel more spacious, it was designed with high ceilings, windows and two custom garage doors to let in more light. The L-shape of the deck mirrors the house and allows for the two separate structures to blend seamlessly together. The smaller "amplified" structure (160 sq ft) is built on wheels to allow for touring and transportation. This studio is soundproof using recycled denim, and acts as a recording studio/guest bedroom/practice area. But it doesn't just look like an amp, it actually is one -- just plug in your instrument and sound comes through the front marine speakers onto the expansive deck designed for concerts. My favorite part of the home is the large kitchen and the expansive deck that makes the home feel even bigger. The deck also acts as a way to bring the community together where local musicians perform. I love having a the amp trailer as a separate space to practice music. But I especially love all the light with windows and garage doors throughout. Design team: Brian Crabb (designer), Zack Giffin (builder, custom furniture) Vickery Construction (builder) 3 Volve Construction (builder) Design dilemmas: Because the city wasn’t used to having tiny houses there were certain rules that didn’t quite make sense for a tiny house. I wasn’t allowed to have stairs leading up to the loft, only ladders were allowed. Since it was built, the city is beginning to revisit some of the old rules and hopefully things will be changing. Photo cred: Don Shreve

Dwarf Hinoiki cypress accents and softens the view of this play house and garden shed. On this level, the structure is two story structure is a play house. Below is a garden shed, adjacent to the swimming pool that houses tools and pool equipment. I did not design this awesome structure but I sure felt special to be able to design the plants around it, enter it, play and dream! The cypress is Chamaecyparis obtusa 'Gracilis' also known as a slender hinoiki false cypress. It is extremely slow growing eventually reaching a height of 8-15'. Photographer: Danna Cain, Home & Garden Design, Inc.

This project presented unique opportunities that are not often found in residential landscaping. The homeowners were not only restoring their 1840's era farmhouse, a piece of their family’s history, but also enlarging and updating the home for modern living. The landscape designers continued this idea by creating a space that is a modern day interpretation of an 1840s era farm rather then a strict recreation. The resulting design combines elements of farm living from that time, as well as acknowledging the property’s history as a horse farm, with staples of 21st century landscapes such as space for outdoor living, lighting, and newer plant varieties. Guests approach from the main driveway which winds through the property and ends at the main barn. There is secondary gated driveway just for the homeowners. Connected to this main driveway is a narrower gravel lane which leads directly to the residence. The lane passes near fruit trees planted in broken rows to give the illusion that they are the remains of an orchard that once existed on the site. The lane widens at the entrance to the gardens where there is a hitching post built into the fence that surrounds the gardens and a watering trough. The widened section is intended as a place to park a golf cart or, in a nod to the home’s past, tie up horses before entering. The gravel lane passes between two stone pillars and then ends at a square gravel court edged in cobblestones. The gravel court transitions into a wide flagstone walk bordered with yew hedges and lavender leading to the front door. Directly to the right, upon entering the gravel court, is located a gravel and cobblestone edged walk leading to a secondary entrance into the residence. The walk is gated where it connects with the gravel court to close it off so as not to confuse visitors and guests to the main residence and to emphasize the primary entrance. An area for a bench is provided along this walk to encourage stopping to view and enjoy the gardens. On either side of the front door, gravel and cobblestone walks branch off into the garden spaces. The one on the right leads to a flagstone with cobblestone border patio space. Since the home has no designated backyard like most modern suburban homes the outdoor living space had to be placed in what would traditionally be thought of as the front of the house. The patio is separated from the entrance walk by the yew hedge and further enclosed by three Amelanchiers and a variety of plantings including modern cultivars of old fashioned plants such as Itea and Hydrangea. A third entrance, the original front door to the 1840’s era section, connects to the patio from the home’s kitchen, making the space ideal for outdoor dining. The gravel and cobblestone walk branching off to the left of the front door leads to the vegetable and perennial gardens. The idea for the vegetable garden was to recreate the tradition of a kitchen garden which would have been planted close to the residence for easy access. The vegetable garden is surrounded by mixed perennial beds along the inside of the wood picket fence which surrounds the entire garden space. Another area designated for a bench is provided here to encourage stopping and viewing. The home’s original smokehouse, completely restored and used as a garden shed, provides a strong architectural focal point to the vegetable garden. Behind the smokehouse is planted lilacs and other plants to give mass and balance to the corner and help screen the garden from the neighboring subdivision. At the rear corner of the garden a wood arbor was constructed to provide a structure on which to grow grapes or other vines should the homeowners choose to. The landscape and gardens for this restored farmhouse and property are a thoughtfully designed and planned recreation of a historic landscape reinterpreted for modern living. The idea was to give a sense of timelessness when walking through the gardens as if they had been there for years but had possibly been updated and rejuvenated as lifestyles changed. The attention to materials and craftsmanship blend seamlessly with the residence and insure the gardens and landscape remain an integral part of the property. The farm has been in the homeowner’s family for many years and they are thrilled at the results and happy to see respect given to the home’s history and to its meticulous restoration.

Jean Allsopp (courtesy of Coastal Living)
Traditional white three-story exterior home idea in Atlanta

In order to meld with the clean lines of this contemporary Boulder residence, lights were detailed such that they float each step at night. This hidden lighting detail was the perfect complement to the cascading hardscape. Architect: Mosaic Architects, Boulder Colorado Landscape Architect: R Design, Denver Colorado Photographer: Jim Bartsch Photography Key Words: Lights under stairs, step lights, lights under treads, stair lighting, exterior stair lighting, exterior stairs, outdoor stairs outdoor stair lighting, landscape stair lighting, landscape step lighting, outdoor step lighting, LED step lighting, LED stair Lighting, hardscape lighting, outdoor lighting, exterior lighting, lighting designer, lighting design, contemporary exterior, modern exterior, contemporary exterior lighting, exterior modern, modern exterior lighting, modern exteriors, contemporary exteriors, modern lighting, modern lighting, modern lighting design, modern lighting, modern design, modern lighting design, modern design

This beautiful 2 story kitchen remodel was created by removing an unwanted bedroom. The increased ceiling height was conceived by adding some structural columns and a triple barrel arch, creating a usable balcony that connects to the original back stairwell and overlooks the Kitchen as well as the Greatroom. This dramatic renovation took place without disturbing the original 100yr. old stone exterior and maintaining the original french doors above the balcony.

A traditional house that meanders around courtyards built as though it where built in stages over time. Well proportioned and timeless. Presenting its modest humble face this large home is filled with surprises as it demands that you take your time to experience it.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

This brownstone, located in Harlem, consists of five stories which had been duplexed to create a two story rental unit and a 3 story home for the owners. The owner hired us to do a modern renovation of their home and rear garden. The garden was under utilized, barely visible from the interior and could only be accessed via a small steel stair at the rear of the second floor. We enlarged the owner’s home to include the rear third of the floor below which had walk out access to the garden. The additional square footage became a new family room connected to the living room and kitchen on the floor above via a double height space and a new sculptural stair. The rear facade was completely restructured to allow us to install a wall to wall two story window and door system within the new double height space creating a connection not only between the two floors but with the outside. The garden itself was terraced into two levels, the bottom level of which is directly accessed from the new family room space, the upper level accessed via a few stone clad steps. The upper level of the garden features a playful interplay of stone pavers with wood decking adjacent to a large seating area and a new planting bed. Wet bar cabinetry at the family room level is mirrored by an outside cabinetry/grill configuration as another way to visually tie inside to out. The second floor features the dining room, kitchen and living room in a large open space. Wall to wall builtins from the front to the rear transition from storage to dining display to kitchen; ending at an open shelf display with a fireplace feature in the base. The third floor serves as the children’s floor with two bedrooms and two ensuite baths. The fourth floor is a master suite with a large bedroom and a large bathroom bridged by a walnut clad hall that conceals a closet system and features a built in desk. The master bath consists of a tiled partition wall dividing the space to create a large walkthrough shower for two on one side and showcasing a free standing tub on the other. The house is full of custom modern details such as the recessed, lit handrail at the house’s main stair, floor to ceiling glass partitions separating the halls from the stairs and a whimsical builtin bench in the entry.